spotto: (Q_Q)
Ye. I can still access this place. Ye I have not forgotten. I wonder if anyone still reads these aside from myself. Back in the day of the ol' LJ times I had a few friends who would occasionally read my nonsensical longwinded and pointless rants, but those were the olden days... They were the days of yore, when the internet was not centralized to few mega social media websites owned by terrible right-wing billionaires. So often when I fall into a fandom or whatever I search a discussion forum on Google, and I can't figure out if I can't find any because Google search sucks now, or if it merely just doesn't exist. Everything is relegated to Twitter or Reddit or even Tumblr still, depending on the popularity of the media. A lot of things are even gatekept onto Discord, which I could never really get into as a fandom space. The discussion topics are locked in these communities, in these chat logs that aren't organized in ways that I would like. If I wanted to read discourse on some controversy of some episode two years ago, I'd have to rely on a terrible search function or just scroll back on some general discussion channel for a thousand years. It's a system meant for things happening in the now, where you can discuss yesterday's episode and if you want to look through an archive, tough luck, fomo'd.

For me in the present though, I have been into a few things. Those few things I would discuss in... a locked private Discord community of myself and a friend , and therein it lays, forever untouched by the eyes of the public internet. I have a whole Pokemon Special liveblog there, discussion of GTA RP and its inherent toxicity, and my Wordle scores. I do Wordle and Connections and Strands and Worldle and Quordle and... well ye. I have a fitbit and have been more aware of my exercise routines and sleep schedule, and it has mildly increased my strength and endurance. So these things where your mind and body are being worked regularly are not an issue. But the rare occasion where I want to rant and discuss in a less enclosed space, I come here, and here I am... for yet another tierlist.

THAT IS RIGHT, IT'S TIERLIST TIME, BAY-BEE.



What is this you might ask? Actually I dunno why anyone would ask, it is quite obvious. Yes I watched all 154 episodes of Bluey in the year 2024. You might be wondering why, well since I have a pretty well maintained MLP tierlist on this blog, it's not surprising. You see, my beloved Canucks lost in the playoffs this year after not having been in it for about four or so years, and right after a pretty decisive game 5 when it looked like everything was locked down and they would defeat the Oilers in 6 or 7. Then they just ran out of steam rather suddenly, and my hated rival team went onto the finals. Thankfully they did not win (barely, whew!) but when such devastating losses happen I seek wholesome media to consume, to distract myself from the disappointment of sportsball. (They did very much overachieve this year though and assuming we don't lose too many players to FA should be primed for another playoff run next year I am hoping) Bluey just seemed like the right thing to watch.

I am not going to discuss all 154 episodes though, that is insane. I will touch upon some favourites and unfavourites though. This image above is only season one, because attempting to fit all 154 eps in one tierlist was also a failed endeavour. I had too many tiers as well, and there's just only so many different levels of mid you can put 7 minute dog episodes onto. Bottom tier is not really like, I hated the episode, why does it exist? kind of level. It is moreso the episode was dull, or just run-of-the-mill kids show fodder, so I wasn't particularly negative. A lot of the eps I came away expressing that it was cute, and it was! This show is 90% of the time just very cute, and there's nothing wrong with that. I definitely liked seasons two and three more than one, but I will def touch upon some episodes.

So Bluey is a preschooler cartoon about a family of dogs. The parents are both amazing parents, and also flawed parents. I notice the internet community likes to compare them to adult cartoon or sitcom parents, which seems like a weird comparison when so many of those parents are like deadbeat parents, or typical exasperated mom reacting to toxic idiot dad kind of tropes. Whereas in cartoons aimed at younger audiences the parents are more like omnipresent Gods who can do no wrong and are perfect in every way. (Or simply aren't present at all) There are exceptions of course, but I think Bluey does a great job balancing both, being a great role model to aspiring and current parents, but also being relatable to them as well. I will say this opinion is not a very informed one though as I am not at all a parent, and the closest I could compare is taking care of a very needy cat, but I digress.

Anyway as for the episodes, my top four or so are either hilarious episodes or very heartwarming, deep episodes that resonate with my soul. The Sleepover depicted the kids' very rambunctious and sleep-deprived cousin, Muffin, as very drunk. (She was just very sleep-deprived, but she was driving a toy car and crashing into things) Also the younger sibling Bingo was roleplaying a hilarious husband character as they dined out at a restaurant, so that was a great bit. This entire show feels like a parenting show for theatre kids, with the parents (especially Bandit the dad) just committing to the bit and yes-anding any game the kids want to play. Asparagus is similar but with the whole family depicting some unhinged animals, etc. Huh the more I discuss these eps the less I have to say. I just think they're neat!

For a more negative spin on things, Camping is a highly regarded episode, but I got a bit spoiled reading some discussion with people heaping ludicrous amounts of praise onto the episode. It was like only my second or third ep I watched ever, so I went into it with high expectations, and while I liked it a lot it did not meet my crazy standards. It also was a gateway into some shipping wars (IN BLUEY OF ALL PLACES???) between who eventually marries Bluey in the future, the Camping dog or her childhood friend Mackenzie, and I could just not give less of a shit. Like, I just came from a toxic fandom with some of the most absurd and awful shipping wars possible, and toxicity everywhere (tbf, its community only really existing on Twitter did not help whatsoever) and I am just not here for it anymore. Like if these past few years have changed me in any way fandom-wise, it's that I'm done with shipping. I hate it. I would rather read fluffy family or friendship-oriented stories than argue with people about who gets with what. Egads.

As for the bottom-tier episodes, I found myself not super engaged with any episode that took place in the classroom. All I can find anywhere is heaps of praise for the teacher character Calypso, and while I think for a preschool cartoon the teacher being flawless makes sense, when comparing her with the parent characters it felt rather off. Now I may not know anything about the Australian education system, I do know Bluey and friends go to a type of private school called Steiner, and it's meant to encourage imaginary play? She seems to have heaps of that at home already, but also throughout all 154 eps I did not see the alphabet or math or whatever being taught. They were just prancing around playing house or some games in their whimsical paradise, and Calypso was around to supervise or say something wise occasionally. We see the parents being flawed all the time, the kids being a lot of work and testing their patience. It's not even just Bandit and Chilli, the other kids' parents are flawed. Lucky's Dad forcing the pass the parcel rules, Chloe's dad not being as imaginative in play like Bandit, Trixie eating all the chips in the self-restraint episode, etc. Calypso needs to teach and watch a whole classroom of kids and she just seems like, she was born to do this. You know that trope where it's weird to see your teacher outside the school setting? I genuinely believe Calypso does not exist or have a life outside being the best teacher possible, and just powers down for the night like a robot. That's the vibes I get.

But anyways season 2!



Ye I definitely loved this season more than the first. This time I do not have some popular crazy beloved episode lower than expected, and the bottom-tier is still mostly classroom eps, some eps I didn't really vibe with or care for the message, etc. Again, not bad and still enjoyable but other episodes were better. The theme this time around is I really developed a love for Chilli as a character. Yeah, I am again not a mom, but my god she's really relatable what the heck. I think the biggest part in it, is how her side of the family is smaller and has more issues than Bandit's huge family, and I really like that a preschool show is not afraid to show less idealized families and the hardships they go through. I have a friend for instance who really wants a cat, and is jealous that I have a cat, but I am jealous she has a huge presumably well-functioning family. Of course I can't speak of what her family really is like as it isn't mine, but surface level that's the feeling.

However I DO  want to talk about Hammerbarn. It may be my all time favourite episode. It is not at all some deep episode about some poignant lesson. It's just the kids going to Home Depot or Bunnings or whatever Australia's is called, and Bandit being jealous of his neighbour's new pizza oven, and also Chilli actually yelling at Bluey (this is like the one time ever?) when they're being especially bratty in the store. It's fucking hilarious! I love Hecuba, RIP Hecuba. I love Bluey's new better husband, I love that her new better husband was stolen by another lady. I love that all the paint samples are free. It's probably a different Bluey that Bandit heard. I am spoiling every single joke mfg.

Also Dad Baby while not a super favourite was actually the first episode I ever watched. It was like the first thing available on Youtube because it is banned on Disney Plus. I even have Disney Plus already, but went out of my way to watch on Youtube and buy the DVDs because the amount of censoring they do is stupid. So yeah my first impression of Bluey outside of random clips was a male dog pretending to give birth, and his neighbour he was jealous bought a pizza oven the other episode was his pretend midwife. Wild, really. I actually love Lucky's dad. A few other early episodes I watched was Asparagus where Chilli and Bingo attacked him randomly as lions, and he just blamed himself for not being on his guard, def one of my favourite adult characters. Speaking of DVDs why on earth is this show not on Bluray? I went out of my way to buy a used PS3 to play Blurays because I had a collection of Blurays I could do nothing with, and the first thing I buy that isn't Saints Row 2 is a DVD because somehow Bluey doesn't have Blurays???

Sleepytime, by far the highest rated episode and a glorious visual and audio treat would have been amazing on Bluray. Sleepytime is also another Camping sort of ep for me because everyone was raving so highly over it, and while I loved it still, the expectations were sky-high. It's a low S for me, but still up there. Some Bluey fans are treating the show like it's the second coming of Jesus or something, sheesh. A majority of the series is just very cute to me, but I guess a lot of shows especially those aimed at younger children are brainrot these days so Bluey is like a blessing or something. It does subtly hint at some more mature themes parents experience without becoming too edgy or dark, like the episode that hints at a miscarriage and was tastefully confirmed of its intent on a book specifically about miscarriages and how parents or parents to be or aspiring parents can get through such a tragedy, which is great and I'm glad Bluey does well. `

...

Bro it is three days later and my friend asked me to do a RWBY music tierlist, so I will do so after quickly summarizing the rest of this even though I love seasons 2 and 3 lots.


 

Huh seeing this three days later and my mind is already confused by some placements on this list. I liked Whale Watching that much?? To that degree??? I guess I can't be bothered to move it down, so eh. Rain is good but also a tad high. I think I was influenced by the general Bluey community who love certain episodes quite a bit, and I don't like to be the contrarian even though I often am a contrarian. It is hard to explain. As there are over 150+ episodes, I wanted to talk about my absolute favourites. Dragon is by far my favourite, though it may be tied with the humour of Hammerbarn, but I love the message about art and those who are encouraged vs discouraged, the episode itself artshifting to each characters' artstyles, and their own artstyles influenced by their skill level, Chilli with copic markers, Bingo with crayons, Bandit with sharpies, etc. But the message and imagery near the end really got me in the feels.

An episode I might have pretty high that most won't is Driving. I just relate to Chilli a lot. The fact that she has a co-worker literally named MADGE calling her on her off-day about the most miniscule of bullshit, is such a relatable situation. It's not just her family situation I relate to, but everyday things like annoyances with work and such, and her introversion as well. Also my cat would threaten to pee on a curtain, and the game they were playing going down a Grand Theft Auto route was not on my radar either lol. Episodes like Fairytale I got really spoiled on, and Granny Mobile seemed a tad overrated. I was expecting to hoot and holler at Muffin's shenanigans, and left the episode mildly amused instead. I did wonder if the crochety old pug was potentially being racist though and the implications of that, but it's best to not think too hard on such things. Unicorse annoyed me more than amused me as well, and Stories felt a bit too random and surreal.

It actually kinda looks like I enjoyed season 2 more, but I did like The Sign quite a bit! It took me a while to watch all 151 or so episodes, and everyone and their pug grandmas were raving about The Sign. I think even though there are more happy endings than I wanted, such as revealing Brandy being pregnant after the heavy implication in an earlier episode she couldn't carry, the Sign was an ideal 28 minute episode. If they did not have Calypso's infinite wisdom in the first act of the episode I would not have liked it as much, She taught Bluey how there are happy endings in stories all the time because life gives us enough sad ones. And I agree! When I was younger and life was more carefree and blissful, and we were all ignorant of the woes of reality, I would seek out angsty and tragic stories to read more often, but as I grew older and experienced life in general more I felt less need to seek those stories out and would just read fluff pieces or hurt/comfort stuff instead. Maybe it would have been nice to teach kids that accepting a move and saying goodbye to your childhood home is necessary, but people go through that all the time. Let us have the fantasy that Bluey got to stay.

This lesson reminded me of a movie I recently watched, Inside Out 2. SPOILERS AS WELL, if this whole post isn't spoilerrific enough, but a particularly poignant line Joy said at her darkest hour really resonated with me, and was also the highlight of the movie. I'm not gonna pull up the exact quote so some words might be wrong, but her line was:

"I...don't know how to stop anxiety. Maybe as we grow up... we feel less joy."

Which isn't to say we should give up because we will not feel as happy as we grow older,  but that though the waves of joy will be less frequent, the size of those waves would be stronger when they do come. Or at least that's how I interpreted it. Riley developed a ton more emotions who will need to share the console, and they aren't especially positive ones, but still necessary to mould Riley to the person she will come to be as she grows up. That doesn't mean Joy is less relevant, but she will have to balance her placement with the other emotions.

Anyway I am avoiding the true topic at hand that a friend requested! A RWBY music tierlist! I heard they got acquired by VIZ Media today, so good on them. As for my opinion on the music, I feel like it started off real strong in the first few volumes, but they sort of played it safe in the same sort of style of music and everything later on just sounds samey. I heard the initial artist of these songs Jeff Williams did retire and leave his daughter to create (not just sing) the rest of the volumes' music, but I'm not sure when that happened or if it's particularly noteworthy in terms of my opinion. One reason it sounds samey is it's the same kind of rambling sort of lyrics and singing about always depressing and death sorta things, in a very edgy way too mind you. Now the show is pretty devastating sometimes so it fits, but it's just like, I can only hear ALL THINGS MUST DIE!!! So many times. I do not care if the title or chorus of the song is meant to be cheeky or something and some other verses counteract the chorus, leading to deeper meaning or w/e. It doesn't damper the part where ALL THINGS MUST DIE!!! is being yelled into my ear.

Plus a lot of the less metal sounding songs that are more emotional are also depressing. Bro it's been nine volumes please other genres of music.


 
Fun fact I had to screenshot this one because I noticed too late tiermaker's save function destroys the image quality, as you see in the Bluey ones above.

As for comments, uhhh. Early songs good, late songs bad? Idk. Volume 9 I noticed had less samey metal so I liked some songs more. Also as a Weiss enthusiast it seems odd she got at least one song every volume (once even twice!!) and then after volume 4 never got a song ever again, just like her relevance in the show! Unless there is some volume 7 song that is meant to be for her that I just do not know about. A lot of the later songs I heard recently for the purpose of this list and only once, too. This Life of Mine is absolute fire, but I only love it so much because this cover of the song is the hardest I have ever heard a song be sung. Like, my god. That cover is the real song in my head, and not the original. Caleb Hyles is a real gem. I know he sang Hero because RWBY likes to elevate their fans, but it just doesn't hit as hard as This Life is Mine. And as far as favourite song of them all? It's a bit of a cop out but Red Like Roses Part II is just, like. No song can even touch it. Red Like Roses Part II might be in my top ten or even top five all time favourite songs in general, it is that good.

I also tried to relisten to some Ice Queendom music to compare, but outside of the OP (Beyond Selves) and Unbound they'd just be at C tier at best. Unbound and Beyond Selves would be A or even S though. Also I really wanted to keep Home in S, but then I heard it again and it just gives such an air of nostalgia! When it was played in the Volume 5 ep where Weiss reunited with Yang I was just melting in my chair with wholesomeness and relief. So happy for Weiss in that situation (Yang I would too but it seemed to have affected her less, and she kind of just got worse in terms of demeanour as time went on? So I dunno) I used to sing Gold all the time in the shower, knew all the lyrics. And of course Mirror Mirror Pt. 1 is part of the White Trailer that made me fall in love with the show in the first place. Those were the days. The days when RWBY piqued.

Anywho this post is long enough, and is really just about tierlists which is the lowest denominator of stuff I could discuss anyway. See you in maybe 2025? Maybe sooner? Maybe never? Probably not never, but infrequency is likely the key. P:

spotto: (Default)
So I have a very loud mechanical keyboard because I put no thought into upgrading my old 2009 keyboard. Hey, everyone has mechanical keyboards and mine is literally 14 years old, so idk buy the first thing I see on Amazon! NOW MY TIPPITY TAPPERS ARE LOUD AF and I stopped typing my semi-yearly post in the deepest darkest of nights in fear of waking my family! WHAT IS THIS. It is all gone, all that information.

I now see why I had so many gibberishly-named text documents on my old HDD of Dreamwidth drafts, for precisely THIS REASON.

Anyways yes, it is indeed 2023. Well into 2023 in fact. I went over a full calendar year of posting nothing here. 2022 is as blank as my life. Now listen, I only returned (and remembered this blog existed) because of one lovely friend Aoi-dono, who somehow launched Negima back into my life in a form of supreme nostalgia since I avoided that shit like the plague after I was done with it. Fandoms with poor endings and bitter feelings really do not pop back up often, but wow was Negima music pretty fire, and the concerts with all the talented and lovely VAs really amazing and heartwarming. Rewatching a lot of that, and finding out that true ending of Negima was revealed in the poorly made sequel UQ! Holder was definitely revitalizing for me. I ended up skimming/rereading Negima itself too, and rewatching a few episodes. And even though that fanservice and those ages absolutely did not age well, the degree of nostalgia was still pretty high. I still love my favourites (Asakura and Sayo!) and remember how much I rambled about them on this blog.

For this reason I thought that a good yearly post would be a full on Negima review, now knowing the true ending and having like...idk 12 years of reflection? The manga ended that long ago? Jesus fucking Christ I am old. But yeah this manga is something aimed at an audience that I am not at all within. One big reason it clung to me (and Aoi-dono probably) is that there was an official yuri couple who existed not as the main plot, but not as a one-off background cameo kinda thing either.  They were important characters who happened to be in a relationship, sorta like Uranus and Neptune of Sailor Moon but appearing way earlier. This was especially refreshing in a harem series where most girls/characters are meant to be attracted to the main character, this being ten-year-old Negi Springfield, a wizard from Wales.

So yeah, that's already a million degrees of problematic. A ten-year-old boy and his 14-year-old students? Not only is that a power dynamic through teacher-student relations, the girls are about 4-5 years older than him that if they were well into their twenties is not a bad age-gap, but here with fanservice abound? Egads. This is why people say Anime is a mistake. It's very degenerate. But I was a similar age as the girls when I first got into Negima. I found the girls fighting and their abilites super badass and cool as a teenager. The fanservicey lovey dovey stuff I tried to ignore, which was easy since my favourite characters ended up being two who were either not at all in the running for the Negi sweepstakes or had such a remote chance of winning it isn't even worth mentioning, that being Asakura and Sayo. They were not at all as important as most characters because unless you were the main female lead, had a serious interest in Negi, or were the aforementioned yuri couple, your screentime and relevance to the plot would usually be nil. Still, I fell in love with the series once the semi-canon Anime aired and gave us its original backstory for Sayo, who NEVER got one in the main manga anyways. This is unlike every other iteration/adaptation of the manga, which made absolutely sure Sayo got her backstory episode in or at least a limelight episode.

I loved that all the adaptations seemed to value the class of 3A greatly, and put somewhat of a backseat for Negi. The opposite was the case with the manga, but the animations and such all seemed to be more interested in the harem-comedy aspect of the manga as opposed to its more shouneny nature later. However, I will say the shounen aspects were well-done and enjoyable, and it is a shame most of it was left on the wayside and never animated. My favourite arc, the Mahorafest had so much screentime and relevance for the girls but also included quite a lot of action and shounen. That mix was perfect but it was the one arc with no such attempt at animation at all (except a very short clip of the momentous final battle) when it would have been my favourite arc to see on screen. Previous arcs still were experimenting with the shounen and was heavily harem hijinks heavy while the Magical World devolved into full-on-shounen with the girls as support and accessories, and their only plot relevance reduced to the romance aspect more than anything else.

To elaborate, this manga was at its prime when it mixed the two genres equally. The big bad villain was one of the students and a portion of the class sided with her, so we had classmates duking it out while Negi fought the boss. It involved as many of the girls as possible through festival hijinks and even had them joining in on the final battle in the form of a masquerade to still keep magic a secret, as the existence of magic and its reveal was the primary conflict of the arc. The funny thing is my favourite characters probably had the least amount of screentime in this arc, but yet it was still my favourite of them all. (Though Sayo was introduced at the beginning of the arc so it did start Asakura and Sayo's friendship! Woo!)

Later on as it transitioned to the Magical World, the arc started very strong. I love the idea of the big bad absolutely destroying the whole team and scattering them across an unknown world, sort of like an isekai of sorts. It would have been fascinating to see how some of these girls, especially the mundane ones and extra especially the stowaways who snuck in would have fared in a more fantasy-like and rough world. Sadly a majority of the arc still focused on Negi, and only a chapter or two each was shown of what the others were doing and how they survived. I think that was a huge missed opportunity of interesting stories. It would have made an already incredibly long arc longer, but knowing how it all ended and how rushed the ending of the arc was, I don't think it mattered. Ako being helpless and ending up as the load for Akira and Natsumi, thus needing Negi to save them was disappointing. I didn't think they would have fared well, but it  would have been more interesting if literally anything else happened. Makie and Yuuna ended up in a similar situation without the slavery, so that was both disappointing and boring. This was integral considering Yuuna's backstory of both parents being mages, and the manga revealing her mother was killed in action for the same conflict of the main plot, so for her to be mostly offscreen being a waitress and for this revelation to come way later with no payoff was yet again wasted opportunity. Of all characters to need development in the Magical World, she was the one.

And even outside of character arcs and development, the story of how Haruna managed to obtain an airship would have been fun, even for a chapter. What was Ku Fei doing outside of standing on top of a rock? How did Asakura get to the city and use her presumable street-smarts to not fall into slavery and be recognized as a fugitive like all the others? Why did we put Asuna, Konoka, Setsuna, and Kaede in the same vicinity and just have them be Monster Hunters? How bloody boring is that? Especially for how plot relevant Asuna gets later in the arc, for her to have such a snoozeworthy start in the Magical World is another bundle of disappointment. We get some interesting chapters with Nodoka but her companions are super forgettable. The only character who gets an arc and a gaggle of interesting side characters is Yue, which is nice, but she was the only one. Anya could be removed from the entire story and nothing would change.

I initially did not carry these criticisms because some of my favourite characters like Chisame, Asakura, and Sayo were found first. Not only did I not need to wait eons for my favourites to return in the weekly chapters, but they got decent screentime. Asakura finally got her long overdue pactio, which has a suspiciously named artifact. (Corvus??? CORVUS??? Corvinus??? Listen if I see crows and journalism in the same panel I WONDER.) They also de-aged her like Chisame and Chachamaru, which was cute (MY ICON!!) until Akamatsu decided no age is free from fanservice, so that was weird. At least voodoo Sayo is cutesy and happy! But once her utilization was realised she was shipped off to do her duty and she and poor Chachamaru lost their screentime. Chisame though was quite the trooper and I was happy she was basically lead main female for the arc essentially. Still, was Negi's demon form and his struggle to control/master it... did he need to achieve that like three separate times??? It really felt like three separate times. It might have been two, but definitely felt like three. All that wasted time could have gone to these day in the limelight chapters where we can see things like Haruna's world-conquering beginnings and such.

Anyway the reason I bring up the girls becoming far more like support/accessories is that Negi becomes so powerful none of the girls can catch up, so they can only clean up mooks or fight far less powerful minions and such. Not only that, every enemy Negi faces and needs to overcome is a dude. They are either very manly dudes like Rakan, or essential big bad rival guys like Fate, or some random one-off who wants to fight Negi to TEST THEIR STRENGTH, who could very well just be a girl for diversity's sake, but god forbid any member of the female gender be able to fight and not have their clothes ripped off, or even that their defeat IS that their clothes is ripped off. I don't even think there was a tournament fighter that was a girl, and those characters weren't even important. The Magic World just felt so shonen with no girls whatsoever. Not only that, Fate also obtained his own harem of equally weak and unimportant devoted accessory girls. This viewpoint is especially extenuated when I found out about one of the love interests in the sequel, UQ! Holder.

Now I did not actually read most of UQ! Holder so take this with a grain of salt, but from what I read online of others and their opinions, there is a character named Kuromaru who does the Shimeiryuu stuff Setsuna does, but is from a different clan or whatever of demi-humans. These demi-humans determine their gender at some age (16? Idk sometime after puberty kinda age) so Kuromaru for most of the manga is genderless. They initially identified as a boy, and wanted to be a boy but because they developed feelings for the MC, who is a boy mind you, found it fitting to be a girl. But not only that, they thought they couldn't be equals with MC, like best buddies and fighters who can rival one another or something if they were a girl, so thus had to be a boy for that reason. This entire character could have been so interesting, but ended up feeling incredibly offensive to me. This means Akamatsu believes shonen fighting people must all be men, but if romantic feelings are involved they must all be women because god forbid there be a homosexual MLM relationship or a woman who is equal to men. It's a fantasy series for Christs' sake, like even if real life biologically women cannot keep up with men physically, in a world with dragons and magic and BS like that, that very reasonable fantasy should be possible! Now while I understand Kuromaru may have identified as heterosexual and that part of them fought against their desire to be male, I highly doubt there was that much nuance in UQ! Holder. My opinion of him really dropped after reading that, and seeing how poorly the fanservice aged, but again I did not actually read UQ! Holder (and feel SO little interest in doing so) so some of that might not be 100% accurate.

Although I will say the character did end up as basically a tomboyish girl after that, so maybe it was best of both worlds? She still fell far behind MC combat-wise and can't be described as equals in the fighting sense though, so who knows.

Another example is the reveal and development of Negi's mother. Mothers are a big deal in Negima (and Anime in general, honestly) because they DO NOT EXIST. They either are never mentioned or die in the backstory/beginning of the story. Fathers in Negima include Negi's, Konoka's, and Yuuna;s, which is still  very little but at least they exist in some capacity. Negi's mother, Arika was revealed to be super important to the political and royal sphere of the Magical World, but the moment she met Negi's father, any power she wielded became irrelevant and she was just there to be head over heels for super cool shounen guy and be the baby momma. What had happened to her and why she isn't present in the story now is never mentioned or revealed, not even in the ending shown in the sequel. Trash.

So yeah revisiting Negima did not really raise my opinion of the manga, probably the opposite. The rushed ending notwithstanding (I am not even going to go into that, it was just rushed and bad, the defeat of the big bad utterly skipped, whatevs) and really at the time the biggest injustice was that a chapter teased a Sayo pactio along with others, which suggested finally touching on her backstory potentially, but every other character teased got the pactio and she didn't. And then the story suddenly wrapped up so there was nothing there whatsoever even though they teased it. Manga notes in some earlier chapters revealed she had died to some series of murders during World War II, but that was never touched upon. The first Anime gave a completely different backstory and every other adaptation did not touch Sayo's backstory. An absolute shame. I guess I should just be happy she shot some gatling guns or whatever and was piloting a robot body like a mecha. Wow cool.

An even bigger slap in the face was revealing Sayo still being in that same 3-A c lassroom in UQ! Holder like 80 years after. The epilogue of Negima had her escape her school shackles and travel with Asakura, but somehow she went back to the school and never resolved whatever was tethering her soul to  this earth? I would imagine Asakura might have dug up some sort of backstory eventually, being the sleuth and reporter she is. It's incredibly disappointing that nothing changed, Negi didn't help her either, she never presumably figured out why she died, and she's now been stuck in that spot for a whopping 140 years. Jesus Christ, FREE THAT GHOST! FREE HER!!!

The finale piece to this puzzle was the ending Negima would have got being revealed in UQ! Holder. Sure there was oodles of action where Negi fought bravely and had Asuna's broken and ancient magic-cancelling powers to defeat the Lifemaker, but there was also the answer of who he ended up with. The alternate timeline UQ! Holder is set in was deeply unfulfilling, since characters long-dead somehow showed up for the epilogue like Konoka or Chisame, and Negi somehow had babies ever after with everyone. (Even Asuna who should be in a plot-induced sleep atm) But the ending revealed for Negima itself, without the alternate future of UQ! Holder had Negi confess to... spoilers! Chisame of all people! And this was both unexpected and expected. Expected because Chisame (like Asuna) is similar to the main heroine of Akamatsu's earlier work, Love Hina, but unexpected because Chisame was never part of the main pactio'd or fighter girl cast until well into the Mahorafest arc, and then not actually becoming truly important until the Magical World. She showed no interest in Negi until that final arc too.

But even then, Chisame rejected him because of all the aforementioned very problematic reasons. Though he means well and is a really cool guy, he's still ten, is her (now former I guess) teacher and her a student, and she just isn't ready for such commitment as well, hoping if he still likes her many years down the road when any other girl could catch his eye, he could try again. That's finally a sensible response to all this harem nonsense, and her maturity is probably why Negi liked her best anyways. She never had ulterior motives to give him advice or be by his side. She even asked why he tried so hard to find his dad when he was having a great peaceful life just being a teacher at their school. Everyone else would just support him and his decisions completely and never challenge him or give him another viewpoint of what he is doing , and I think Negi respected that. I was happy Chisame won, it both made sense, and I like her character too!

I also like that the many  fans of the other girls in the running were supremely salty about this ending because I have been on that other side a thousand times, and even if I wasn't super invested in whoever won the harem still feel good about it at least just this once. I cannot believe Negima did what MLP, RWBY, etc. didn't do. That's mindbogglingly amazing.

In conclusion, did not age well, sequel is even worse, but original ending was kinda okay! Still no closure for favourite characters. Asakura's technically dead I guess. WELP. That is about all from me.

As for my current fandom interests as this is primarily a fandom blog, I have switched up to more unscripted fandoms like DnD or music fandoms, or live content like streams because storytelling can be so unreliable in quality. Might as well let random chance and improv dictate it instead! About the only new fandom that isn't part of that criteria I found was the Pokemon Manga, Pokemon Special. Blue is best girl! And Black and White is the best arc. GO AGENCYSHIPPING!!!

That is all.

 
spotto: (arisu margtrod)


just wanted it here to compare ok bye

also look at okunoda miyoi, is she not the cutest fucking touhou ever? literally read her manga yesterday, would be even higher otherwise lol



spotto: (Stage One.)
So on my Sims game I have a whole bunch of OTPs living together. Been doing this for a while just to keep my favourite girls in one place. Recently I've set aside basement space for specific types of OTPs... the ones that no longer can function in canon. As in, they have been super sunk and no reality or dream can make life better for these ships. However, the criteria for them is a lot more nuanced than simply a ship that cannot go on. I thought to define these sets of criteria, to truly express my despair at how far down these ships fell.

Initially half the OTPs were in this unfortunate club, but I began thinking about how the two characters were treated in canon and how they interacted, and one definitely has a lot more going for them than the other two. There are six OTPs in total living in the household. This is the order I put them in from absolutely canon, no doubts about it all the way to these two characters have canon ships with someone else

1. YuuTouko from Bloom Into You
Bloom Into You is literally a romance story about these two as a couple, or blooming into a couple I should say. It does NOT get more canon than them!

2. KyouSaya from Puella Magi Magica Madoka
Though the status of their mortality is complicated, and I have yet to see the sequel, Magia Record if these two are even in them, as of Rebellion they're not explicitly canon, but as canon as one can get. Sayaka's little subplot with her dude crush is lightyears away at this point.

3. AyaSanae from Touhou Project
A rarepair! Not at all canon, but the nature of Touhou where romance doesn't exist and no one ever dies means literally zero ships will ever be canon or sunk, so these two can be a forever dream, never to come true, but never to be quashed either. Unless something in the status quo has changed, it is firmly on this tier.

4. Tenmiko from Danganronpa V3, Killing Harmony
And this is the ship I mentioned earlier, where I have firmly decided they do not belong in the basement of tears. Yes, one character is canonly dead so it's not as if this ship can ever sail, but they had lots of interaction in canon, and their development as characters depended on each other the most of any other. Plus it is canon in a one-sided sense, as Tenko had chased Himiko until her death. ):

5. Monochrome from RWBY
How are these guys not dead last!? I blame the MLP finale. Yes, Blake is with Yang, but as of season 6 as I have not seen 7 yet, Weiss is still a suitable bachelorette! The series is not over, and technically anything can happen. Also neither of them are dead or anything. I will elaborate on their status later on.

6. PinkieShy from My Little Pony, Friendship is Magic
Sigh.

Pinkie Pie and Fluttershy had the least amount of potential anyway, but it's still gives me a bit of a sad twang what happened to them. Not so much that they are in official relationships with other ponies/creatures even though they are, but rather that throughout the entire nine seasons of MLP, several movies and specials of EQG, and throughout all the comics as far as I'm aware, we never got a single episode focused especially on these two. No conflict of friendship they needed to get through, no obstacle from a third party the two of them had to get over, absolutely nothing. The closest I got was Buckball Season, where the two started their professional sports careers. No I did not see that coming whatsoever, but while it was a lovely episode, they shared it with RD and AJ, and the conflict was between the four of them. In subsequent episodes featuring Buckball, the two of them were always in the backdrop of a different plot, usually involving Rainbow Dash. Why bother putting them in this situation if every future Buckball episode just focuses on the already-an-athletic-member-of-the-cast anyway!? Gah.

There was one EQG short that focused on them, which was ironically a cheerleading short... whereas in Ponyland the two ARE the athletes and that one Buckball episode was Rainbow Dash coaching the cheerleaders... let's just say the EQG short was charming and cute but rather generic in execution. It got to the point that I was simply hoping anytime any of the ponies were paired together it would be them, just once. And not in a lazy, boring way either. Rainbow Roadtrip had the two of them sharing an activity and thus befriending the same villagers, but their subplot was by far the least interesting of them all in an already dull and slow-paced special. You COULDN'T EVEN MAKE MY TWO FAVOURITE PONIES INTERESTING, HOW, WHY. The two of them didn't really interact with one another, so yea. Plus every other member of the main six each had an individual subplot in the story so it felt like Ponks and Floots were like the leftovers they weren't sure what to do with.

But stuff like the Best Gift Ever special, where I was hoping the Secret Santa would yield interesting pairs instead of the same ones over and over again---NOPE! It's the same ones over and over again. They even did it in EQG too. Why is Rainbow Dash always getting Fluttershy? Yes we have had numerous episodes focusing on the two and they were childhood friends as well, so why do we need even MORE interaction for them? Especially this late in the series when the show is ending soon, you could explore OTHER pairs and other interactions but EVEN STILL you just go back to your usual? WHY?!?! You could have done Rainbow with Twilight or something, or Dash with Rarity, or even Dash with Pinkie. We also got Pinkie and Twilight as the pair (it was even MORE disappointing when most everyone just got each other, instead of everyone having to give presents to another pony, like what are the chances of that?) and Rarity got AJ as always. AJ only got Spike so we could have more Spike and Rarity interaction. The song in the end was cute and to be fair, Spike sought out Rarity because of his crush so that one is understandable, but the rest is aggravating.

They probably would have been rock bottom in the list anyway, but I was hoping for at least one episode involving them before the whole series ended. Their dynamic started out strong in Season One, which was a season that was a lot softer and wholesome than the following seasons. See, after season one they ditched their educational rating, so the episodes had more freedom to do whatever and wasn't so strict in terms of their target demographic. However what season one did and what I'm sure Lauren Faust emphasized, since she stepped down after this season and wasn't involved whatsoever beyond the second season, is to keep Pinkie grounded. What I mean is that, it seems like she knew that Pinkie had that potential to devolve into that LOLRANDOM type of character who would become more and more controversial and annoying over time, and in season one it seemed like the writers made sure not to let Pinkie fall into that territory. But without her influence and that child-friendly rating they were free to write Pinkie as they saw fit, and moulded her into the type of comedy they wanted to write as opposed to writing the comedy around Pinkie.

This leads to discrepancies, from Pinkie understanding Fluttershy's sensitivity in episode five all the way in season one, to becoming a one-dimensional gag in episode fourteen of season four, all to worsen Fluttershy's anxiety with her innocently insensitive remarks. We are supposed to laugh at Pinkie because she doesn't know better, but SHE DID KNOW BETTER. She did. I know I've ranted about Filli Vanilli to death at this point, and the episode's reputation is moreso the fans' complaints over the actual content, but as someone who loves both these characters I can't let go of it. Especially when the two of them lack much interaction at all, having one of them to be so negative (as well as the Putting Your Hoof Down incident in season two) leaves a lot to be desired. Who would actually ship them after those negative interactions? Nobody. A lot of the ship's popularity came early, when Pinkie sang and jumped across the gorge to encourage Fluttershy, when Fluttershy jump-hugged her out of worry in Appleloosa. There are however isolated scenes in the later seasons where their interactions have been largely positive. The most notable is the scene in The Mean Six, of season eight. Fluttershy is upset due to a misunderstanding with the animals through an anti-version of her running around, and Pinkie's first impulse is to hug and comfort her, and stop all gags and progress in the camping trip to console her. It's great and I love it, but alas it is just one scene in one season, when their last notable interaction was back in season six in Buckball Season.

Plus a lot of the more recent Pinkie episodes have had her largely separated from the rest of the group. The conflict isn't Pinkie vs. another pony of the main six, but Pinkie is causing the conflict and the rest of them have to fix it, or she goes off to Yakyakistan like always to solve her problem somehow. She doesn't do anything special or specific with any other character. The only reason we got some of that in the theatrical movie was because that movie was written by the earlier writers of the series, who stopped working on the show specifically to focus on the movie. Though Pinkie was still doing some odd and annoying things (We get that she loves to have fun, but she shouldn't be having fun and being goofy to the detriment of others or her own life, like when she leaped happily on the rope and almost fell to her death, but wasn't even phased when Twilight was rightfully angry with her after saving her) she was still in the right when it came down to the climax, but because of her actions previously we completely understand Twilight's frustrations and fury.  

I suppose the last time it was Pinkie versus another specific pony from the Mane Six, it was the Pinkie vs. Rainbow Dash one about pies. Of course I can complain again that PinkieDash eps aren't new or interesting, but even so this episode wasn't like, overdone at this point. I did not mind another Pinkie and Rainbow Dash episode, but in the context of Pinkie episodes as a whole, where she doesn't seem to have many episodes later on with another specifically it's a little disappointing. Secrets and Pies was kind of an iffy episode anyway. At this point with its running theme I get that Pinkie is sensitive herself (which makes her insensitivity all the more annoying) but it still bothers me how often that flaw of hers comes up, and how often everyone else tries to avoid it. Maybe if they told her the truth more often she would not have this complex? I don't know.

As someone whose favourite pony is Pinkie Pie I sure do have a lot to criticize! Well why couldn't she have gone WITH someone to fix Cheese Sandwich in her final episode? And why did they paint Pinkie so dumb in the trivia episode? Yeah she may not have knowledge of everything, but I would imagine with Pinkie's ridiculous organization skills and photographic memory she'd know SOME things. Often these types of characters are wiser than they seem, as a sort of comedic contrast to their personality. I've seen that kind of wisdom come from Pinkie before, but nope! She dumb. Hurr. Especially when the other contestants were largely other ponies of average minds. Like Rainbow Dash is there, and she isn't notable in terms of her study habits, so what gives? I'm not even gonna start with Yakity-Sax.

It's sad when the later Pinkie episodes aren't that great when compared to her champion marathon through season four. Seriously ALL of her episodes in season four were absolute top-tier. Season five was okay, but it all died when the Yaks were introduced. I dunno if they're a symptom necessarily, or a causation, but the episodes did drop in quality when her episodes only involved Yaks or Maud. Yeah I liked the Maud episodes but those were because of Maud, not Pinkie. 

But ANYWAY, about the other ships. I've already given my two cents on the Monos. Well, not necessarily. The reason they're also low isn't because Bumblebee is a thing, even if it is, it's because as the series went on with the White Fang conflict, it seemed like a no-brainer that the Schnee Dust Company and thus Weiss would enter the subplot one way or another, considering the White Fang and the SDC are opposites and enemies. But unfortunately, any nuance or subtlety that plot had was thrown out the window when Adam's character was reduced to that of a psychotic ex-boyfriend. It was like any passion he had in his movement, even if he was extreme, was thrown on the wayside for his absolute pursuit of Blake and everyone Blake loves, specifically Yang. It was a political story about discrimination and oppression, but instead of going for everything they set up for as early as the trailers themselves, it just became like a twisted love-triangle thing to advance romance. Like I wasn't expecting Blake or Weiss to get together, but I knew from their backstories they had this thematic conflict brewing and it would reach a climax one day, with great payoff, but instead we the audience are shocked to see Adam branded with the SDC logo, and then killed off, and Weiss not being a part of any of this. She never even met him! Even if what I expected to happen DID happen and Bumblebee sailed anyway, I'd be less upset. Maybe I'd be upset in the "but they had such great dynamic through their shared pasts!" argument, but at least the story I thought would come to fruition actually did, and if Bumblebee happens it happens.

And somehow these two ships are lower than the one where one is DEAD. Even if Himiko has in canon only ever shown interest in men, and even if she'd never see Tenko beyond a potential friend, when their friendship was finally turning a new leaf and then DEATH, they are still higher than those two. Y'know why? BECAUSE THEIR STORIES DID HAPPEN. THEY CAME TO A CONCLUSION AND WENT SOMEWHERE. Whereas Pinkie and Fluttershy never had an episode despite being TWO of the main characters in a show called FRIENDSHIP IS MAGIC in the span of over TWO HUNDRED EPISODES, and where Blake and Weiss had massive foreshadowing for some sort of racial and political plot from as EARLY AS THEIR TRAILERS which started in the first two seasons but then never went ANYWHERE, at least Tenko and Himiko's stories HAPPENED!! 

And I love their tragic story. Their subplot and characters may be underappreciated by fans, but the writer did not shy away from their progress. Tenko was written to advance Himiko's character. This is true, because Tenko's story ended before the halfway mark, and Himiko went on to survive. But even so, what we did get of Tenko is someone who was genuinely in love with, and cared for the person that is Himiko. She started off with a very shallow and superficial crush that evolved over time to something beautiful. When she saw that Himiko was not the perfect mage girl she had dreamed of, she did her utmost to protect her and guide her along the right path, to help mould Himiko to that ideal. Himiko was suffering and needed someone to be there for her, and for most of the first two chapters it could not be Tenko, because Tenko still only saw Himiko as a shallow crush, but when it came time to defend Himiko when she became a suspect, and when Himiko fell into the cult at her weakest hour, Tenko was there to defend, to go undercover, to protect and assist. Himiko's escapism was met with Tenko's grounded philosophy, so even if the ship could never come true, even if Tenko lived, their stories were intertwined together. They could not exist without the other in the plot! Himiko would be dead if not for Tenko, and Tenko may have had no one to latch on as a morality pet without Himiko what with her overdone and one-note hatred of men.

I don't think I really need to bother with the other three, but I will say my current favourite OTPs are... the ones in the bottom 3. Alas! This is not unique to this ship either. I recall being similarly upset with KazuSayo from Negima. Every character in the class would have their pactio chapter one-day, where they enter a contract with the main character. It was something that always happened and usually did after some character discovered magic's existence, but not necessarily right after. Kazumi discovered it way long ago but only entered the contract in the final arc, but what I was waiting for was for Sayo's. Usually anyone with even an inkling of a crush on the main character got lots of spotlight and panel time for their pactio, and Sayo did have a minor one. I was waiting with eager anticipation for Sayo's chapter, so I'd see more Sayo and therefore Kazumi since they were best friends. They even teased it in like the first page or the front page of the magazine the manga was published in, but it NEVER HAPPENED because Negima suddenly ended. THE SALT I HAD was unfathomable. It's not as if it ended without a conclusion because it got cancelled somehow. The mangaka ended it himself as a protest for some law. A story he had been illustrating for like eight years suddenly over. He simply rushed out a conclusion and epilogue despite many story beats only starting or in the process of, and ended it.

I waited many years for that pactio. Sayo's knowledge of magic came quite shortly after her first appearance, what with magic being required for her to be seen, so I was not a happy camper to say the least. My investment on the actual plot and the more important characters was waning, especially since it had become a full-blown shounen manga, and the main character's power level had advanced so far that all of his students, even the most powerful ones with like one exception could not possibly catch up and could only play support. Only the male characters he meets or already knows with great passion for fighting could rival him, which made the story all the more boring and annoying. A story with such a varied cast of females reduced to that of support in a shounen manga was just not something I felt inclined to follow. My only reason for reading on was for the supposedly-inevitable and even teased Sayo pactio. But it never happened.

I am sad that that scenario happened not once, but twice again. 

spotto: (Q_Q)
Wow why am I even bothering to post on here... ? This place is long abandoned.

BUT ALAS, MY LITTLE PONY ENDED!! And a ton of my rants are on here, so... I guess to properly conclude those rants this would be the place, just to keep everything neatly organized.

Actually shortly after my latest posts here I stopped watching MLP, not because there was some horrible episode that put me off the show forever or anything. I simply lost interest. The later episodes of season seven just weren't giving me the minimum amount of entertainment required to pique my interest and continue my investment in the series. It was a simple "Oh I should watch last's week episode.... " but not ever doing so because I figured I could do it later, and some other interest was taking up my time. Then eventually I forgot.

BUT HERE I AM TWO AND A HALF YEARS LATER... apparently MLP ended in October of 2019, almost exactly 9 years from when in started back in 10/10/10 (October 10th, 2010). That is like, almost all of my twenties. MLP took up a large chunk of my young adulthood. As someone who had a rather rough adolescence, the lessons and positivity were exactly what I needed at the time. I remember in the early days when I started watching around the beginning of season 2, I was in college. I was rather unenthused at what I was doing at the time, but I did really like these multicoloured tiny horse things. They were great! In fact, the reason I started watching was because my lifetime hometown sports team lost horribly in the championships in the most final of final of games, game 7, which just made everything all the more depressing. Ponies were there to heal my broken spirit.

Regardless, the history of how I got into MLP is well-documented here. Rather! I'd want to talk about my feelings about MLP as a whole. Over the years my favourites (aside from the very beginning) never changed, nor did a favourite ship, or favourite type of episode, etc. Though I have oodles of MLP merchandise a vast majority is put away, not for any particular negative reason. Simply that I lacked room to display them all and had figures/plushies of other interests I wanted around as well. Pinkie's plush and movie figure remain. Speaking of Pinkie Pie, her episodes in the latest seasons were... well, let's just say my favourite Ponk episodes are still the same to this day! And one of my least favourite episodes of the series is a Ponk episode. So that's not really a great outlook there.

In general, the episodes that absolutely blew me away were scarce. I think a lot of it came down to the ambitious new stories the writers wanted to tell in the later seasons. At some point they ran out of ideas for whatever they could do with so and so member of the Mane Six (even though my Pinkie and Fluttershy episode never happened. C'MON GUYS YOU HAD ONE JOB) and thus introduced many more. There was the Pillars of Equestria arc which explored lore that I was terribly uninterested in, which culminated into my least favourite finale of the series. This wasn't just because I had no interest in the arc, the rushed redemption of the villain who never appeared again except to cameo was rather disappointing. I word it like so because someone like say, Sunset Shimmer was also both a poor villain with a bad redemption, but she was a core character of the Equestria Girls series and thus, evolved over time to become more interesting. This is not so for Stygian, who seemed to exist only as a really edgy shadowy villain OC with the least creative name ever, and as a plot device to drive conflict between Star Swirl and Twilight.

Speaking of which, bringing to life historical figures (or previously thought to be fictional figures ala Daring Doo) has always bothered me. There should be historical and fictional characters that we know little about, and can comfortably look up to as if they were almost flawless, or at least with an air of mystery surrounding any flaws they did have. It's always good to have these characters in the past, as they are part of the structure that makes worldbuilding so strong. When they are brought to life, or brought to the present that sense of mystery is destroyed. It's even more mundane when the historical figure needs to learn some sort of friendship lesson Twilight has already gone through many times, making it as if our main character is wiser than the old wizardy pony from thousands of years ago in a more uncertain time. I'm not sure how to describe why this bothers me? I kind of did, but also did not. It's just, now we lack any background historical figure with great acclaim. Now we know Star Swirl as the jerk who has a one-track, one dimensional mind that Twilight needed to fix, who falls for scams from common con-ponies. Then, since our main cast are the heroes, the historical figure we once thought as mighty is thrown aside like nothing whenever a villain appears. It really undermines all the hero-worship and idolization Twilight had for him, and who he was as a legendary historical figure. 

Anyway Shadow Play was bad. In fact the second half of season seven, where I dropped the show from boredom, and the first half of season eight were the longest stretch of episodes to watch. I had really little enjoyment out of any of those episodes. After the underwhelming finale of season seven which only could have happened due to the introduction of tons of brand new characters, the season eight premiere starts off by.... introducing a whole bunch of new characters again. And it's always in this format, six new main-ish characters, who are important and good, and a villain to go along with them. That is already far too many characters to try to get invested in. The one thing they did better this time around was introduce a few episodes specifically focusing on one or two of the student six, whereas we only got like... one for the pillars (or two if you count Star Swirl) which weren't the most interesting of stories anyway. A story about Rockhoof only tells us more about Rockhoof himself, which is fine, but a story about Smolder will introduce more dragon lore and culture, more of Ember, a previously introduced character most fans liked, of other older dragon characters even if they're all bully stereotypes, and is also another avenue in which we can explore Spike. Smolder is a good new character! So many other things we can learn through her! Rockhoof we can't really learn anything new with... He's not a different race we can explore, he has no unique connection with an already established character, and his home is dead history. No one will know who he is! 

If you can't tell Smolder ended up being my favourite of the new student characters. I actually like Gallus' personality more, but his branch of character exploration was cut off by not having an actual family (and never exploring WHY he has no family) and that Griffon culture is downright depressing so we never really learn anything new about them except that it sucks, soooo... My only other beef with Smolder is WHY is there yet another character with Scootaloo's colour scheme!?!? SCOOTALOO SHOULD BE UNIQUE, SHE IS SCOOTALOO. STOP RIPPING OFF SCOOTALOO! The other characters are okay. Yona was most interesting personality-wise but I have the least amount of interest in yaks, and am still salty that so many of the newer Pinkie episodes have to do with Yaks. Ocellus could have been interesting, maybe with identity issues being a changeling or something, but she just kinda ended up being a timid nerd, and not even the self-conscious, bullied, relatable timid nerd who turns into a ragiing dimension-hopper monster like Sci-Twi was. Silverstream is a clone of the princess hippogriff from the movie, and we never go into any further depth with her. (The hippogriff species all feel very samey to me, even. They are so unique in their transforming hopping but their personalities are ALL THE SAME WHY) and Sandbar.... Sandbar is boring! Hooray.

Also the initial villain of season eight, Chancellor Neighsay is a great waste of Brain's voice actor! YOU COULD HAVE DONE ANYTHING WITH THAT VOICE ACTOR, and you gave him such a LAME ROLE??? WHY. I guess only former Star Trek actors are allowed to have cool or heartwarming roles. Season eight really did not start off strong, and actually this season ended up revamping my bottom five least favourite episodes. THREE of my least favourite episodes in the whole series is from season eight! Usually I don't like episodes because they are dreadfully slow or boring or what have you, but my most hated episodes from season eight were episodes where so-and-so character acted like an ass. And the episode itself does not fix that. They just allow them to be an ass. WHY?

Case in point, Fake It 'Till you Make It was not a great episode. The premise was already absurd. As someone who actually works in retail I was horrified that Rarity was making Fluttershy run her boutique with zero experience, ALONE. IN MANEHATTEN, the region with the the most snobby and stuck up Karens possible, with NO experience, ALONE. HELLO?!?!? This isn't a case of Fluttershy having no self-esteem, and needing to BELIEVE in herself to do it! SHE LITERALLY CANNOT DO THIS. WTF. I thought the moral would be super relatable, how Rarity will learn not to leave her supposed friend to be eaten alive by wolves in retail. But instead the aesop is turned upside-down and it is Fluttershy who will end up learning the lesson because she becomes insufferable and stuck-up and horrible instead just to survive this job. IS SHE GETTING PAID??? Also while Fluttershy's alter-egos are probably being set-up as the fanservice to draw viewers in, they're just so... idk. It legitimately feels like Fluttershy had a random case of schizophrenia in this episode. After Fluttershy learns her lesson near the end, the final "joke" before the credits has her being a stuck-up prick to the host of whatever event Rarity had to attend for... no reason? I DO NOT UNDERSTAND? Did she not learn her lesson then? HUH? How dare she host an event that made Rarity leave her store and take her employees with her? She didn't do anything wrong? WHY

I also don't like Non-Compete Clause like everyone else. I don't have much to say about it because I actually fell asleep during it, and when I did try to finish watching it, it was so boring and blah I couldn't bother. It's just AJ and RD being ultra-competitive to the point of obnoxiousness (and endangerment of children!) I think Discord has a dumb episode like this here too, but Discord isn't a Mane Six character who I expect better of. Like if Discord is being a dick, whatever that's who he is, he's never gonna improve and I ain't gonna like him any better, but I EXPECT better of the characters who represent friendship to be not be idiots or dicks. 

And then there's Yakity-Sax.

I actually like 90% of Yakity-Sax. The visuals, the humour, the dialogue and interactions... all great! It's just while these pieces of the episode were done really well, the core aspect of the episode is what makes it fall apart. Like when someone writes an episode, I assume there is an end-goal with the episode, some sort of message they are trying to send or convey and uh, the primary goal of the episode failed. It failed hard, so while I was entertained by the episode itself, what it was trying to do did not go well. Not at all. Anyway this is another Pinkie episode about yaks, so that already docked points. I can't believe we get Rainbow Dash and Rarity achieving their dreams and then Pinkie gets dumb Yak episodes instead. These episodes are always so juvenile in its humour, and for some reason Pinkie is obsessed with their culture. I dunno if I'm just prejudiced to yaks... they're like the buffalo from season one but like, the dumb versions. About the only good thing to come from these characters is Yona. Luckily a majority of the episode takes place in Ponyville, and the only Yak part of it is the instrument Pinkie attempts to play.

Okay well first of all, isn't this the pony who can play ten instruments at the same time with NO MOUTH? Simply because she is Pinkie Pie? I suppose we can handwave that with the instrument being one from a faraway land and thus a much more difficult instrument to learn. The second is... how dare you bring my hopes up with that Pinkie and Fluttershy cold open. FOR NINE YEARS I HAVE WAITED FOR A PINKIESHY EPISODE... and the thumbnail is Pinkamena, and the cold open only has her and Fluttershy. HOW DARE. So the meat of the plot itself is that Pinkie sucks at playing this instrument, and everyone needs to tell her she sucks and to stop because she is obnoxiously playing the damn thing everywhere and ruining people's lives. This goes into another overdone territory regarding Pinkie episodes. Everyone trying to find a way to tell her some hard truth and also not hurting Pinkie's feelings because she is sensitive.
    
I remember back in Pinkie Pride where everyone abandoned her to attend Cheese's party planning and she became ultra sad. Then she had a solo where she cheered herself back up and pumped herself back up with enough confidence to challenge Cheese. And this was when her entire purpose was being questioned! Pinkie, the party pony, whose life GOAL is to bring smiles through parties and whatever other means necessary was suddenly being rendered redundant! Here she is told she cannot play an instrument, and that might hurt her feelings. Alright, well we established a bit earlier when she made a ludicrous amount of pie for Rainbow Dash, who never liked pie but lied about it that these smaller offenses may hurt Pinkie deeply anyway. Alright, fine, carry on.



No, don't carry on.

WHAT THE HAY

Okay let me list three known times where Pinkie either went full straight-mane or deflated a bit. 1.) Party of One when she thought all her friends were abandoning her. 2. Magical Mystery Cure when her cutie-mark was apples instead of parties so her life goal was never realised and she was miserable as a result. and 3. Maud Pie when everyone told her they could not be friends with her best sister friend forever, despite her efforts. That third one she did not go all the way. THESE are big, major issues affecting Pinkie's identity, or sense of friendship that would affect her to such a great degree she'd fall into that state. 

This is... PINKIE CANNOT PLAY AN INSTRUMENT. 

Alright fine, fine. I mean I missed Pinkamena and always hoped she'd show up again one day. Not for this reason but hey, at least she's here! And I did like these scenes of her a lot, where her friends attempted to cheer her up. They were in good fun and also depressing, very fitting. However, when Pinkie went straight hair in Party of One, she barricaded herself in her house and talked to inanimate objects. I don't really see her wandering about being sad, and having flowers die in her presence. She seemed more like someone who preferred to become a hermit and shy away from society, like the absolute opposite of her personality when her happiness was shattered. If she is wandering about in public, it kind of makes me assume, or implies that she wants someone to help her. That she's not quite a lost cause.

Anyway she randomly moves to Yakyakistan... because everything else she's ever done and everything she has accomplished doesn't matter when it comes to playing this one instrument, and everyone tries to get her to come back or at least say goodbye properly. I do like this part of the episode where they respect her decision. (Even if the decision makes absolutely no sense) but when they ask her to move back she kind of just goes "Sure." And this moment in the episode really hit me. It really struck a deep chord with my heart. I'm sure it does for others, but as someone who as seen people firsthand, people very close to me suffer from depression, this was legitimately a very worrying line coming from Pinkie. Even before that moment she blatantly remarks how she feels nothing. This isn't the Pinkamena from Party of One who looked cartoonishly unsettling and crazy, this felt like almost a real depiction of depression.

But this is also why this episode isn't great. Pinkie reverts back to herself once she is allowed to play her instrument again. There are a lot of people who hate the moral, where she should continue playing if it makes her happy even if she isn't any good at it, mostly because she was an actual threat to society when she was playing it and thus, encouraging her to inconvenience and ruin people's lives just to remain happy is not a great lesson at all, but even if we take that as face value.... It's NOT a good sign that Pinkie is one step away from depression just because she was told she couldn't play this instrument. If it was a more exaggerated Pinkamena who was bawling her eyes out or a bitter, crazy cartoonish version similar to Party of One I wouldn't be as put off, but because it felt so real.... coming from the pony who is meant to represent happiness itself in MLP... Yeah.

When Pinkie said sure, I was having these thoughts that this could have been a really cool, mature episode about depression. You know, even though it's a kids show for toddlers ages 2 to 6 or something, and that wouldn't really be a thing they'd touch upon, but still it had the potential to do that. But everything else is so muddled. Pinkie not being able to play an instrument? Pinkie's feelings being crushed if told not to play the instrument? Pinkie reverting to Pinkamena because of the instrument? Pinkie uprooting her life to move to Yakyakistan because she can't play the instrument? Heck that last point is believable if she was truly suffering from depression. People do drastic things because they don't care. They quit their job. They leave behind their life. They go try something they think will improve their life, but it does nothing because there's a chemical imbalance with their brain and thus it is futile as well. But then Pinkie reverts back when she can play it. That part is not realistic. You can't depict her apathy so realistically and undo it in such a quick and easy way. It's almost insulting to people with actual depression! And then to never touch upon this again, because it's an episodic plot by its nature.

Like, I have to question EVERY STEP they took to get to Pinkamena, and then the step they took to go back to Pinkie. I like Pinkamena. I like the Mane Five interacting with Pinkamena. Those parts were great and entertaining, but the way they did it, the execution and the ideas they used to get to this end goal, with its strange and off-putting moral... It was almost like whoever wrote this episode wanted Pinkamena back but didn't really think through how to bring her back and how to get rid of her again. If we take the interpretation that none of this was depression at all, then Pinkie's a huge drama queen who must always get whatever she wants or she becomes sad. And nobody wants her sad. That is not a great reading of the episode at all either.  I could sum up all three of these episodes as members of the Mane Six being obnoxious, or inconsiderate, or outright malicious, and not learning the proper lesson to not be these things. So nothing is achieved and all we did was watch 22 minutes of them being terrible to other people. Eh. I don't know about you but not my kinda thing.

But yeah, season eight... season eight huh. Season freakin' eight....

had the best finale of the series! OH yeah I said that. Oh kay, maybe that's a bit of an exaggeration. It wasn't the best finale. A Canterlot Wedding exists after all, and I also love Magical Mystery Cure. But what this finale did have was a villain that I truly and greatly appreciated.

A small pegasus child.

I feel like Cozy Glow is the writer's response to several criticisms of the villains. 1) Always unicorns or magic-based. 2) Always instantly redeemed or eventually redeemed. 3) Always has some sappy backstory where they are bullied or some such. 4) Always an adult.

No? No one said anything about that fourth one? Well why else is she six-years-old? WHERE ARE HER PARENTS? While this is definitely a valid question, two things usually happen if parents are introduced. Either 1) the parents give her some sympathetic backstory and thus we end up HAVING to redeem her, which is not what people want. Or... 2) the parents do not cause her redemption but instead are of some tragic backstory instead. They don't even have to be dead. They could have disowned her or something. Or maybe Cozy Glow ran away and her parents are wondering where she is, but MLP would never do something THAT devastating to parents. They'd HAVE to redeem her in that case for the sake of those parents' hearts. Or redeem Cozy Glow for her own heart if her parents are awful people.

Basically what I'm saying is if they introduce ANY kind of backstory to Cozy Glow it feels like they'd be forced to redeem her. So it is wise to never make a mention of a potential family or why she has such motives. It is a shame because she has less depth that way, but the way that MLP works is that if there is even a drop of sympathy in a villain's backstory they must be redeemed. It already feels a little mean-spirited that they sent a child to hell/killed them off, but if there was some reason in her backstory she became this way MLP would be ripped apart from its seams. So for the sake of keeping a child in hell/stoned, she must never be explored. Oh well, who she is as is is always quite interesting. She's kinda like what Starlight could have been if we didn't given Starlight that incredibly juvenile and lame backstory, thus instantly redeeming her. An unrepentant child with no magical powers who only rises to power through wits and manipulation. She is so unique and I love how awful she is. I mean her backstory could be strife with horrible irredeemable acts too, like maybe she cast away or killed her parents and any friends or family simply for the reason that she could. Or she manipulated them, but I feel like MLP would never go into that kind of territory with a child character. I'm still flabbergasted she exists already!  

Bonus that she starts off in the background and then shows up in a few episodic plots earlier in the season to properly foreshadow her villainy, excellent stuff. Then of course she returns in season nine and is the only one advocating for the League of Evil to all to become ~friends~ because friendship is POWER!! 

As for season nine, it was a fine season. Certainly better than eight, but I have no major qualms about episodes like the three I just mentioned from season eight, nor anything particular to praise. It was a good, decent season. I guess the only problem I have is that it's a shame certain episodes were the last of those particular characters' episodes. Like, I understand the Rarity and Spike episode being the last Spike episode, but it really doesn't work as the last Rarity episode. I guess Rarity's arc is done, but I wish she had one more episode with more fanfare. The CMC episode being the last CMC one also didn't work. It took away the surprise of their adult designs away from the epilogue, and was just your typical "we shouldn't grow up too fast" morals from kids shows. Even the one with Scootaloo's parents wasn't the greatest send-off for Scootaloo. Sure, we saw her parents but I was bothered by their weird, strange designs. They were so different from everyone in Ponyville, which I guess makes sense if they live super far away. It was still rather off-putting. Second while it was cool that Scootaloo has Australian, crocodile-wrestling parents their unique designs and similar job to Daring Doo kinda makes Daring Doo worse in comparison. Then of course their tone-deaf decision to move Scootaloo away. If Scootaloo actually moved away as a solemn lesson for kids who have friends that moved away that could have worked, and would have been super powerful. But also it would have been a bit of a damper for the last Scootaloo or CMC episode. Idk, wanted something better.

The last Pinkie episode ever. ... is a set up for her canon ship in the epilogue yay woo whatever. Well, the lesson is good. Wanting to find some large purpose in life to achieve like Rarity and RD has done but realising you're already where you want to be for Pinkie is a great lesson actually, but for a Weird Al episode I would have preferred idk, MORE SONGS? MORE WEIRD AL? You have WEIRD AL MAKE HIM SING MORE. And him being sad for 90% of the episode isn't fun. It was a fine regular episode, but as the final Pinkie episode and having Weird Al again it was disappointing. Plus she was by herself so no fun Pinkie shenanigans to bounce off of the other Mane Five (or at least ONE of them) with! Sadness! I want my interaction!

The last Rainbow Dash episode.... oh.

Well I'll stop complaining about Rarity's or Pinkie's lol. That is unfortunate. (I don't count the Daring Doo one) The last non-adventure Twilight one isn't the greatest either but she is the main character in the adventure ones so it's not too big of a deal. The last Fluttershy episode was okay, wish she interacted with her friends as Angel more, but alas. But yeah those are the only real disappointments. Applejack had a good final episode. Her parents showed up in the flashback, she was cute with Apple Bloom, and Big Mac needs a hoof, truly.

The finale was great, my favourite being the Pinkie gag with the cupcake and the chaos magic. I also liked Rarity being able to participate in intense action scenes now with her magic. Major props to Rarity! It was all well and good, but the real meat of the story is the EPILOGUE.

OH BOY THAT EPILOGUE!!

It was a very predictable epilogue. I always thought Twilight having the Celestia model was kinda stereotypical since EVERYONE was writing fics and making theories that would happen. Spike's design is eh, like what even are those concave shoulders?? I like him being muscular and a total Chad, I just wish he looked better being muscular and a Chad. Like he's imagined himself looking better than this, it's like whoever designed the bully dragons designed him. Pinkie being with Cheese was the safest ship option possible and I was actually expecting it to be the only ship if ANY to actually be confirmed. My own prediction was no ships being confirmed because uh, this is FRIENDSHIP is MAGIC? What relevance does romance have in this series? NONE I SAY!! I just figured safe hetero ships getting married and background Bonbon and Lyra would be all we could get.

 

KLFMSDFDSFDGFh ?? ?? ?G J HHU HUHGL? ? WHAT

Okay well first off, it's only heavily hinted. Like, on purpose. Not on accident, but HEAVILY HINTED that they got married. They're only the only pair walking into the room together, they're only talking like an old married couple, and RD is only putting her hoof on AJ's head in the final end card for no reason. They're just REALLY GOOD FRIENDS. The BEST of gal pals I say. The writers took a copout on Twitter and was like "It is hinted! BUT YOU CAN INTERPRET IT DIFFERENTLY IF YOU LIKE" because shipping is all in good fun am I right, and no one should get angry--- of course people who don't ship that will get angry regardless! It's still a pretty heavy hint! 

And I love it. 

Sure it kinda came out of nowhere unless you interpret their competitiveness as sexual tension or something idk, you do you, but like I said before this show is FRIENDSHIP is Magic, so romance really has no place here. There's nothing wrong with a flash to the far future where romance has already come to fruition though. And especially involving a ship in the Mane Six it's about the only way I can see it ever happening and--



????????? WHO ARE THESE NEW WRITERS AND WHY DO THEY SHIP THINGS !!!??!

... did you know the most popular ships in MLP are Rarijack and AppleDash? Because I sure didn't. Why BACK IN MY DAY, Rainbow Dash was shipped with EVERYONE AND THE KITCHEN SINK, and Rarijack was merely the most popular NOT Rainbow Dash ship. In fact, I remember TwiDash and FlutterDash being the most popular ships. PinkieDash was the champion in seasons one and two, but then it was all about that Twi and FlutterDash. RariDash is rather underrated but quite good too. AppleDash was always quite a strong contender as well, but it was always like, a dark horse. Or two dark horses I guess, idk. It, like PinkieDash had more popularity in the season one and two days. The point is I DID NOT see any of that coming or it being given like, stupidly blatant shipping fuel in canon media. 

And maybe I'm being incredibly shallow and vapid or whatever synonym works for this instance, but like after all this I went and looked at tons of Applejack artwork. 

Like no specific ship, just Applejack. Just the apple horse. Just AJ.

Applejack has always been my middle of the pack pony. She was usually either third best or fourth best pony, usually fourth these days because I love Rarity lots, but y'know. I just couldn't relate to her as much as, I am not a farmer, nor do I work extremely hard to keep my family afloat or else we die (I mean I do work, but not like, the kind of own your own business hard labour, this job has been in the family for generations kind of thing and traditions and southern speak etc. blah blah blah all that stuff) I mean apples aren't even my favourite fruit! And Applejack episodes are usually boring, I say this as 3 of my top 5 favourite episodes are Applejack episodes, but you know episodes SPECIFICALLY and ONLY about Applejack tend to be boring, You know I painted apple horse with a broad stroke of the brush. She'd be tradition pony. She'd be down-to-earth straight-man pony. She has this huge family and everything about her will be family and she'll make a family too because y'know-- and THEN
 MLP

HAS THE BALLS

THE AUDACITY


TO MAKE HER


GAY

WELL.

THANKS FOR DESTROYING STEREOTYPES. THANK YOU FOR MAKING ME SEE THE ERROR OF MY WAYS. I HAVE LEARNED MY LESSON, I WHO DESPERATELY SEARCH FOR REPRESENTATION IN MEDIA AM ALSO DISMISSING CHARACTERS FOR OBVIOUSLY BEING STRAIGHT OR OBVIOUSLY NOT GOING TO BE THE RELATABLE ONE BECAUSE I TOO AM PREJUDICED. 

There are people who are all angry that they hinted a ship between the Mane Six and chose the tomboys.

NO. YOU ARE WRONG. THEY DID NOT CHOOSE THE STEREOTYPES. THEY DEFIED THE STEREOTYPES.

And then people being like WelL DaSH is sO sterEOtyPICAL i MEan LoOK aT heR HAIr and JACKeT-- ok well, first of her all her new hairstyle is just the one all the Wonderbolts had. She clearly just flew so fast for so long her hair became permanently like that, like the rest of the Wonderbolts. SEcond the leather jacket is a good way of showing that she is older but still cool. It doesn't even look like a leather jacket, just like a Wonderbolt jacket. Sports teams have those jackets with their logo on em all the time. And the orange turtleneck just screams something Applejack gave her-- so I have zero qualms about her design. It being RD and AJ doesn't really bother me either. The worst thing for RD shippers at least for me since I ship zero Rainbow Dash ships, was Zephyr Breeze. Because why on earth would a good wholesome children's show introduce one of THOSE characters into the show? GAH! No I don't want to watch a skeevy guy constantly hit on and make a female character uncomfortable! I don't care if it's Rainbow Dash it still and will never be funny to me! They even put him in Equestria Girls solely to make RD uncomfortable with that cringe humour. Like I think he has more lines and is in more scenes with RD than with his own SISTER!

Also the context in EQD is the writers actually did ship them and wrote them in that special like they were a couple so uhm yeah, blatantly blatant. The most blatant of blatant. Look how blatant my gays are in MLP. Did you know Scootaloo lives with her cool aunts and Lyra and Bonbon got married in canon? It's like MLP just screamed gay rights in their final season and final few EQD shorts. WELL WHATEVER WE'RE ENDING ANYWAY and they leapt off the slide and screamed gay rights and NO ONE, NOT EVEN HASBRO CAN CATCH THEM AND TELL THEM TO STOP. TOO BAD SO SAD. 

But yeah I am talking about a very small part of the finale, rather disproportionately I must say. It was a beautiful finale and all the ships are inconsequential to my enjoyment of the ending of a very nostalgic and warm show I watched for years. It's just I was so shocked AT the ships I can't just not talk about them. I too am a shipper who enjoys shipping. I too am in the LGBT spectrum (somewhere, don't ask where) and this is super relevant to my interests and identity! I guess my only qualms is that whenever I do ship something it never comes true because I typically ship some character the writers then have marry or find interest in a dude, and while that doesn't negate their ability to be shipped or like a person of their own gender, the lack of bi-representation doesn't give me high hopes. Or maybe a show I am currently watching will pull another APPLEJACK on me! Who knows! 

I mean Fluttershy got with Discord (maybe) it is implied similarly like AppleDash, so.... I can't just be like WELL THIS ONE IS OBVIOUS and this one is FRIENDSHIP. I mean I could, the writers' tweets say so, but it's kind of hypocritical for me to dismiss one and support another when they were both equally hinted, so if I want AppleDash to be canon as it so obviously is.... Fluttercord is too...? Egh. This is like that stupid Danganronpa quandary with the Love Hotels. Apparently the argument there is that, if Tenko is bi, so is everyone else if we're using the Love Hotels as canon proof. That is the only point in time Tenko has attraction to men, but it is also the only point in time several male characters have attraction to men. So you can't call Tenko bi but not like a majority of the guys. That's the logic there. I mean we don't need to go by this rule and decide whoever can be whatever sexuality we want and Tenko is lesbian as fuck, but if we are GOING BY THAT LOGIC, then the logic must come to its reasonable conclusion after all!

Anyway I do not like Fluttercord whatsoever. Like if CheesePie is boring, Fluttercord is toxic and gross. It's the OPPOSITE. Discord is just, idk doesn't it undermine the friendship he gained to redeem himself if ultimately that friendship is love? Certainly it would explain his great possessiveness of Fluttershy, but I'd be more okay with it if he actually evolved through the show and became nicer over-time, but most of his episodes have him being a dick for some reason, and not really learning a lesson to stop doing so. Perhaps they thought if he were nicer he'd be less entertaining because he can't be up to his hi-jinks as much, but idk there could have been a middle-ground there. I would have also been okay with it if Discord made more friends, like maybe he becomes friends with Pinkie because they both have such chaotic energy, or he finds some other accosted friend like Starlight did with Trixie. Then it would feel less like Discord is ONLY friends with Fluttershy and is a garbage person to everyone else, and they are in LOVE and he ONLY associates with Fluttershy, idk. 

And no, it has nothing to do with the fact that somehow RWBY and MLP are the two fandoms of all things to sink the fuck out of my ships. I had no expectations from PinkieShy from the get-go, I literally just wanted one episode where they were friends or had conflict, and didn't even get that. I only expected zero ships or hetero ones in the finale so I don't know how to really feel about those two being the only ones in het ships. I am amazed Rarity is the single one. Who woulda thunk it, that's almost as shocking as Applejack. Nothing happened like I hoped, but that was a pipe-dream, but nothing happened like I expected either. Like only Twilight and Spike ended up being obvious.... why did I call the finale predictable again?

BUT YES THE SONG WAS BEAUTIFUL THE BOOK CLOSING WAS WONDERFUL AND I WILL MISS THIS GENERATION THAT SLAMMED MY FACE WITH SHIPS BEFORE IT LEFT, LIKE WHAT THE HECK MAN WASN'T THIS ABOUT FRIENDSHIP??? I AM SUPPOSED TO GET THE GOOD FRIENDSHIP VIBES NOT THE MIXED SHIPPING MESS THAT I ONLY SUMMON IN THE MOST CHAOTIC OF FANDOMS !!

As for Applejack.... WHY IS IT ALWAYS THE BLONDES!! I RARELY SHIP BLONDES!! THAT'S THE PROBLEM . I NEED TO SHIP MORE BLONDES!!! THE TRUE STEREOTYPE IS THAT ALL BLONDES ARE GAY!
spotto: (Default)
Celestia TierAwesome TierHigh TierMid TierMeh Tier
SEASON ONE
Green Isn't Your Colour
The Cutie Mark Chronicles
Party of One

SEASON TWO

Luna Eclipsed
The Last Roundup
Hurricane Fluttershy
A Canterlot Wedding P.2

SEASON THREE
Sleepless in Ponyville
Magical Mystery Cure

SEASON FOUR

Pinkie Apple Pie
Maud Pie
 
SEASON FIVE
Make New Friends
but Keep Discord

Rarity Investigates!
Brotherhooves Social
Crusaders of the Lost Mark

SEASON SIX
The Gift of Maud Pie
Saddle Row Review
A Hearth's Warming Tail
Buckball Season

SEASON SEVEN
Rock Solid Friendship
Parental Glideance
The Perfect Pear
Fame and Misfortune

SEASON EIGHT
The Washouts

SEASON NINE
The Last Problem

SEASON ONE
Bridle Gossip
Suited for Success
A Dog and Pony Show
Sonic Rainboom
The Best Night Ever

SEASON TWO
The Return of Harmony P.1
The Return of Harmony P.2
Lesson Zero 
Sisterhooves Social
Secret of my Excess
A Friend In Deed
It's About Time
A Canterlot Wedding P.1

SEASON THREE
Magic Duel
Wonderbolt Academy
Just For Sidekicks

SEASON FOUR
Flight to the Finish
Pinkie Pride
Simple Ways
Testing, Testing, 1, 2, 3
Equestria Games
Twilight's Kingdom Pt. 1
Twilight's Kingdom Pt. 2

SEASON FIVE
The Cutie Map Pt. 1
The Cutie Map Pt. 2
Tanks for the Memories
Slice of Life
Amending Fences
The One Where Pinkie Pie Knows
Hearthbreakers
The Mane Attraction
The Cutie Re-mark Pt. 1

SEASON SIX
No Second Prances
Spice Up Your Life
Stranger Than Fanfiction
Every Little Thing She Does
Viva Las Pegasus

SEASON SEVEN
All Bottled Up
A Royal Problem
Triple Threat
It Isn't the Mane Thing About You
A Health of Information

SEASON EIGHT

The Mean Six
The Hearth's Warming Club
Friendship University
School Raze Pt. 1
School Raze Pt. 2

SEASON NINE
Sparkle's Seven
Common Ground
Frenemies
Sweet and Smoky
Student Counsel
A Horse Shoe-in
The Ending of the End Pt. 1
The Ending of the End Pt. 2



SEASON ONE
Applebuck Season
Griffon the Brush Off
Dragonshy
Look Before You Sleep
Swarm of the Century
Winter Wrap Up

SEASON TWO
May the Best Pet Win
Sweet and Elite
Hearth's Warming Eve
The Super Speedy
Cider Squeezy 6000
Read it and Weep
Hearts and Hooves Day
Putting Your Hoof Down
Ponyville Confidential

SEASON THREE
One Bad Apple

SEASON FOUR
Castle Mane-ia
Bats!
For Whom the
Sweetie Belle Toils
Inspiration Manifestation

SEASON FIVE
Do Princesses Dream
of Magic Sheep?
Scare Master

SEASON SIX
Gauntlet of Fire
28 Pranks Later
Dungeons & Discords
Where the Apple Lies
Top Bolt
To Where & Back Again P.1
To Where & Back Again P.2

SEASON SEVEN
Celestial Advice
A Flurry of Emotions
To Change a Changeling

SEASON EIGHT
The Maud Couple
Grannies Gone Wild
The Break Up Break Down
Molt Down
Marks for Effort
The End in Friend
Road to Friendship
Sounds of Silence

SEASON NINE
The Beginning of the End Pt. 1
The Beginning of the End Pt. 2
The Point of No Return
She's All Yak
Going to Seed
Between Dark and Dawn
The Summer Sun Setback
She Talks to Angel
Dragon Dropped
Daring Doubt




SEASON ONE
Friendship is Magic P.1
Friendship is Magic P.2
The Ticket Master
Call of the Cutie
Fall Weather Friends
Feeling Pinkie Keen
Stare Master
The Show Stoppers
Over a Barrel
A Bird in the Hoof

SEASON TWO
The Cutie Pox
Family Appreciation Day
Baby Cakes 

SEASON THREE
The Crystal Empire P.1
The Crystal Empire P.2
Too Many Pinkie Pies
Apple Family Reunion
Keep Calm and Flutter On

SEASON FOUR
Princess Twilight Sparkle P.1
Power Ponies
Rarity Takes Manehatten
Three's a Crowd
Twilight Time
Leap of Faith
Trade Ya

SEASON FIVE
Castle Sweet Castle
Bloom and Gloom
The Lost Treasure of Griffonstone
Party Pooped
Canterlot Boutique
What About Discord?
The Hoofields and the McColts
The Cutie Re-mark Pt. 2

SEASON SIX
Newbie Dash
The Fault in our Cutie Marks
P.P.O.V

SEASON SEVEN
Fluttershy Leans In
Forever Filly
Not Asking for Trouble
Discordant Harmony
Daring Done?
Marks and Recreation
Once Upon a Zeppelin
Secrets and Pies
Uncommon Bond


SEASON EIGHT
School Daze Pt. 1
School Daze Pt. 2
Surf and/or Turf
The Parent Map
A Matter of Principals
A Rockhoof and a Hard Place
What Lies Beneath
Father Knows Beast

SEASON NINE
The Last Crusade
The Last Laugh
2, 4, 6, Greaaat
A Trivial Pursuit

Growing Up is Hard to Do
The Big Mac Question



SEASON ONE
Boast Busters
Owl's Well That Ends Well

SEASON TWO
The Mysterious Mare-Do-Well
Dragon Quest
MMMMystery on the 
Friendship Express

SEASON THREE
Spike at Your Service
Games Ponies Play

SEASON FOUR
Princess Twilight Sparkle P.2
Daring Don't
Rainbow Falls
Filli Vanilli
It Ain't Easy Being Breezies
Somepony to Watch Over Me

SEASON FIVE
Appleloosa's Most Wanted
Princess Spike
Made in Manehatten

SEASON SIX
The Crystalling P.1
The Crystalling P.2
On Your Marks
Applejack's "Day" Off
Flutter Brutter
The Cart Before the Ponies
The Times They Are a Changeling

SEASON SEVEN
Hard to Say Anything
Honest Apple
Campfire Tales
Shadow Play Pt. 1
Shadow Play Pt. 2

SEASON EIGHT
Fake It 'Till You Make It
Non-Compete Clause
Yakity-Sax

SEASON NINE
Uprooted




UPDATED FOR WHOLE SERIES YAY!! As of 04/26/2020 
 
more pointless rankings/statistics  )
 
originally posted Feb 28, 2013 
spotto: (Stage One.)
 I JUST GOT AN IDEA I MIGHT WRITE ABOUT

LIKE AN IDEA I REALLY REALLY LIKE

I HAVEN'T FELT LIKE THIS FOR YEARS

EVER SINCE I CAME UP WITH THE RWBY FIC IDEA IN 2013 AND SPAWNED A 300,000 WORD MONSTROSITY I MOSTLY REFUSE TO RELEASE TO THE WORLD

oh btw DANGANRONPA V3 SPOILERS OBVIOUSLY

so there's several different kinds of fics that run rampant in V3, mostly alternate scenario fics, the most popular being what if Kaede lived and wasn't a decoy protagonist !! which is great and all but not what I'm thinking of

another common one is pregame/prologue versions of the characters which at first I was mostly lukewarm about because the personalities of those before the ones I fell in love with never seemed particularly interesting to me UNLESS there was a TWIST !!! to who they were, that made V3 even MORE OF A TRAGEDY

some common ones I see are like, Kokichi was like a nice meek dude or whatever before he became lying incarnate, or X character is now a douchenozzle because they were so good in canon, like Kaito being a complete dick etc which does have some basis in canon because there were glimpses of a few characters pre-Danganronpa. in fact, my all time favourite fic in all of dangan ronpa is a pregame scenario depicting Korekiyo and Tenko before the game, which I wish was canon 'cause it's so juicy and ironic or whatever the word is compared to V3's chapter three. I link fic here because it so good

anyway I came across artwork of pregame Tenko and Himiko and their expressions gave me this idea. Since they are IN MY OPINIOn the closest thing V3 has to a yuri couple (I mean it's still one-sided so it's like, half-canon at most, but that's really as far as V3 has ever gotten unless Mikan's unhealthy delirious foreshadowing attraction to Junko counts (NO IT DOESN'T!!!) and Ibuki's random outbursts of girl-loving is just scratching the surface ANYWAY) what if pregame they were like the stereotypical yuri anime protagonists? THEIR DESIGNS FIT! 

Think of animes like Strawberry Panic or Kannazuki no Miko! There's this ULTRA IMPOSSIBLY COOL SUPER TALENTED dark-haired tall expressionless beauty who is like rich and popular and all the boys and girls want to date her but she doesn't care and is always stone-faced because that is THE COOL THING. This is like, the absolute opposite of Tenko's personality, but her pregame design fits! She wears one of the more expensive school uniforms like she's ultra rich or something and doesn't have any of the goofy girly bows and ribbons and such all over her like in her normal design, so it could work! So basically she's carrying on life like the privileged noble she is, playing some crazy difficult instrument, being the fastest in all the relays in gym and acing all her tests or w/e I don't care, and then .... !!

Himiko, the AVERAGE JAPANESE HIGH SCHOOL GIRL, wearing her stereotypical SAILOR FUKU, transfers to the school! Now you may ask how average is the opposite of Himiko, but Himiko in-game is such an oddball in so many ways (especially in the Japanese version where she speaks like an elderly mage character in an RPG) that average works! So she's like genki but NOT THAT GENKI, and tries her best!!! but her best is usually average to above-average, and then she catches glimpse of the COOLEST GIRL ON THE BLOCK, Tenko! And at first she admires her and idolizes her but of course that feeling may evolve into MORE! But Tenko always brushes her off and ignores her like she ignores everyone else because she's too busy maintaining her coolness.

Oh and Angie can come too! BUT INSTEAD, THIS VERSION OF ANGIE is Himiko's bestest friend! Who always supports her and is her wingman! She's like the ultimate best friend, and I think if I were watching an anime like this I'd prefer Himiko to be shipped with Angie because she always cares and supports her unlike the aloof cool girl Himiko yearns for, but I DIGRESS! Also she is just normal ultra genki girl, or whatever.

Anyway I haven't figured out any concrete reason why any of these three would join Danganronpa but the first thing that popped in my head is maybe Tenko feels isolated, bored, and lonely, and is secretly super arrogant inside or whatever. HER INTELLECT AND ATHLETIC IS FAR SUPERIOR ABOVE EVERYONE ELSE so she thinks she can join Danganronpa and defeat them all, or if she doesn't her bored life can end and that's that. Maybe there's some complicated super hidden complexes and depression deep inside her idk, and then Himiko is like "NO SHE'S THROWING HER LIFE AWAY WE MUST CONVINCE HER NOT TO JOIN!!" and inadvertently ends up joining by accident with a worried Angie in tow I DON'T KNOW I HAVEN'T THOUGHT THIS FAR

The point is everything is flipped! And ironic! You see, in V3 Tenko is far less bright than potential pregame!Tenko, and her feelings are always out in the open. She's extremely gullible but very good natured and supportive/kind to others. The one-sided crush is flipped where Tenko now crushes on Himiko and does everything she can to befriend her or help her improve as a person. Himiko meanwhile has fallen into her own fantasies, has no real drive to do anything, and speaks/acts like a larper, a farcry from the average and normal girl of before. Angie switches from a super supportive best friend to a manipulative cult leader who leads Himiko down the wrong path and drives a wedge between her and Tenko. This makes the deaths in chapter three more hard-hitting, because Himiko pays no attention to Tenko and only realizes how good a friend she could have been too late, and though she still values Angie after her death, her reputation and influence on the others is now heavily damaged and down in the negatives. 

It basically means Himiko's crush reciprocates but now Himiko doesn't, and doesn't even like her anymore, but when Himiko finally does appreciate her, Tenko is dead. Her best friend for the longest time now doesn't hesitate to suspect Himiko and throw her under the bus, and even endangers her life by upping the ante in her magic show with piranhas, all in the name of a fictional god fashioned for her fictional persona, far more toxic than a loyal, dear friend can be and now Angie's dead too! Also, in remembering her past/real life but retaining her current personality, Himiko might prefer fake persona Tenko to real!Tenko because real!Tenko always ignored her/never cared about her, which is all the more despair, but it's ultimately a moot point because they're dead anyway. IT GIVES LOTS OF CONFLICT TO THE STILL SURVIVING HIMIKO, struggling to figure out if it's a good idea to want Tenko back but not as herself, or if the fictional persona IS who Tenko is and she shouldn't feel guilty about it at all, or for Angie, being infuriated at what she turned into and everything Angie lost, but Angie is now dead so it doesn't matter. Her being an afterthought is also blood-boiling. This all makes Himiko more tired.

And that is ANOTHER thing, Himiko expressing herself and being more open is what her previous self could do easily, but she still gets tired very often, and this complicated thought process over her now deceased friends makes her all the more exhausted. And realizing that she remembers she could have been energetic/genki easily but it comes far more difficult to her now is incredibly confusing/even MORE tiring. 

OH and what if, even though pregame!Angie supported Himiko's pursuits for uninterested super cool Tenko, she also realized Tenko might not be good for her, or isn't super realistic (because these stereotypical yuri anime couples were SUCH HEALTHY relationships!!!) , so sometimes she tries to distract Himiko from Tenko and to like, idk, her? MAYBE PREGAME ANGIE HAD A CRUSH ON HIMIKO, so Himiko now has MORE conflicted feelings, like, should she have just paid attention and hooked up with pregame Angie, or was it better to befriend and hook up with V3 Tenko!???? OR IS LIKING FICTIONAL TENKO WRONG BECAUSE SHE IS FICTIONAL? BUT NOW HIMIKO IS THE FICTIONAL HIMIKO, AND PREGAME ANGIE PROBABLY WOULDN'T HAVE LIKED FICTIONAL HIMIKO AND IT'S JUST ALL VERY CONFUSING AND DEPRESSING AND GAAHHHH

god this is one of those stories that would have like the Tenko/Himiko (onesided)  tag that I'd avoid like the plague but I'd ALSO INCLUDE Himiko/Tenko (onesided) which makes sense in the context of this story but would be confusing as a descriptor, and then to boot Angie/Himiko (onesided) as an EXTRA whammy. 

ALSO TEAM DANGANRONPA HAD THE GALL TO MAKE HIMIKO LIKE MEN AS WELL, WHEN PREGAME HIMIKO WAS FULL ON LESBIAN, AND SHE WAS STRAIGHT IN THE GAME, BUT REMEMBERING BOTH MAKES HER BI, WHICH IS FURTHER CONFUSION AND SADNESS FOR HIMIKO !!!! SO MUCH ENDLESS POTENTIAL FOR THIS STORY! SHE STRUGGLES WITH HER SEXUALITY BECAUSE SHE THOUGHT SHE EMBRACED HER FICTIONAL PERSONA, BUT THE MEMORY OF HER PREGAME!SELF RESURFACES ALL THESE GAY THOUGHTS AND SHE HAD A SELF-HATRED FOR PREGAME!HIMIKO BECAUSE SHE WAS STUPID ENOUGH TO SIGN UP FOR THIS KILLING GAME ALL FOR THIS GIRL WHO WASN'T GOOD FOR HER ANYWAY BUT SHE SHOULD HAVE APPRECIATED WHEN SHE WAS ACTUALLY GOOD ENOUGH FOR HER IN FICTION REALITY SHOW LAND!! WHICH IS THE HIMIKO SHE IDENTIFIES AS THE MOST, BUT THAT ONE MADE HER STRAIGHT! IT'S SUPER CONFUSING AND INFURIATING!!

How do I even start writing this. I am so lost.

EDIT: Oh you might be wondering why I don't just write YET ANOTHER PRISON AU, but you see, for V3, there was confusion about the academy name before the game came out. Since it was called "Gifted Academy for Inmates" or something like that, several people, including me, assumed it was set in an actual prison with a cast full of actual criminals. This was wrong of course, but this misconception has ALREADY spawned a few prison AUs in the fanon, so y'know, why do I need to do one when it's already out there? P: I am a LAZY person so I see no reason to write something that's already been done or is being done. In fact that RWBY fic may not have existed if I knew something called the mafia AU existed (and I would have read, but refused to on the basis the stories may have been too similar and I'd lose motivation on my own story, so yeah)
spotto: (Q_Q)
Y'know I praise DRV3 a lot.

SO LET'S DO THE OPPOSITE!

Spoilers of course. Of fucking course. 

Instead of picking apart something that has been picked apart for ages, like saying DRV3's very divisive ending, Imma talk about the characters who I love so much. The cast of V3 is the strongest of any of the games to date, and I have said many words or at least, thought many words of why this is so. But no matter how good characters are, they are not perfect, so here are some of my gripes about certain characters and what could have been done better.

Let's start off with Himiko, a character I defend to the death for!!

SHE HAS SHIT TASTE. THE END.

Okay, well by that I mean, her vision of Atua is simply a handsome man. Now, that's pretty boring and non-relatable. I say this as Himiko is the most relatable character I've ever encountered so anything I cannot even BEGIN to fathom at all annoys me more than usual. This of course also combines with my obvious bias in my shipping preferences, but I guess she can swing two ways maybe. The point is how boring her tastes are, and sometimes nonsensical or to the level of the most typical teenage girl that it makes me want to gag. Like how some girls unironically like Twilight and its characters. Himiko's wonderful and insightful love hotel event reveals she fantasizes about getting it on with a humanized wolf. 

._.

BUT NOT ONLY THAT, in chapter four in I guess an attempt to expand Himiko's ability as the comedic relief, she was one of the few enthralled by the incestual soap opera-like escapades the remaining Monokubs were partaking on during announcements, as if she were not only into any plot that even involves incest, but shitty cliche soap operas too. Himiko. You do realize in LITERALLY THE VERY LAST CHAPTER, which was like, oh I dunno, YESTERDAY, the man who MURDERED YOUR TWO BEST FRIENDS did so because of his INFATUATION with his SISTER. INCEST MURDERED YOUR FRIENDS. WHY DO YOU LIKE TWO SHITTY BEAR SIBLINGS GETTING IT ON AND HAVING DRAMATIC ABUSIVE PLOTS OR WHATEVER. WHAT EVEN ARE YOU!??!?!??

Then in chapter five's trial, in a string of dialogue and events that I also found amusing among many others, was when Exisal Kokichi was messing around with Himiko (who granted, is incredibly easy to troll) and mentioned that Himiko liked him. Of course Himiko denied this because Kokichi had been a complete douchenozzle ruining everything and dividing everyone in everything at this point, having essentially ended the lives of two people a trial prior and is the mastermind responsible for the killing game (or at least what everyone believes at this point) so he is LITERALLY the WORST. 

Himiko denies it and then rebutes with a strong, "NUH-UH, I HATE YOU!" Which is very reasonable. A perfectly normal human being would have such an opinion. Heck, anyone in this situation would. Almost everyone, even. (I mean this as an in-universe thing, as a character Kokichi is absolutely fascinating and I can totally understand his widespread popularity as annoying as it is when he's overexposed all over the place) But then Kokichi counters with,

"But I like yooooou~" like a kid teasing another on the playground.

And then Himiko blushes.

IT WAS FUNNY, YES. I chuckled. I laughed. OH BOY I was amused. But thinking about it logically.... wtf Himiko? It makes me think that, should she actually pursue a relationship with like...ANYBODY, she would be easily taken advantage of because she's so lovestruck. She'd be that girl who would stay with their abusive partner because of denial that they were abusive or a terrible person. She'd pursue the asshole bad boy simply because they were hot. And stay with them. Because they are hot. Heck in the same trial she enjoys Monokuma's antics and starts even coming around to him, like maybe he really is cute and really is on their side HIMIKO THIS BEAR EXECUTED ALL YOUR FRIENDS AND PUT YOU IN THIS HORRIFIC ORDEAL IN THE FIRST PLACE.

Which of course wraps around to OF COURSE this character drank the kool-aid. OF COURSE SHE WAS THE FIRST ONE TO. She must have been the absolute easiest person to convert in the history of Angie's time as an oracle.

I will say though, that just because Himiko appears so weak throughout the game doesn't necessarily mean she's like, weaker than average to a considerable degree. Sure she's the shortest girl, weighs the least, isn't strong physically whatsoever due to her laziness, and because of her weak will is even more vulnerable, but what I mean is compared to the rest of the cast she stands out as the weakest. I only point this out because I feel using the abusive partner example might imply that people in that situation are in that because they themselves are weak and it's their fault for having fallen into that situation in the first place. Of course not. It's something that anybody can fall prey to, and Himiko being an example is not an outlier. These kids are all teenagers. They've barely emotionally matured yet a majority of them are like, demigods when it comes to mental fortitude or emotional maturity. Beyond even the average adult. Himiko is relatable because she is what all of us WOULD be in a killing game. We'd be anxious. We'd try to find a way to distract ourselves from the traumatizing events surrounding us. We'd close our emotions and try to guard ourselves mentally as well to keep ourselves alive. So we don't seem vulnerable, so we won't be the next victim.

I mean, I say we but I mostly mean myself. I dunno if most people will be like that. I am ASSUMING most people are like that, but maybe they're Kaedes instead who will take charge and make plans and get themselves killed in their ridiculously ambitious ploys. Who knows.

But yes. Himiko has shit taste. And you know, I haven't even spelled out the biggest reason she has the worst, most awful taste in the history of mankind. 

Not liking Tenko. At least not immediately. At least not when she was flesh and soul, anyway. You know, the Tenko at her most Tenko. Living, I mean. Anyone who hates Tenko indeed has the worst, most awful taste in the history of mankind. I cannot relate. I cannot understand.

KIIBO.

I like that spelling of his name the best, btw.

But yes, Kiibo.

Often, when the opinionated threads come about and people throw around who the best cast of girls or boys in a game is, the boys of V3 stand out. They are apparently the best. And well, they are not wrong. Shuichi is a magnificent protagonist. Korekiyo is a fascinating, enthralling fountain of memes. I do not even have to say a word about Kokichi. Kaito is a solid Kamina. Ryoma was someone who I found myself wanting to learn so much about, with his unique backstory and his clinical depression. Gonta though simplified a little too much in the localization, was helpful in so many ways with noticing the clue words and the bugs, pointing out the strange constellations, being surprisingly more useful in the trials than one would expect, and having a tragic, pitiful end at the climax of chapter four. Rantaro was a plot device, but at least he has the excuse of having the least amount of screentime, and I guess he's eyecandy or whatever. (SHUICHI IS THE PRETTIEST BOY IN DANGANRONPA AND NO ONE CAN CONVINCE ME OTHERWISE) 

Then there's Kiibo.

I do like Kiibo as a character. I like his personality, backstory. He also has some entertaining FTEs and one of the better Love Hotel segments. (I wager one of the best, actually) but in the context of the main plot.... he, like Rantaro, was ultimately a plot device. But again, Rantaro has the excuse of not living very long. Kiibo lasts the entire game.

...

Let me explain.

Kiibo doesn't really, at least during the main plot, form a cast herd with anybody. Like how you have Shuichi, Kaito, Maki, or the three girls Tenko, Himiko, and Angie. I sometimes see him with Kokichi, Gonta, and Miu as a quartet, which makes sense because they are all connected in some way, but not to each other directly. More like, Kiibo hangs out with Miu, who is murdered by Gonta, who is always manipulated by Kokichi, who always insults Miu, who also always insults Kiibo. I guess you could call this quartet Kokichi's bitches or something. But there's no strong connection between like, Kiibo and Kokichi, or Kiibo and Gonta. Kiibo's only really close to Miu, and Miu insults and belittles literally everyone, which leads us to one of Kiibo's biggest problems.

He EXISTS TO BE BULLIED.

When I read Kiibo's artbook notes, I was rather disappointed by the direction the writer was going with him. Apparently, one of the BIGGEST ASPECTS of Kiibo, planned from the get-go or at least planned meticulously, was that he would be bullied. Like all the time. His personality would be that of one who is easily bullied, and he'd have the assertiveness of a doormat, and the strength of a senior citizen. He is easily offended because of ROBOPHOBIA, and anytime he does pull out anything of that would make use of his unique robot talent, it'd be incredibly mundane. Some of these I did find amusing yes, but when he had no emotional connection to any character nor any plot going on, nor was ever like a suspect of any trial, or anything at all, it was easy to forget Kiibo existed. Often I'd try to remember the cast of V3, and name them off, and then name fifteen, and I've be like.... "wait didn't I get all of them? Who am I missing... .OH RIGHT KIIBO." Every. Single. Time.

Because for five chapters Kiibo was a joke. He existed only for this running gag. There wasn't anything expanded on his relationship with Miu that made Miu's death more heartbreaking like say Maki with Kaito, Himiko with Tenko, or Shuichi with Kaede. When it finally came time for Kiibo to be useful, and I mean useful in a way that didn't just directly come from Miu messing with his internals and giving him more features, but something Kiibo choose to do himself, it was all for the plot device. With Kiibo exploding everything, we can explore and investigate the school! With Kiibo with these badass powers, he can blow up a hole for the survivors to escape! With Kiibo being the audience surrogate, we can explain away his passivity throughout the entire game! Like at what point did Kiibo have any actual agency? Only when it was time to wrap up and conclude the plot.

The reason why I am so convinced of this is that Kiibo is just thrown away once he was no longer useful to the plot. A robot character in a setting where characters dying it is not only possible, BUT COMMONPLACE? They have literally zero chance of surviving. He self-destructs like how any other robot character in some touching movie might do as a heroic sacrifice to allow the rest to live.... which would be sad and touching and all, if Kiibo was ever respected as a standalone character. 

But he wasn't. He was made the butt-of-the-joke for the entirety of the game, No one had any emotional attachment to him, befriended him, helped him get over his robot insecurities outside of FTEs, and when it came time to sacrifice himself no one cried. Because the game gave us no reason to cry for him, because the robot that exploded wasn't even the real Kiibo, but the ~OUTSIDE WORLD~ and the real Kiibo had already been erased. And none of the three survivors were like "OH NO POOR KIIBO, or KIIBO SACRIFICED HIMSELF FOR US, no. No, it was the outside world that chose for them to live, at least that was Shuichi's hypothesis. When Kiibo did die near the end of the trial, there was an attempt to make us feel sad that he was about to be erased, but it was done almost like an afterthought. It went by very fast, and like some characters were sad, like Himiko. Y'know, the character Kiibo's artbook entry mentioned that he considered one of the worst because she did a lot of the bullying near the end after characters like Kokichi and Miu weren't in the picture. And I'm not saying Himiko SHOULDN'T be sad, oh she should, but just the manner this whole death scene was written just felt insulting to Kiibo's character.

Even the writers did not see him beyond just a robot, beyond just a buttmonkey, beyond just a plot device. The writers THEMSELVES were robophobic.

Speaking of Himiko, when the first two chapters hinted that she was a victim of bullying, it makes it that much more odd that she did most of the Kiibo bullying post-Kokichi. I thought maybe they were making some sort of POIGNANT MESSAGE that lots of people who are bullied can also bully others, but ... since it was never brought up or actually hinted at... that's just wishful thinking or putting too much thought into it. They just did it because Kiibo did not exist to be anything but what he was. And that's sad. I see some Kiibo fans who dislike Himiko strongly for her treatment of Kiibo in chapters four and five, but I mean... while true that wasn't so much an aspect of Himiko but how Kiibo himself was written in the story. To be bullied. Literally no one came to his defence. Ever. Either a character bullied him or they just stood to the side and let it happen. If Kiibo was upset about something like say, the hydraulic press not stopping when it's meant to when it detects a living organism, no one really comforts Kiibo or whatever. I don't remember if Shuichi said anything but it feels like he only really treated Kiibo beyond as just some robot in the FTEs and Love Hotel, and not really anywhere else.

Kiibo deserved better. Deserved WAY better.

Now we shall return to our regular schedule of Danganronpa girls. GIRLS ONLY. BOYS DROOL. Unlike the boy category, V3 girls usually aren't picked for best cast of girls in the franchise. Now I have come up with many reasons why this is, as in why this is such a common opinion. Some of them are shallow, like say how the SDR2 girls tend to have goofier less three-dimensional backstories if any at all, and most of them are usually quite kind or fun, or relatively likable without any crippling flaws or whatever. You sympathize with Peko's plight. Everyone wants to be Ibuki's friend. Sonia's country is amusing. Chiaki is the most perfect waifu ever, etc. Sure you got characters like Saionji sticking out, but she's the ONLY one. It's like every single flaw that should be balanced out amongst the characters was shoehorned into JUST Saionji. ._. But yeah, I find that the SDR2 girls are very likable, but not as interesting as the V3 girls. Sure Akane has oodles of flaws and grates on some people, but she gets like, Nidai to keep her going and has an interesting backstory of a thousand siblings... 

V3 meanwhile, has the most likable most perfect waifu material being Kaede. A leader archetype who is kind and assertive and takes charge!! She also tries to kill someone. Sure it was of noble intentions, but she also tries to kill someone with a well-thought out complicated plan that requires setting up in front of others who trust her like Shuichi, and doing so without anyone noticing. That is some cold-blooded premeditated shit right there. It's stuff like that that makes Kaede more interesting, more three-dimensional. Why, a perfect waifu character? HAVE HER TRY TO MURDER!! 

Then we have Kirumi, who many have criticized as having the most wasted potential. While I see their point, I think personally I enjoyed Kirumi's character because it ripped apart the perfect maid persona I'm not especially fond of. You see, there is this Touhou character named Sakuya, a perfect and elegant maid. She has oodles of fans, and I can't for the life of me figure out why beyond she is cool. She's COOL. But what flaws does she have? What makes her beyond just, the perfect and elegant maid? We have no detail of any backstory. She's human and not supernatural but has one of the most powerful abilities, STOPPING TIME. For some reason she can throw knives with expert aim... why? How did she learn this? REFERENCE TO JOJO is not an excuse. And she is eternally devoted to Remilia... because... because reasons. Well okay. At least with future servant-like characters who tend to be fifth boss characters they have slightly more explanation to them. Youmu inherited the job from her grandfather. Reisen escaped from the Lunarian army and has taken refuge at Eientei. Sanae is Suwako's descendant. The youkai are the mansion owner's pets. The youkai are devoted to Byakuren's religion. Miko the most supreme leader and master of politics has some dumb minions stolen from two families fighting one another in a war Miko herself orchestrated. You know, REASONS! 

Though I am super digressing at this point. People can perfectly like a character for just being cool. I just don't do that kind of thing. I'm the type of person who sees Tenko for the very first time and thinks that's the worst designed DR character ever, then discover her role and personality in the game itself and love her to pieces. Design be damned. In fact, I love Tenko's design now. Not just because I happen to like Tenko, but literally she is designed like so due to her personality. Tenko dresses like so because that's who she is. And that's beautiful.

But still, seeing Kirumi I was intrigued just because, well, it's Sakuya again, but in a setting like DR ANYTHING could happen that could make her more interesting, and even if for most it was lost potential or disappointing, or ridiculous like the random political backstory that came up , the fact that Kirumi actually ran from her execution without any care to appearance or elegance or to serve others or TO BE PERFECT or anything, was just damn awesome and refreshing. She's doing something out of her own selfish desire. She claims it is for her nation and her people, but if she genuinely believes people would be lost without her and her life is valued much higher than thirteen others, then yes. That is selfish. That's BEYOND selfish. That' seeing oneself as far superior over the rest, and it's like Kaede, such a nice twist to her character.

Angie... I have nothing. I am sorry.

The problem with Angie is, unlike the other two examples of characters who seem to perfect or hyper-competent who are humanized with real, fatal flaws, Angie is instead... like, not human? She is happy all the time. She has NO sprites that aren't happy or at least not content in some way. No negative emotion exists. I suppose not being a culprit doesn't help, but plenty of victims in this game are very human! Ryoma is relatable and sad, Tenko I cannot even stop talking about, Miu well, lol. And Kokichi... Imma stop. These examples are super obvious. Angie tho? What is Angie? A plot device maybe? I hesitate to go that far. After each execution she watches she is the only one smiling. She is praying to Atua of course, but who can fucking smile after two of the most brutal executions in the DR franchise?  Being hung and swung around a bunch while being stoned and then ultimately crushed? Climbing a thorny vine, up through motorized saws just to crash back into the earth in a sickening thud of shattered bones and organs? I can't even take Angie seriously if she's meant to be some sort of example of how the writer views religion or whatever. Like she's written in a way I cannot even understand or relate to. She's a cult leader in the most straightforward of manners. Her talent is quite interesting but has nothing relevant when it comes to her personality, which is 100% Atua and spirituality. No shred of anything else except maybe a hint that Angie is lonely or whatever in an FTE...

Nope, still got nothing.

Even Korekiyo, infamous seesaw wielder and eager participant of familial relations is more human than Angie. His motive at least, in some way can be understandable. He wants his sister to be happy. That's his motive at its core. Sure, he's absolutely insane in viewing death being merely an inconvenience so him murdering girls over and over again doesn't seem morally wrong to him, but he can be angry, and sad, and upset, and cornered, etc. It seems like underneath the mountain of issues that is Kork, there was once a human there. It's visible under the mask, under the tulpa. His passion for anthropology is legit too. It feels real. He talks about it all the time and is able to relate to whatever situation is at the moment to something in his field, but he's not like 100% anthropology. I can feel his passion in it, but he's again, not 100% anthropology. His outfit is absurd looking. He spends eons doing his hair, so he has to wake up at like 6 in the morning to prepare for the day. Korekiyo is my third favourite character of V3. This is DESPITE murdering my waifu. This is DESPITE his crazy weird unnerving disturbing incest twist. He is THAT interesting. 

But nah, got nothing for Angie. 

Miu... well, Miu is hit or miss. Heck most if not all the V3 girls are hit or miss. The ones I really like are hit. Like REAL hit. Hit to the extreme, so I always rate the V3 gals like, #1 when it comes to best V3 cast. Miu is very hit for me. I enjoy her stupid vulgar humour, and her ability to not offend me when she, like seconds after we discover a body, immediately insults them. She calls Ryoma fish shit moments after his body is obliterated by Piranha, and Tenko "Cunt-fu" right after they find her body. I'M NOT OFFENDED! That's my waifu you're talking bout, Miu! But I don't care! I dunno how they did it but they made Miu work. I applaud the localization for Miu. Now yes, Miu's motive for attempting to murder that got her killed in chapter four kind of sucks. But I dunno, it still feels in-character. No one in-universe actually likes Miu that much due to how unpleasant she is, and Kiibo is unique in that Miu is able to upgrade him and such, so I can't really categorize that has genuine friendship exactly. So Miu feeling the same way back to everyone else, and being so full of herself and her ability that the world would be far worst-off without her on the outside inventing makes sense. Of course she'd try to murder. It's like Kirumi without the twist and far more amusing. 

But beyond just vulgar jokes, Miu is human too. Shocking I know. She's a coward essentially. And revealed through the Love Hotel has some abandonment issues as well. With the FTEs with Kaede, she actually insults people for attention because she has no friends, and just wants company. It's actually rather sad, but it gives Miu dimension, so even if she did go out kind of idiotically... well, I mean. Miu's an idiot. So....

Well, V3's comedic relief characters are ridiculously good. Even if the ONLY character being comedic relief was Miu or Kokichi, it'd still be better than the first two games. I don't recall laughing at anything Nagito ever did, and Miu is like Hiyoko done right. Even when these two are gone we still had Himiko who was a solid number three in the chuckle category so that the ending wasn't all bleak and despair. I don't recall the survivors or last few characters of 1 or 2 providing any solid laughs. Hagakure doesn't fucking count whatsoever, and shame on you for even thinking of him. I guess Genocide Jack was good. DR2's jesters died with Ibuki and Gundam.

Anyway, Maki Harukawa, the opposite of comedy.

Yes she's Shadow the Hedgehog in Anime girl form. Yes she's ultra edgy. Yes her character arc is super cliche. Yes, it revolves entirely around Kaito. Yes she got away with too much and wasn't called out for trying to get everyone killed in the chapter five trial like Asahina did in DR1 chapter four. Yes she might be the creator's waifu. Okay, getting all THAT out of the way, I don't actually mind Maki that much. I mean wow she does have flaws. Like oodles and oodles of them! She's certainly human. I give her that. But yes props for getting the ultimate assassin to actually assassinate someone and then get away scott-free! Truly her talent shines above all.

No I'm not being sarcastic. I genuinely believe since Monokuma had no way to view how the chapter five murder took place, that Maki easily could have been the blackened, and being the Ultimate Assassin she probably was, but Kaito was executed anyway because I dunno he was instilling too much hope into the cast, and could have also killed Kokichi or whatever. Heroic sacrifices y'all. That's all I have to say about Maki.

Finally, we have Tsumugi. Yeah all that stuff about Kiibo? Also Tsumugi. Except replace the running gag of being bullied with anime references and PLAAAAAAAAAAAAAAAAAAAAAAAIN. I heard they put real effort into researching cosplay and her FTEs are pretty bountiful with some relatable cosplay events or such, but otherwise I cannot really think of much to say except, exists and then is the mastermind yaaaaayyyy.

I must reluctantly end this here as I am starving and tired and it is 4am. GOTTA STOP SOMEWHERE. I wrote about most characters maybe. 

Nighto!
spotto: (KAZUUUU oh and sayo)
 i was bored on a sunday monday night have at thee

also spoilers for everything, but most crucially danganronpa v3

-

OTP quiz
Pick your 10 top OTPs without reading the questions.
 
1. Tenmiko
2. Monochrome
3. KeneMoko
4. PinkieShy
5. KazumiSayo
6. AyaSanae
7. MercyMaker
8. ReiMax
9. KaoruMiyako
10. Creek (idk i don't have 10 otps this was the hardest question in the quiz)
 
1. Do you remember the episode/scene/chapter that you first started shipping 6?
 
Yes because due to it being a rarepair, this comic series was the entire reason I shipped it and continued shipping it, as there was little content for the ship outside of it. Maybe a few more comics and artwork inspired by the person who shipped this a lot, which is great but also so little. ;_;
 
2. Have you ever read a FanFiction about 2?
 
Yes, but mostly I've written for it instead of read. (this is an understatement >_>)
 
3. Has a picture of 4 ever been your screen saver/profile picture/tumblr?

Yep. It was adorable and no one asked questions because no one should question pink ponies.
 
4. If 7 were to suddenly break-up today, what would your reaction be?
 
Well that's not unexpected. Also they weren't canon to begin with, so....
 
5. Why is 1 so important?
 
BECAUSE NO ONE APPRECIATES THE IMPORTANCE OF FEMALE FRIENDSHIPS ENOUGH AND THIS IS THE PRIME EXAMPLE IN DANGANRONPA BUT PEOPLE STILL IGNORE IT ANYWAY!1!!1!
 
6. Is 9 a funny ship or a serious ship?
 
Well considering the third wheel was given the comedic relief role...
 
7. Out of all of the ships listed, which ship has the most chemistry?
 
10 because they're canon. THERE'S IRREFUTABLE PROOF.
 
8. Out of all of your ships listed, which ship has the strongest bond?
 
... like in my mind or in canon? If it's from canon obviously number ten, but probably 3 or 5 otherwise.
 
9. How many times have you read/watched 10’s fandom?
 
Several times off and on over the years.
 
10. Which ship has lasted the longest?
 
In what way? What's the oldest one? Ten by a longshot. That I still love and ship to pieces? Three.
 
11. How many times, if ever, has 6 broken up?
 
Gee, how many times has the non-canon rarepair broken up? Gee, I dunno. I hope they don't? I can see them breaking up once dramatically because personality clashes, especially on Aya's side because she's dense or w/e, but being an otp I can also see them overcoming such an obstacle and making up afterwards.
 
12. If the world was suddenly thrust into a zombie apocalypse, which ship would make it out alive, 2 or 8?
 
2 because they actually know how to fight...but 8 has a giant turtle and tiger on their side... hmmm... I'd still give slight edge to number 2 since they trained their whole lives for that kind of thing.
 
13. Did 7 ever have to hide their relationship for any reason?
 
Well if they happened to be canon, I imagine that is something that must be done otherwise it'd be controversial as fuck as they are on opposite sides of a like a war (or some sort of warlike dispute lol) and one's a terrorist or whatever and the other is a doctor, so....
 
14. Is 4 still together?
 
Nobody ever wants 4 to be together. D<
 
15. Is 10 canon?

YES LOL
 
16. If all 10 ships were put into a couple’s Hunger Games, which couple would win?
 
Mokou's fucking immortal, but Sayo is a already dead and a ghost, but Keine can actually fight, but Aya and Sanae are no pushovers, and the monos fucking specialize at fighting monsters... uhhhhhh. Tenmiko because HIMIKO IS A MAGICAL SURVIVING UNDERDOG, and Tenko will do ANYTHING to KEEP HER ALIVE!!! EVEN IF SHE DIES HERSELF!
 
17. Has anybody ever tried to sabotage 5’s ship?
 
If some irredeemable monster ever tried to do that, they would immediately realize the error of their ways, and wracked with such incredible guilt they would publically stone themselves to death and then apologize to them as a ghost, offering their soul to serve them for the rest of eternity, but because number 5 is the purest and kindest otp of all, they would forgive the monster instantly, and then the monster would atone for their sins and achieve nirvana for reaching enlightenment.
 
18. Which ship would you defend to the death and beyond?
 
1. I will fucking fight you. Tenmiko is the closest to my absolute ideal ship. I WILL fucking fight you. And it is a ship that needs people to fight for... due to the nature of the plot, and the sheer contrast of the characters there's a lot of people who identify and like one or the other, but not as often both. 
 
19. Do you spend hours a day going through 3’s tumblr page?
 
I have read many a-doujin and looked at many pages of art of KeneMoko, yes. In fact it is my dream to go to some con and actually physically purchase some of these, but alas, Touhou doujin especially of Keine and Mokou and not like... EoSD characters or whatever are extremely difficult to find in the west.
 
20. If an evil witch descended from the sky and told you that you had to pick one of the ten ships to break up forever or else shed break them all forever, which ship would you sink?
 
Wow Himiko, why would you do that? Well considering I couldn't even think of ten otps in the first place, I'd break up one of the lower numbers that I'm not quite as fond of, like MercyMaker. I mean I see them breaking up anyway, maybe getting back together later... that one's quite the hectic dramatic one.

The dream.

Jan. 15th, 2018 10:16 pm
spotto: (Default)
Yadda yadda DRV3 spoilers, you get the drill.

HELLO BLOG!!

HELLO!

I AM HERE TODAY, ON THIS RAREST OF DAYS OF WHICH I AM HERE

TO TELL YOU ABOUT THE GREATEST VIDEO GAME CHARACTER IN EXISTENCE

I FEEL LIKE SHOEHORNING THIS CHARACTER AS MERELY ONE FROM A "VIDEO GAME" IS A MASSIVE DISSERVICE TO THEM

RATHER, I MOSTLY REFER TO HER AS MY WIFE

YES, THE WEEABOO TRADITION OF DECLARING A FICTIONAL CHARACTER YOUR SIGNIFICANT OTHER

BELIEVE IT OR NOT HOWEVER, I HAVE NEVER CALLED ANY PREVIOUS FAVOURITE CHARACTERS OF MINE MY WIFE OR WAIFU

THE CLOSEST WAS WEISS, WHO I DECLARED WAS MY HUSBANDO EVERY TIME I SAW BEAUTIFUL FANART OF HER IN NORMALLY TRADITIONAL MASCULINE CLOTHING, LIKE SUSPENDERS OR MEDIEVAL KNIGHT ARMOUR OR WHAT HAVE YOU

BUT THAT WAS ONLY A MERE FANTASY OF WEISS, IN CLOTHING SHE HAS NEVER CANONICALLY WORN AND THUS I, THROUGH THE IMAGINARY AND ARBITRARY RULES OF CHOOSING A WAIFU, CANNOT OFFICIALLY DECLARE HER AS MY HUSBANDO

I SAW A PRETTY GIRL COSPLAY AS HER, AND WANTED TO MARRY THEM. I VIEWED THEIR OTHER COSPLAYS, AND THOUGH THEY REMAINED PRETTY AND THEIR TALENT IN COSPLAY CRAFT UNRIVALED, I DID NOT FEEL THE SAME WAY

AND ALTHOUGH SHE MAY BE A VIOLENT, GULLIBLE, FASHION DISASTER OF A MISANDRIST, I CANNOT HELP BUT LOVE HER

Ye. You know who I'm talking about.

Read more... )
spotto: (Stage One.)
THAR BE DANGANRONPA V3 SPOILERS BELOW. YE BE WARNED.

-

An opinion I've noticed here and there about DR is which cast is the best. Some people love the SDR2 kids the best, others find V3 better, and the unpopular opinion tends to be the DR1 cast, who of course had the disadvantage of being first, and thus before the many improvements of the mechanics and story of the games. Trials are shorter, chapters shorter, cases usually simpler, and thus less depth for whatever character died next or who the culprit was or who developed throughout the game due to the various murdery events.

Anyway occasionally that splits into categories, like which rival was the best, which protag, which female lead, or say a group! Which protagonist trio was superior? Who was the best died for our sins character? Which cinnamon roll was least bland? Etc. I think I mentioned this in an earlier post, but which cast of girls was the best was one I tended to pay quite attention to for obvious reasons. My favourite characters have mostly been girls in DR, and I am not here to elaborate why. Anyway either someone is throwing about their opinion often and everywhere, or that one of the more popular opinions is that the strength of V3's cast lies mostly on the guys, not the girls. In fact the girls were much better in SDR2! Basically, the best husbandos came from V3 and the best waifus were from SDR2. I can kinda see that opinion in a way, though I don't necessarily agree with it.

I think largely it comes down to how many in a cast were comprised of JOKE characters. For instance in SDR2, a lot of the male characters were joke characters in some way and either weren't plot relevant or only stuck around to provide comedy relief. What they might bring to the story itself is pretty minimal, and they're harder to take seriously when they aren't well, serious. Characters like Hanamura, Kazuichi, Nidai, and Gundam were quite over the top characters no matter how much you enjoyed their vibrant personalities. Also in terms of conventionally attractive characters, not a lot to choose from on the male side either. You got the protag who tends to look generic and bland, and even if you did like Hajime's design you  rarely got to see him outside of trials The Imposter, Hanamura, and Nidai all fall outside the range of being a cute anime boy, and while it's a stretch, it's not as if Kazuichi or Fuyuhiko are designed to be that boytoy yummy looking character all the fangirls can latch onto. Well, I mean maybe Fuyuhiko. Depends what you're looking for. Gundam can even be a bit too extreme for some people's tastes, and so you're left with well...Komaeda.

Hm. Yeah.

So not A LOT to choose from in terms of someone who has like, the most boring and standard taste in the world. Meanwhile there are many girls in that realm of conventionally attractive. Even our female lead, Chiaki, brings to the table quite a lot, from her cute design to her huge rack to lure in the guys and girls that are into that and her common interest with the player themselves, gaming... add to it her relevance to the plot and that's already one of many. Kazuichi often sings the praises of Sonia, who comes in looking like the typical Aryan beauty. Ibuki's here with her loud design that still looks pleasing to the eye along with her personality. Peko's attractive and looks like she can kill you. Akane comes in with the boobs, but she doesn't really win crowds in the depth or character department sadly. Mahiru looks a tad bland, but you could say design-wise she's like the equivalent of Hajime, and so our only minuses are the unpleasant and tiny Saionji. Oh and of course there's Mikan around to win crowds as well with her sympathy-bait traits. I could go on-and-on-and-on... I might be bringing up the design aspect a bit too much, but there are less joke characters in this crowd. Akane and her food? Sure. Maaaaybe Ibuki? She brings in a sense of emotional attachment and fun as well, though I could be biased. Saionji if you consider her screentime to be amusing in any way... I don't. But most of the females are fairly serious and are stuck with some sort of tragic backstory, tragic circumstance, or some other suspenseful, emotional attachment to the plot that's not meant to be laughed at. 

V3 on the other hand we have very plot relevant characters in the guys, even in Rantaro when he was killed off first! Including Rantaro we also have Kokichi and Kaito as well influencing the plot. These three characters aren't jokes whatsoever and have conventional attractiveness to their designs, nothing wacky and crazy. Our musclehead Gonta is meant less to look over-the-top (he looks far more toned-down design-wise compared to previous beefcakes) and is this game's resident sympathy-sink instead. Kork may be batshit insane to the extreme, but he provided great intrigue while alive and before the ridiculous twist, while also maintaining the conventional design (albeit with the creepy add-ons) in the aesthetics department. I'd equal him with Gundam in that sense. Ryoma may have looked ridiculous but his personality was anything but, and he was quite loved by those who understood his struggles. Shuichi has long eyelashes and is our angsting little protag who shows up in the game where we get to see the protag's sprite lots! I'm pretty sure I just mentioned literally every male character here. Not a single one of them is a joke character.

Oh right Kiibo. Why do I always forget about him. Well TECHNICALLY he is neither male nor female, but in the interest of this discussion, he too is plot relevant (eventually) and tho was treated as a joke many times it was moreso other characters utterly disrespecting him in the interest of comedy as opposed to Kiibo himself that was the joke.

Meanwhile our female cast do not fare as strongly in this department. We could have had our wonderful female protagonist, but she died, she died! Really early on in fact, and though remains throughout the story as an emotional connection especially to Shuichi and his lingering development, wasn't relevant to the plot as much as Rantaro was. Everyone still loves Kaede tho. Then we have Kirumi who while of course looks pretty of course wasn't plot relevant, did not have an attachment to any particular character (bonds always make characters stronger than when they're alone!) and dies early. She's got an infamous execution at least... ? Angie's sort of a hatesink in the interest of developing a conflict that comes to its pique in chapter three, while Tenko, Himiko, and Miu all contribute to the story either emotionally or in Miu's case, through her talent, can easily be summarized as joke characters too. Joke characters with more depth than the joke ones from SDR2, who might only have gained depth in their FTEs if lucky, but compared to the rest are joke characters nonetheless. Maki is controversial. Oh and Tsumugi is boring with her one-trick reference bit, who does nothing until she's revealed to be the mastermind, but she's not really the real TOTAL mastermind controlling absolutely everything like Junko was, and her twist sort of comes out of nowhere instead of being foreshadowed leaving Tsumugi left as moreso a before-and-after character.. so yeah ....

Also aside from Maki, none of them are nearly as plot relevant as the males. Sadness.

STILL. 

I think the reason why I prefer the V3 cast, including the females, or rather ESPECIALLY the females over the SDR2 cast is due to the depth. Like let's take both Miu and Kazuichi for instance, two characters with similar talents who serve as comedic relief and as a sort of pathetic jokey character in both games. I like Miu better. Why? Miu contributed quite a bit to the plot with her talent, but not only that her brand of comedy was always such a breath of fresh air in V3. The atmosphere is always dreary and sad and emo, then Miu comes out of nowhere with the most creative vulgar insult or slur ever, and how she reacts when others fight back is even better. She's consistently entertaining in her own unique way, which Kazuichi never really provided. His inventions weren't quite as dynamic, then again he is a mechanic not an inventor, and he mostly ran around being a coward, or accusing Hajime of things, or hitting on Sonia. Nothing that stood out. That Kazuichi survived and Miu didn't is kind of a shame in that sense, but DR is DR. The series doesn't discriminate when it comes to whoever dies or lives. Well okay, except to muscle people. Gain any sense of tone in your arms and death is guaranteed. ):

Or another example is how often people complain that a useless character lived, like Hagakure or Akane. They didn't contribute to the plot and their participation in trials did nothing to help advance the trial itself. Now V3 only has the luxury of three survivors, so by default Himiko is the traditional 'useless' survivor, yet when people complain about her longevity I get upset. Sure she's one of if not my absolute favourite of V3 so I'm biased, but it's not as if Himiko is useless entirely! She may be a bit of a joke character and not do much in trials, but just the sheer fact that she developed as a character made her far more useful than any of the other so-called 'useless' survivors ever were! Her contributions to the game were mainly emotional and I'm a sucker for emotional shit, so what can I say? Also with Danganronpa's tendency to shoo out the clowns, one of the survivors is always meant to be a comic relief character, but always one of the more subdued ones because God forbid we have Gundam's mannerisms ruin the suspense of chapter sx's many twists! Himiko is one of those, just like Akane or... well I dunno how Hagakure counts since he did seem over-the-top from the get-go, but his survival is a mystery to all to the point that he himself is entirely a joke with no substance whatsoever. Or at least that's what Danganronpa itself loves to imply, anyway. Who can disagree with that?

But in essence the V3 girls feel a lot more three dimensional due to heir flaws, but not only that they have flaws, but how those flaws are presented. A character like say... Mahiru is sort of plain, and her flaws are little harder to define, but they're there. She has the tendency to lecture, chastises how boys act a lot, and forgives Saionji's actions far too often for her own good. But while her flaws were understated and harder to see, so too were her virtues. What's great about Mahiru? She's not as insane as her other over-the-top classmates? She's nice? She's relatable? I don't know.

Now we have Tenko, who IS over-the-top with her flaws, and is sort of ridiculous. You might say, well that's an SDR2 character right there! But then Tenko brings with her pretty obvious virtues too. While she insults and belittles boys without holding back, she also compliments and encourages girls without holding back either! She starts off seemingly having a selfish and superficial crush on Himiko, but over time we learn she also wants to befriend Himiko first and worries for her psyche and well-being too! To the point that she'd go out of her way to defend her, or to secretly infiltrate a cult just to make sure she's okay, to even giving speeches to the girl to keep her spirits up! It's really heartwarming in a way. Tenko's kind of like a much more well-defined Mahiru. It magnifies the flaws all the more, from the nagging of boys to the ASSAULT of boys, but then it also magnifies the virtues. Mahiru for some reason is okay with Saionji getting away with shit. Why? Well she probably understands her or whatever and wants to improve her as a person, but we can't really see Mahiru's intents that well. We could easily believe Mahiru's a hypocrite who chastises a guy for being mean but is completely okay with Saionji doing it instead due to her innocent appearance.

Meanwhile, Tenko's so obvious about how she feels it's impossible to misinterpret her intents. Yeah. she hates men, but she clearly likes Himiko, and clearly wants Himiko to have a better view of life, and thus a more healthy way of living, leading to a flourishing lifestyle. This extends to how Tenko acts around say, other characters like Kaede or Shuichi, but those fall into FTE territory. Even without the FTEs, there are moments in the game where the writing seems to conveniently forget about Tenko's androphobia for the purposes of plot, like when Tenko throws Shuichi (thus touching him when she was repulsed doing so in the FTE) and subsequently reads Shuichi's true inner conflicts and gives him advice. Well that was random and good, all of a sudden! It's like Tenko's biggest flaw might only be there for comedic purposes or something.... but bad writing or not, it's refreshing because it leaves Tenko as less of a one-note character. In this sense, Tenko feels like she has dimension. She's extreme, but she almost seems more realistic somehow... I don't know how to describe it.

Another comparison is Kaede and Chiaki. Kaede starts off seemingly like an endgame Chiaki, there to encourage everyone while never doing wrong. While Chiaki starts off as someone you sort of overlook at first, not especially standing out (unless her design pops out to you) compared to the many other wacky characters in the cast. Chiaki eventually gains her position as female lead and ends up never doing anything wrong, rarely if any shows any visible flaws that couldn't be attributed to her status as a AI, and despite being executed as the culprit, due to Komaeda's bullshit luck is the least culpable of any culprit ever and fits more as a victim in a case than a culprit anyway. CHIAKI IS PERFECT! I still love her as a character but in terms of flaws and depth, Chiaki's not the person to go to. That's Kaede.

Starting off as perfect usually means one must be torn down, where their perfectly pristine outer shell is ripped apart to reveal the ugly pulsing innards inside. It's usually not to such an extreme extent, but one reason Kaede became so interesting was due to her mastermind murder plot. It wasn't the perfect plot by any means, and by the last trial you even find out it ultimately failed in every way, not only to kill the mastermind but to kill anyone at all, and yet Kaede died anyway. Though she dug the hole that got her killed, she was also the victim of misfortune as well. She made a stupid plan that didn't even work and it got her killed off anyway. That was her fatal flaw, her ultimate downfall, but for a character like Kaede so seemingly pure and good and nice to do something like that makes her so much more human than I would argue ANY of the female cast in SDR2. And that's saying something. Yet her greatest virtue paid off posthumously in Shuichi's development, being able to keep him going despite her death, and despite her sin. IT'S SO GREAT! 

Basically what I'm getting at is yes, while the female cast of V3 might appear to only exist for comedic relief or to pad the story out as less relevant characters than the guys, they still fill out their roles admirably with more depth than the casts of the previous games did. That's why I like them. They're more human, more relatable, and thus it is all the more soul-crushing when they die. I think it's a testament when my favourite characters go from characters like Ibuki and Chiaki from SDR2 to characters like Tenko and Himiko from V3. Ibuki and Chiaki are great characters, good in alignment, cheer you up and encourage you to go on further; Ibuki's so independent she doesn't form a strong bond with any single student, but manages to be fun personified in every single event. Chiaki ultimately leads the protagonist to choose the best option in the end for his future, and basically helps us win the game. All well and good, right? 

But alas, not many flaws or development are involved in their presence. Ibuki dies too early, but even if she didn't there weren't hints of a character arc starting like with Saionji. Chiaki lives for longer but she serves to fulfill the development of another character (Hajime) instead of her own, dying in an ultimate noble sacrifice. There's not a lot to go around individually with these two... They certainly are characters that cheered me up, and would be people I'd be friends with due to their pleasant and uplifting natures ...

Meanwhile we have the lazyass delusional Himiko and the obnoxious misandrist Tenko.

Both characters had detractors early on, Tenko moreso, but during the first half of the game several people grew tired of Himiko's repetitive lazy shtick and magic jokes. Defenders of both might even accuse the other of dragging their favourite down. I've heard Himiko fans tear down Tenko, who was breaching creepy stalker territory when it came to Himiko. I too was part of this crowd the first time I was exposed to the game. My first impressions of Tenko were not great to say the least, and more than once I had spoken out loud for Tenko to leave Himiko alone. There are too, Tenko fans who believed Himiko treated her horribly, often ignoring her or being rude to Tenko, and therefore declaring Himiko did not deserve Tenko in any way. Even if I was on the Himiko train early on, this perspective has a point too. Yes, I agree with both.

Because both characters were flawed, and it detracted from their relationship early on in the game. Had neither of them evolved, I never would have considered the two as a duo to be anything more than just a duo, maybe something similar to the Sonia and Kazuichi dynamic from SDR2. Characters who both didn't really change much over the course of the game nor were especially plot relevant, but Kazuichi's one-sided fling with Sonia was...amusing I guess? There wasn't really much to it beyond that. A joke.

Yet as we learned more of these characters, and as time went on within the game, things changed. Once the spotlight turned to Tenko and Himiko, their interactions switched from a comedic standpoint to a story standpoint. Conflict arose with Angie's cult, and Himiko's need to mentally wish the present situation away. Instead of going to Tenko for comfort like she might have wanted, obviously Himiko turned to the only source that was offering a reasonable solution to her problems: Angie. This of course leads Tenko to jealously, and her own delusions because it's not as if she were super best friends with Himiko at this point anyway, but sometimes even when two characters aren't moving in the right direction, a little shakeup may be the best way to right the path to friendship. I like the fact that despite Tenko's obvious desires, she takes the right steps at the right order to win Himiko over. Himiko needs a source of comfort, friendship, something to lift her mind from the horrors of the killing game; in short, Tenko thinks of what Himiko's needs and desires are before her own, no matter how vocal she often was of them.

Some people expressed disappointment with the direction of Tenko's character because when she was initially teased, a lot of people expected some sort of arc where she'd learn to like boys, and thus would have some bond with some particular boy, perhaps the protagonist and soon her misguided and discriminatory views would be whisked away. Or maybe they had expected some sort of tragic background that lead to Tenko's stubborn beliefs, but neither occurred, or at least were elaborated on as much as they could have been before her untimely end. There were small hints, like Tenko's single mention of her alcoholic father, or her moments with Shuichi, FTE or not, that slowly, gradually, turned her direction for the better when it came to her views on men. And yet, none of it lead to fruition due to her death. What could have been, really? We may never see how it could have played out, but I still think what we got was fascinating and maybe a little less predictable than most people hoped for following the trailers.

Like Chiaki, Tenko did ultimately serve the purpose of developing another character, but before she died and fulfilled this purpose, Tenko was also strongly her own character. I truly believe her biggest and most obvious flaw was meant for comedy most of all, considering at the times of strongest tension, Tenko's distaste of men was lowkey. Heck, the only scrum debate she had a role in had her on Shuichi's side, and her point of argument was to rely on Shuichi's words, a boy! Even if her loyalty was most pronounced with Himiko, when push came to shove, Tenko would show that side of her to anyone, and I mean anyone. Tenko reminds me of a shelter dog, an animal who is so ready to love, but her former master trained her incorrectly, or was well-meaning but inexperienced in the field of dog-ownership, causing unwanted habits to develop in the dog. Perhaps everything the dog did wrong with attributed with the colour red, like maybe the dog misbehaved and would always be put inside a red kennel and then left alone for hours on end, whereas the blue kennel was always used for travelling like going to the vet. Ignoring the fact that dogs probably can't see that well of a spectrum of colour, the dog might believe anything associated with red is bad, and would bite anything red. The red car, the red coke can, the red sofa, etc. I KNOW WHERE I AM GOING WITH THIS ANALOGY I SWEAR. Because the master would leave for so long while she is in the red kennel, she now believes the colour is responsible for taking the people she loves away. 

Anyway that was longwinded, but Tenko is essentially that but with boys.  BOYS ARE BAD, says her master, in an effort to keep her focus on her martial art and not to be distracted by the usual teenage girl distraction that could lead her away from the discipline of her art. But Tenko takes it to the extreme because instead of explaining exactly why boys are bad, he instead tries to associate it with something else that would make Tenko unhappy, like weakening her skills in Neo-Aikido, and so Tenko starts to believe men are terrible in every sense of the word if they can do such a monstrously powerful thing. Tenko's master kind of sucks by the way, in sort of an amusing way, but he's not the greatest influence on Tenko in the least, ha. Anyway just the very fact that I can elaborate so much of Tenko's character without mentioning Himiko is evidence enough that Tenko can be a character on her own and doesn't rely on another to exist. Himiko was a big part of her screentime and lines yes, but Tenko was MORE than that, and that made her so much more interesting. Often my favourite ships and friendships I'm attached to one of the characters and the other one I find okay but their bond itself is so strong and intriguing that I like the other character by proxy too, but never for that character alone! Tenko and Himiko break that pattern.

And yes sadly Tenko dies before all that potential can be explored, but in a game like this where dying is just second nature, you can't really complain. The fact that she leads Himiko on her own development path leaves behind a legacy too! So many other deaths the character just ends where they die, and they don't affect any survivors or the plot down the road. Peko still had lasting memory and influence on Fuyuhiko. Rantaro still had relevance to the plot five chapters after his death. Mikan's demise was foreshadowing to the twist of the very end as well, meaning her sudden character change was not just a random reveal of insanity like say Korekiyo's was, and so had so much more substance within the story. Saionji dying without having changed and none of the characters she was associated with surviving beyond chapter three was an utter waste. A dead end if you will, and so is Ishimaru, all the things he learned from Mondo coming to a stark end with his death. Ryoma and Kirumi were standalone characters in their own chapter leaving little of a mark on the plot or the remaining characters, making chapter two arguably filler-y in a way. I could go on and on, but I'm glad Tenko wasn't a part of the latter group.

Though if Tenko remained alive she could have chipped little by little away all of Himiko's anxieties and flaws, her death sent Himiko into overdrive, to the point that her last words motivated Himiko to such a point that she rushed on forward without a plan or thought process whatsoever on what to do. Himiko was forcing herself in chapter four to not be who she had been her entire life, so it's no wonder her character was wonky in chapter four. I've heard a few people mention she was flanderized in chapter four and that utterly confused me. How do you flanderize a character by making them change drastically and that change only existing on one chapter? That doesn't make sense? Did that person know what the term flanderization even meant? Well I digress, Himiko was running all over the place and screaming her lungs out trying to change so quickly that of course it felt unnatural, but also heartwarming how much effort Himiko was putting into it. Not only from a sense of encouragement, but a sense of guilt and regret from not acknowledging Tenko sooner. Himiko, unlike Tenko, is not someone whose intents and feelings are obvious from the get-go. Anything but! I feel looking into her actions tell a stronger story of Himiko's feelings more than just reading her dialogue.

I think by the time chapter three started Himiko had warmed up to Tenko, but was too lazy or unmotivated to vocalize such a thing. We could tell she thought better of Tenko by merely hanging out with her, and not complaining that Tenko was hovering around her like she had been in earlier chapters. What Tenko did, defending her no matter what in the second trial when Himiko was a suspect really gave her this feeling of support that she was trying to find in Angie's religion. But of course even if Himiko was willing to be around Tenko around this point, it's not as if Tenko wasn't overbearing or perhaps exhausting Himiko with her presence either. After all with Tenko being the extrovert she was and Himiko an introvert it was bound to happen, so she will still seek Angie out for support too. I really strongly relate to Himiko in so many ways, more than any character I can think that I've liked in a while. Like Tenko there were hints of Himiko's background that were never explored. With Tenko it was the potential father issues, but with Himiko it was bullying. She always had a strong opinion against bullying, and was picked on by both Kokichi and Miu for her appearance, a common thing to be bullied for, and Kokichi and Miu both having bully-like personalities as well. Himiko's pretty easy to pick on too. She stands out in more ways than one, so it made sense. Still, this was not an aspect of Himiko that was explored beyond the first chapter. 

I mean, sometimes I feel like a quiet unassuming person who had always wanted a tight-knit group of friends and envied those who easily made them and was often surrounded by people, but still somehow chose to spend most of my time alone anyway, and was always afraid to speak up. Yet, I have this yearning of making others happy, seeing them smile, not only smile but smile because of me. At the same time, I sort of feel like an outcast, different from others, interests always being something else, not often having a topic to discuss with others that wasn't something specific the common person wouldn't be interested in. If I did bring it up, I'd be so excited to be talking about it it'd be the ONLY thing I'd ever talk about, and then I'd fear being disliked for being so eager in my singular topic and annoying the other party. That's why I just don't talk. The fear. I sometimes see Himiko like this, someone who has achieved that ability to make others smile, but also loses the boundary that keeps their interests at bay, often mentioning their singular interest at any time, no matter how appropriate it is. However this lack of barrier leaves her vulnerable, and she's easy pickins for teasing and insults, and ends up naive and gullible to more malicious people. This also leaves her emotionally vulnerable, so she seeks comfort in people, and probably has a horrible sense of judgment when it comes to people, but I guess since there's only fifteen other people that's not much to pick on anyway. Himiko is lucky both Angie and Tenko were the ones to gravitate to her first because though she needs support she's too lazy and introverted to ever initiate anyway. 

And I just relate to that on such a level... Himiko needed these people to open her up, to overcome those obstacles and flaws so she could face reality and become a better person. It's not as if Himiko becomes perfect after Tenko's death. She still carries with her those flaws. She's still gullible and naive, but now she has the motivation and the desire, and is trying to BE better. I wish I had someone like Tenko in my life, but someone like her doesn't exist. I can only equate her to a dog that gives you unconditional love no matter what, or someone literally in love with you they could sit next to you and listen to you gush about your passions for hours on end, and instead of it being a favour to you, it's something they genuinely love to do. This person doesn't exist. It's such a selfish desire for a person like this to exist, someone warped to your own whims. People are people. People are different. They can't be melded to what you, or in this case, I, want. That is why in real life, in reality the best functioning couples are of the utmost ultimate compromise. 

...anyway.. yes I've rambled on enough. I just can't get enough of V3's cast. I love them to bits. The ones I really love I especially love. The ones I don't are at least still interesting. Not a single character isn't interesting in this cast. They all served their purpose, whatever purpose they had. No one was wasted, and most certainly no one was useless.

TL;DR Ibuki is my best friend, Himiko is my child, and TENKO IS MY WIFE!!
spotto: (koi)
BEYOND THIS POINT LIES DANGANRONPA V3 SPOILERS

YOU HAVE BEEN WARNED


So in my endless quest to consume all things DRV3, as that has been my entertainment for the past few weeks (and I just CAN'T GET ENOUGH OF IT) one opinion I've seen spouting about lately is say, which game's cast is the strongest or if the guys or the girls are better or otherwise some sort of ranking of the characters. Did I say sort? I'll throw my sort results on the side too just for funsies. And like, since I do sorts of pretty much anything.

BUT THIS IS NOT ABOUT THE SORT.

You see, I've been seeing an opinion popping up here and there. I've been seeing it quite often. An opinion that is wrong. SUCH WRONGNESS is this opinion that my post shall be devoted entirely to debunking such a blatantly wrong opinion. You are free to have a similar opinion. Just know that is it wrong.

People have the audacity to claim that the DRV3 boys are infinitely superior to the girls. And not just that! For some strange, utmost inconceivable reason, they claim that of the three casts of the three games so far, the girls or DRV3 are the weakest of them all, and the boys are the strongest! WHAT MADNESS. WHAT LIES. I will readily admit that due to the protagonist being male in every cast, and the wildcard character ALSO being male of every cast that the guys do have a STRONG ADVANTAGE over the girls when it comes to influence on the plot, screentime, and even ships. I mean, if the protag is male that means whenever there are FTEs that can occasionally enter romantic territory (and you get everyone's underwear to boot) or even OUTRIGHT RIDDING THE PURITY OF THE CHARACTERS THEMSELVES that is the love hotel in DRV3, guy ships, otherwise known as yaoi, shall too will always be more prevalent. This is a fact I cannot erase nor dispute.

Regardless that does not necessarily mean the men will always be far more developed or are more interesting or intriguing or whatever else reason people have for preferring characters than the women! Far from it! You see DRV3 is the strongest cast so far, and to me a large reason has to do with the female characters. You can even look at the sort see how many girls from DRV3 comprise of my top ten or top twenty characters. I love them THAT much. In fact I think they're far improved over past female characters in the franchise, which I largely chalk up to the creator not being as good as writing them as the male cast. After all, we've had characters who were nigh-impossibly perfect like Nanami who while did have a few flaws were not flaws that ever negatively affected her character or plot. Or Kirigiri whose character is as a cold, calculating detective character. She kinda warms up to Naegi? But she ultimately stays a cold, calculated detective character. There's not a great amount of depth to them beyond what they are on the surface. I say this especially when Nanami is one of my absolute favourites because a character does not have to be super deep with ridiculous backstories and character development that drastically changes them from one thing to another. Hell, my favourite Ibuki is not the most developed nor the most enthralling character from a backstory standpoint. That's one of her biggest criticisms. I still love her nonetheless, as does many others but I can understand why anyone wouldn't care for her as well.

But DRV3 is a major improvement over all of that. And yes while I do like a lot of the guys from DRV3 too, I still think a shining example of DRV3 is its female cast. SO WITHOUT FURTHER ADO, to illustrate my point I shall go through EACH CHARACTER in DRV3 by DEATH ORDER (thus the major, major, MAJOR spoilers) and elaborate on why I think this is so. 

Starting off with Rantaro Amami! A character who seems very popular with the ladies... but for what reason? I suppose he is intriguing. He has great mystery due to his unknown backstory and talent, and his sketchy mannerisms from the get-go. His sprites also mimic a lot of Komaeda's sprites who was no doubt the favourite from SDR2. Still when it comes to his influence on the plot and what we actually learn from his character he's minimal at best. He contributes to the mysteries as much as Twogami did from SDR2, which isn't much beyond some posthumous stuff that in the end, at least for Rantaro, was more relevant to the reveal near the end of the game than about Rantaro himself. A shame really, but not much you can expect from the first victim. I admit to judging people pretty harshly who have Amami as their favourite character. My first instinct is just that they like how he looks. He is eyecandy, but there are plenty of valid reasons to like him beyond that. I however do not hold back on anyone who abandons the game just because Rantaro died. I read a post of someone complaining about this once that was infuriating. The dude did very little, had very little chance to, and somehow your entire worth of the game is solely on this one character? Someone with that kind of reaction definitely only liked him for what he was on the surface and had no interest in the game or story itself. It's even less understandable than people who dump the game after...

..Kaede Akamatsu being a false protagonist.

I fucking love Kaede! I was so, so, SO pumped that finally, FINALLY we had a female protag for a main title in the series! Yay! That means for once, all the gay subtext between protag and any of the same-gendered characters in the game whether that be from FTEs or even just through plot progression was now potentially all with TWO GIRLS instead of TWO GUYS! Imagine if the wildcard character was a girl this time! I was pining it being on Maki considering the promotional material being pretty suggestive between Kaede and Maki. I WAS SO PREPARED TO ROMANCE GIRLS WITH MY GIRL PROTAGONIST OH MY GOD. Then the game began and Kaede's wonderful personality was addictive as crack! She was the leader! She was optimistic! EVERYONE WILL BE FRIENDS AND WE WILL ALL ESCAPE TOGETHER! Shuichi, you must be more confident in yourself! Peppy Kaede! CHEERY KAEDE! YAAAAHHHHH!!

And then she turned out to be the first culprit. Fun times. Or not. The trial and subsequent execution of Kaede killed me. It killed me more than Nanami's two executions. It killed me more than when I discovered Ibuki's hanging corpse. I was absolutely gutted. Kaede is dead. Kaede is the murderer. JUST WHY!?!?

While there was a great loss of potential with the loss of the main protagonist in the end this move was absolutely ingenious when it came from a writing standpoint. I mean people do make a good point that if Shuichi was the initial protagonist but was swapped out for Kaede that would have been an even better twist, but alas we all can't have the most ideal things. Plus due to the personalities of the two characters it just had to be that Kaede would die and Shuichi not. If their personalities were different or heck, swapped, you could argue against this, but I don't know. Kaede's personality of being the go-getter, of being the one to encourage and to raise morale instead of starting off as a timid insecure boy like Shuichi gives her little room of development. I mean again, she doesn't NEED to develop but I was hoping for more character development for girls this time around as there appears to be so little so far in the franchise, at least in the main titles. The only thing I could think of for Kaede was that the contrast of her bubbly, idealistic personality compared to the grim and bloody reality that is the killing game would slowly knock her confidence and optimism down along the way, and maybe some other character like Kaito or whatever needs to pick her spirits back up whenever that happens, but unless the theme or the message of the game is that being naive and optimistic is bad and we have to pick our battles or face reality with certain expectations was what they were going for it's not really a good line of thought to carry. Despite the nature of Danganronpa, the message has always been to face death or grief with a head held high and to never give up, no matter what. Kaito's mere existence is example of that.

But what Kaede DOES subvert is the perfect female protagonist, or deuteragonist. While she succeeds at encouraging and opening up Shuichi, it doesn't mean that's her only purpose and that's all there is to her. She manipulated Shuichi's camera plan to catch the mastermind and turned it into a premeditated death trap... and it wasn't a guaranteed chance whoever they caught would be the mastermind. It could have been anyone milling about in the library and discovering that hidden door. Kaede's plan was reckless, maybe even stupid. She paid for it. And that's wonderful. Because that means Kaede isn't flawless. What she ended up doing wasn't all for naught either, however! Due to Monokuma's motive, where if nobody murders anyone within a set time limit then everyone will die, Kaede's recklessness also saved everybody else's life. Nobody else in this cast made a move to murder when everyone was about to die in like thirty minutes despite the fact that, as we continue on in this game the characters in this cast are much more varied on the morality scale than past casts. She didn't die for nothing.

I think the huge amount of unrest and controversy the protag switch caused would have more merit if Kaede was the victim instead, who would die with us learning little about her character. As is, we know a whole bunch about Kaede with what time we had with her, and we still got to play half the trial with her as well! It's not the female protagonist we wanted, but there certainly were worse ways of going about it. Because of all this, I love Kaede as a character and she deserves the placement in my top ten characters. I really like my flawed characters, and up to this point there weren't many of those as girls in the franchise especially one of Kaede's role.

Next we have chapter two, starting with the saddest most depressing victim in the Danganronpa franchise yet, Ryoma Hoshi, our resident nonstandard character design character who thank the heavens wasn't a pervert. We already got two of those, so it's good they went away with that trope. He's an inmate condemned for death for murdering a bunch of mafia members with his sick tennis moves after they killed his girlfriend and family (or something like that, my memory is not up to par) and thus has a pretty bleak outlook to life and little reason to continue living. Escaping isn't even that desirable of an option to him as he'd just go straight back to prison anyway. His backstory is sad. His existence is sad. ):  I thought he'd be a potential survivor as developing a reason to live would be an excellent character arc for him, but then when he was given some confidence by Shuichi and co. and tried to find a reason to live in the motive videos... he found nothing. No one outside cared about him and he had no one to care for. Of course he was just a sitting duck just asking to be the next victim, and so it went and so it shall be. He thought he had nowhere to go, but really for a character he had a ways to go. Unfortunate he gave up when he did.

I love Ryoma! But sadly being the second victim outside of his unfortunate circumstances he would not have as much time nor influence to the story as he could have. I chalk it up to bad luck and Monokuma being a bitch, but let's move on. His killer on the other hand...

When Kirumi first showed up, I had two initial impressions: Sakuya Izayoi from Touhou and Peko Pekoyama from SDR2. I do like both those characters, but I also didn't at the same time. I generally don't like characters whose entire existence relies on another character to describe. Like for Peko, if Fuyuhiko wasn't there, what would she be? She'd have to be an entirely different character because Fuyuhiko IS Peko's entire character, as her backstory relies entirely on him and his family. I hate that. I hate it in Touhou and I hate in Danganronpa. The second trial of SDR2 was extremely sad and I was very empathetic when it came to Peko's demise, but when it came time to think about how much I cared about her character... it wasn't as strong as it could have been. Maybe if I had shipped Fuyuhiko/Peko it'd have been different, but I don't like ships where one character is entirely devoted to another. I don't like characters who are dependent and can't stand on their own if the other wasn't there or did not exist. 

Sakuya on the other hand was this maid in Touhou who could do no wrong. She was the definition of cool and could stop time and throw knives like a certain Jojo character. She would never break her cold and calculated surface, if there even is anything beneath that surface. I was always frustrated by Sakuya and her popularity because there never seemed to be anything more to her. She was there to be cool. There were no flaws. She was literally called the perfect and elegant maid. That kind of character is just so boring and uninteresting to me. Also memes do not count as flaws. >:

So seeing Kirumi these were the kind of fears I had with her character. And she was basically sort of just that for almost all of chapter two... until it was revealed she was the culprit. She killed Ryoma. Her perfect and elegant shield was starting to collapse, and Kirumi's calm exterior broke until she was doing all she could to deflect blame or to keep herself alive. All of this just because she was one of the unfortunate few (or may even only) to get her own motive video. Bad luck screwed her over. Kirumi became interesting when she died because she did not go out how so many others do, accepting of their deaths admirably with courage. She didn't even go out like the first two initial culprits in the first two games did because she still did everything in her power to escape no matter what (even if that attempt to escape was part of her execution). Like the dialogue of the game said, it was ugly, it was feral, it was raw, but Kirumi did everything in her power to live. Her death was powerful as fuck and basically threw everything out the door that she was perfect or elegant. It was amazing. Props to both her Japanese AND her English VAs for having VERY convincing screams of determination and fury just before she was executed. It was a powerful and memorable moment. Even when I was laughing at how over-the-top her motive video was, it wasn't close to the impact of how Kirumi went out. Fuck yes I love my flawed female characters. 

It is chilling she chose to drown Ryoma though. That does add to her cold and calculated factor. Ah well. 

NOW IT IS THE CHAPTER THREE! Or chapter always known as weakest chapter of every game. I do not know what is up with these chapter threes and their super obvious culprits, but at least this time around that was done on purpose? Anyway I am jumping the gun with the culprit because first we must discuss the holiest of the holiest, the most divine and devoted that is the ANGIE YONAGA, EVERYBODY'S FAVOURITE CHARACTER AND A MAJOR ENSEMBLE DARKHORSE OF THE SERIES!!1!!!

Well, yeah okay. 

I don't hate any character in DRV3. I love them all actually, but Angie is a character who seems to be a little bit of a hate sink. Not to the intensity that is say, Saionji or Ruruka but still, when most people discover Angie's body it's often not a huge fanfare. In fact, Angie dying was pretty obvious and something most people saw telegraphed the moment she took up the antagonistic role of CULT LEADER who splits up the cast causing conflict within! It's actually kind of difficult to comment on Angie's character. She doesn't change all that much, so there's little to no development, and what we learn from FTEs and.... Love Hotel scenes just elaborate on how bizarre her island's customs and her devotion to Atua is. She seems to have to shown up in this killing game already brainwashed, and we never really learn who she is beneath it all. I mean, there is something to suggest Angie is lonely beneath absolutely everything, but she's buried in so much of the cult, religious, devoted stuff that it's so difficult to unearth that aspect of Angie and so, we can't really say with much certainty how much we really got to know her before she died. A shame, really. She did serve her purpose as antagonist of chapter three quite well. I will give her that. All the more emotionally weaker characters fell for her cult to, STARTING with Himiko from way back in chapter two... I will continue that thought when we reach HImiko.

Speaking of Himiko though, there is Tenko. The Tenks. The Tenko of the last name that is too long for my taste. Chabashira? Oh yes. 

I did not like Tenko first time I went through this game. I WILL BE HONEST. I DID NOT LIKE TENKO. FUNNY HOW THAT WORKS. Hahaha. But a large degree of my distaste for Tenko was due to my one-track-mind after Kaede died. You see the despair of Kaede dying was so great, that my focus fell very narrowly onto Himiko, the other character I liked best still left who I was absolutely convinced was going to die anyway because after Kaede's unexpected demise I had no favourite that ever lived and the protagonist dying was the last straw. I paid very little attention to anything else, which was why even the obvious culprit of chapter three came as as surprise to me. I was too busy wondering if Himiko was the next victim, or how she could have murdered the victims. That was my mindset throughout the ENTIRE GAME after Kaede died. That is what despair does, my friends.

Anyway the reason I liked Himiko so much aside from being eccentric and adorable was how relatable she was. In fact, I don't think I've found a character I've related MORE to than Himiko! So just like Himiko, I too had a negative impression of Tenko. I even compared her to Jaune of all characters at one point due to her forwardness. I was like "GODDAMNIT TENKO LEAVE HIMIKO ALONE" EVEN IF YOU'RE A GIRL YOU ARE NOT EXEMPT TO THIS KIND OF CRITICISM, that being far too forward with your crush and not taking no for an answer. (Of course I didn't realize Himiko actually never said no to Tenko hanging out with her once, either because she was too lazy to or some other reason. She certainly said no to some of Tenko's comments and questions to her at times, but never did she actively try to avoid Tenko... more like asking others to do it for her. Ha)

But just like Himiko... over time I realized how wonderful Tenko really was. I think her other major flaw, the degenerate male thing also makes Tenko easily unlikable for many as well. Her FTEs don't even reveal some tragic reasoning for this misandry. She's just a gullible idiot who listens to literally anything her master, a male mind you, says. It is hilarious though. There is that one line in that one trial where she mentions her alcoholic father, so maybe there's some tragic inkling there that we'll never explore because now Tenko is too dead to develop. Alas. Alas. Still! Underneath her many flaws, Tenko is one of the most sincere, earnest, honest, heartwarming characters out there. Unlike Jaune's crush on Weiss that was entirely to his selfish whims. Tenko actually goes about and tries to... IMPROVE HIMIKO AS A PERSON. She never put Himiko on some perfect flawless pedestal who could do no wrong. Tenko knew Himiko wasn't perfect, knew she was falling for Angie's cult and taking the easy way out and she wanted to keep Himiko out of it. She truly wanted to protect Himiko, learn more about Himiko, and her crush was more genuine than mere infatuation on Himiko's surface appearance or personality. Tenko's eagerness to help girls IS REAL AND IS GREAT! Even if her hatred of men is sort of silly and stupid, her desire to protect vulnerable girls is the greatest virtue of Tenko! Despite the disappointing reveal of Tenko's misandrist origins, a lot of her FTEs made me want to learn more about her. How she was even MORE of a spazz and emotive freak, maybe getting wildly angry or having manic attacks even before she began learning Aikido. That Aikido helped her become more stable of a person and how she always recommends it to others for self-improvement as well. Also she does slowly warm up to Shuichi so anything depicting Tenko still being an ass to Shuichi of all people annoys me greatly. She may not have had time to develop completely, but she definitely was changed compared to the Tenko of the beginning of the game!

Also she will never live it down how she died. How she was killed. Fucking Kork. Fucking Korey in the House. Fucking folklore cunt. Fucking tulpaman-- KOREKIYO SHINGUCCI, I MEAN SHINGUJI HAS TOO MANY NICKNAMES. 

Actually I don't hate Korekiyo. Far from it, ha. His motive though. His motive is so over-the-top I can't even take it seriously. Others do and despise his fucking guts, and while there may be actual people like Korekiyo out there, I just cannot get over how absolutely absurd his reason to kill was. For his dead sister who now possesses him in the form of a split personality after a seance that he has incestuous desires towards? And he's almost killed one hundred friends, females he deems worthy to be friends of his sister's in the afterlife already? The fuck man. That reveal was wild. He's also purposely depicted as creepy as possible with an unhealthy fascination of humanity which is justified by his anthropology background and is an absolute joke character in the anthologies. He's great. He's my second favourite male of DRV3 and I don't even know why. This man should be considered vile and unforgivable. 

BUT HE THREW AWAY HIS PERFECT MURDER FOR THE SEE-SAW TRICK, and will never live it down. The see-saw is too precious to abandon. RIP TENKO. RIP KOREKIYO. 

How have I not mentioned the gorgeous girl genius with a golden brain, MIU IRUMA yet!? Quite possibly the most flawed female character in the entire series, unless just being straight up a despair bitch is considered one entire flaw, Miu still manages to be fascinating and wonderful and I STILL like her despite the claim the creator purposely wrote her to be unlikable! She singlehandedly demonetizes Youtube playthroughs with no remorse whatsoever and ruins every single moment possible with her endless uncensored innuendos, but simultaneously along with her comedic side is one of the most useful characters in the game as well. Perhaps not so in the trials (she is wrong during every scrum debate hahaha) but her expertise with the tech allows her to invent so many items that serve so many purposes throughout the plot. I think Himiko (I think it was her anyway) said it best, Miu was very smart but also very dumb. Aside from that Miu seems to have a similar sort of complex Mikan does where most of her self-worth is shot and she has a belief she can really only be useful to someone with her body... if her FTEs or Love Hotel mean anything, anyway. Also Miu is a victim, but she DID attempt to murder someone and showed surprising hindsight when it came to executing her murder plan, but just like that quote she overlooked quite a many things that led to her downfall as well. That slip of hand leading to the bridge being washed away by the river was not the most subtle of things, Miu. She was also my favourite from first impressions. When I first saw the cast and looked at screenshots and such, Miu was the girl that stood out most to me. I didn't have a strong impression of this cast at first as well. I was very whelmed when I looked at the designs. Heck Tenko was my least favourite design. I was wondering why she had over nine thousand hair accessories that made her head super busy looking. The green pinwheel was the worst offender. 

How foolish you were, past Spotto of one year ago.

Anyway! SWEET PURE, PITIFUL GONTA.

I guess he does subvert the beefcake sacrifice of chapter four by being the beefcake culprit of chapter four. I mean he was trying to sacrifice everyone if that counts, starting with Miu, and Kokichi was quite the influence on top of the flashback light... still, he joins the ranks of Sakura and Nidai in dying in chapter four. Sad as it may be... and that's really all I have to say on Gonta. Aside from being a pure boy who wishes to be a gentleman there wasn't a lot compelling with Gonta. I AM SORRY FOR NOT BEING ABLE TO SAY MORE. Gonta was a pure boy who made the trial all the more tragic.

Kokichi Ouma cannot carry all the guys by himself, you know. The only way I can take a claim of a the guys being so much better than the girls seriously is if this guy carries all the weight. And he doesn't! I may like Kork. Gonta may have been a pure boy. Ryoma may have had a tragic existence, and Rantaro was eyecandy, but they were NOTHING compared to Kokichi. AND EVEN THEN, Kokichi cannot carry the entire male cast on his shoulders. OKAY!? Also his rampant popularity has rubbed me off the wrong way, even if I do love his character he is far too overexposed for me. His face is like on 80% of all things DRV3, whether it be fanfic, art, or stupid videos. He is everywhere. Kokichi does not need to be every amusing role that exists on the internet, guys. Seriously. Also Kokichi you are not being unique with your fascination over the male protagonist. Komaeda already got you beat several years ago. He got you beat on the whole KILL MYSELF DURING CHAPTER FIVE AND MINDFUCK THE REST OF THE CAST plan too, so don't you think you're special or anything, KOKICHI!!

Kokichi is still better than Komaeda.

Oh right. Anyway Kokichi is the wildcard character who is basically the embodiment of lies and carries lots of homoerotic subtext. Yay! He's also very short and has the wonderful voice-acting talent of Derek Stephen Prince, who blew his Fuyuhiko out of the water with his delivery of all of Kokichi's wonderful lines. I choose to believe his final words are the truth though, that he lied to himself this entire time, took the role of the villain on purpose for this insane gambit that ended his life all to stop the killing game because ultimately, Kokichi hates killing. He likes pulling pranks and fooling with people, but murder is not a straw he will cross...even if he instigated Miu and Gonta's death, but whatever. His motive video says that much anyway.

Kaito is a poor man's Kamina. Moving on.

Tsumugi is a fascinating masterm--FINE I'LL TALK ABOUT KAITO.

I think the Kamina archetype works best when they die early and heavily affect the main character from the get-go... alas, Kaede who is technically the Nia of this game, took that role. So instead Kaito is around to serve as Maki's motivation, which is fine and all. Really, it's fine. I think. Maybe. Yes he does help out Shuichi too, and his positive influence is great and all, but Kaito is really SHOUNEN PROTAGONIST THE CHARACTER, and I've never really been fond of that kind of character...especially in a genre like Danganronpa where logic and intelligence is the most powerful ally of the main character, to decipher the clues and work out how and who dun diddly decked the dead. Also there's this moment in chapter four people point out a lot, where he's willing to die to believe in Gonta, which is all motivational and heartwarming and all, but it's not like Kaito would be the only one to die if they didn't vote for Gonta... EVERYBODY would, so he was being rather selfish at the time, throwing his beliefs over the welfare of the people (KIND OF LIKE ANGIE, lol) and then he gets super annoyed and pissed with Shuichi for siding with logic and reasoning and all... (I am well aware Tenko said something similar about Himiko in chapter two's trial. The difference here is that I think Tenko is speaking more from her undying love for Himiko whereas Kaito is basing more of his stance on his unyielding belief as opposed to being in love with Gonta or something... also Tenko was defending Himiko at the beginning of the trial when not all evidence was presented whereas Kaito defended Gonta to the very end against all the facts. I'm not sure how Tenko would react if Himiko were a culprit, probably similarly, but I think it all comes down to where their intent lies.. Maybe Kaito's stubbornness would be more understanding if he and Gonta were close friends or something? But Kaito and Gonta didn't have many interactions, and Kaito is just basing it on Gonta being pure and such, not even allowing people to even discuss the mere possibility that Gonta could be the culprit, which we did get to do without great interference from Tenko on Himiko in trial two. I DUNNO MAYBE I JUST WANNA JUSTIFY MY SEEMING HYPOCRISY HERE) yeah he's flawed and I do like flawed characters, but maybe the game doesn't point out these flaws often enough or make it apparent enough. We get a lot of praise for Kaito especially when characters like Maki and Shuichi with all the screentime in the world are so positively influenced by him, but what of his flaws? Why not point them out? Aside from people calling him an idiot which is a trope Japanese media does a lot where idiot is more like a term to describe a... shounen protagonist who throws all reasoning aside to believe in themselves and do their best, there isn't a lot of time where the narrative paints Kaito in a negative light.

Well, I don't have any strong feelings either way, that's just the opinions I've heard. My impression of Kaito is that he's just the run-of-the-mill motivational dude who somehow is the entire reason Maki becomes a better person... okay. LET US MOVE ON.

So! Tsumugi Shirogane is a fascinating mastermind. She doesn't do anything else in this game unfortunately, and her character is almost non-existent since it's almost entirely tied to the big reveal at the end of the game so uhm... okay? You can have this one, fans of guy characters who loudly proclaim they are better than the girls! She's also probably lying a lot during the reveal so we cannot possibly determine what is true and what isn't and what exactly the ending even entails. The ending itself is pretty polarizing and I don't have too much to say on it. I wanna keep this discussion on the characters even if MAYBE that Tsumugi claims about writing their lines and characters is true. Maybe. Perhaps. Possibly. THE CAN OF WORMS SHALL BE CLOSED, OKAY?

Also she was the true murderer of Rantaro and executed Kaede for no real reason, if only to continue the killing game. WELP. This doesn't change how I feel about either characters though. Rantaro still died first (even if it's for a plot-relevant reason) and Kaede though technically wasn't the killer, it's the intent that matters. In some regions, attempted murder is charged as seriously as murder, y'know.

Kiibo or Keebo or Keeboy or K1B0 or Hope or Robonaegi or whatever is a character there to spout PC jokes and be the buttmonkey until he shoots up a school in chapter six. I wish what I said was exaggeration. He's still great though, but little development who doesn't do much until the end, and even though I feel sad about his sacrifice he wasn't especially compelling either way, even if he was the audience surrogate, or the camera, or that we played as him, or that he's the literal Ultimate Hope Robot or any of that. His strongest interactions were with Miu but her death didn't change him as a person, and his complex of being treated as a real human doesn't get anywhere sadly. I wish the cast wasn't all almost entirely robophobic outside of like Shuichi and maybe a few others like Miu. Kokichi may have been the most blatant bully about it, but characters like say TENKO AND HIMIKO also had little good things to say about Keebo. GODDAMNIT YOU GUYS YOU'RE MY FAVOURITES. ESPECIALLY YOU HIMIKO, STOP CALLING KEEBO AN APPLIANCE OR THAT HE SHOULD BLOW HIMSELF UP TO BE USEFUL, GAAAAH. They're very flawed, you see. I have yet to see a post-game fanfic that acknowledges Keebo's sacrifice ever bring up anything like Himiko being remorseful for how she spoke of Keebo. Are we choosing to ignore this?

But I digress, it's SURVIVOR TIME. Because I am biased Himiko will be last, and we'll start with Maki 

Man I wish Maki had more interactions with characters beyond like Kaito...and Shuichi, but Shuichi is a given considering he is the protagonist and everybody interacts with him. Even Himiko got Angie as a friend too along with Tenko, Shuichi as well, being the given, and spent some time with Gonta even. But Maki's entire character is all thanks to Kaito. I think being the Ultimate Assassin trying to hide her talent and stubbornly guarding her lab door for as long as she did was good, but Kaito dragging her out to training and her giving in rather easily flies against all that stuff we established. She gave in TOO easily. From everything we know about her, I thought she'd be far more resistant against people trying to open her up. Yet it didn't take Kaito very long to drag her along with the training, and it didn't take Maki very long to grow attached to him. Again I hate to compare her to Himiko, but Himiko took EONS to get attached to Tenko, and only truly appreciated her after she died! Himiko doesn't get the sad tragic backstory that justifies being cold, detached, and antisocial, but Maki DOES. SO WHAT GIVES!?

I'll give her props for not being as flawless as Kirigiri and Nanami were, but eh... Maki isn't especially unique nor was she all that compelling. She was about as interesting as Kaito. IF ONLY SHE WAS THE WILDCARD CHARACTER WITH THE FASCINATION OVER OUR FEMALE PROTAGONIST, KAEDE. If only!

Speaking of protagonists, Shuichi! Yay Shuichi. My favourite Shuichi sprite is his happy sprite. Well he has more than one, but just the one where his eyes are open and his smile his wide. Well, his smile with his eyes closed is cute too. Happy Shuichi is adorable because his design screams a sad, negative, pessimistic, gloomy character, so seeing someone who looks like that so happy... is nice. I like it. I also like how his entire character arc led to him being so much more confident, that when it came time to go against the final evil dilemma the villain always throws on us his response to to kill ourselves. So intuitive, Shuichi. I know it's the proper response to end the killing games and to sacrifice ourselves so no one ever has to suffer what this cast has to again, but just that line of reasoning and how it turned out is kind of hilarious in hindsight. You have Kaede and Kaito being like YOU HAVE FRIENDS! YOU HAVE TO LIVE FOR THOSE THAT HAVE DIED! BELIEVE IN THE ME WHO BELIEVES IN YOU, and at the very end, at the climax, Shuichi is like, WE HAVE TO KILL OURSELVES!11! He would not have come to this conclusion not only if it weren't for his character development, but also if it weren't Shuichi's personality itself. Kaede I do not think would resort to convincing everyone to kill themselves to end the killing game. I don't see her ever resorting to that kind of tactic. I can see Shuichi doing it, though. Also if Love Hotel events are canon, Shuichi has more game than every other protagonist, and is the defacto bisexual protag of the bunch. And you thought Hinata had homerotic subtext! Ha! I do admit he seemed a little more dynamic when he wasn't the protag though, like how he DEDUCED the dust in the card reader on that hidden door in chapter one, and came up with this proactive plan with the cameras that he never did so ever again. I guess Kaede was there to encourage him and help him out, but after this chapter Shuichi just reacts to things as opposed to causing things because protagonists aren't allowed to move the plot, only react to it.

He does display many aspects of being very intelligent, and understanding things before even the audience does (he goes "wait, this isn't right..." and then doesn't reveal it to the player until the trial, but he figures it out himself loooong before the trial, making his ultimate talent very much earned indeed) so yeah. I found Shuichi one of the more interesting protagonists of the bunch... but still, I will always wonder what could have been with the lost potential that is Kaede... what could it have been? I'm sure Shuichi thinks so too.

HIMIKO YUMENO SURVIVED THE KILLING GAME. WHAT THE FLYING FUCK. 

I am still over the hill about this. This will never not shock me, no matter how much time passes. Never in a million years could I have possibly expected her survival. HOW does she survive? She is a smol weak girl just screaming to be a victim, with a fascinating talent that could have led to one of the more entertaining executions, and instead she fucking lives. People tried to frame her more than once instead of kill her! "Let's see, this is a small child who is somehow a teenager, who has no energy for anything and is a bit slow and is thus very vulnerable. I KNOW! I'LL FRAME HER OF MURDER WITH MY OVERLY CONVOLUTED MURDER PLAN!11!!"  She outright admits murder is too much effort and this is how people react to her. I swear! But one of the biggest reasons she did live was because of Tenko's sacrifice. The moment Himiko really could have died was to the ridiculous seesaw gambit Kork came up with, but Tenko took her place, not only giving her life, but taking Himiko's place as the victim of the endless meme. Godspeed Tenko. Godspeed.

Himiko of course then became the defacto... "useless" survivor. I do not like that term; that's just the one thrown around the most. I think the best way to describe it is the least relevant survivor. Someone like Hagakure from the first game or Akane from the second. I think she gets even more heat as the least relevant survivor because there were only three, so she took up the only feasible spot any other character could have taken that someone may have liked better if we assume Maki and Shuichi HAD to live. BUT NAY! YOU WILL NOT TAKE THIS ULTRA RARE OPPORTUNITY FROM ME, KNAVES! YOU WILL TAKE THIS FROM MY COLD, DEAD HANDS I TELL YOU! Because no matter how unbelievable it may be, I FINALLY have a favourite character who LIVED, and against ALL ODDS it was in the game with the least amount of survivors, taking the SINGLE spot any other character could have taken, and as useless and irrelevant you want to claim her to be, SHE DEVELOPED AS A CHARACTER, and became stronger due to the plot, and thus has earned her right to live on and be a survivor! SO FUCK YOU ALL! FUCK ALL OF YOU!! HA! HAHAHAHA! I HAVE SOMETHING ALIVE! AND YOU CAN'T TAKE IT FROM ME! IT IS CANON! HA! NOW YOU HAVE TO RESORT TO AU STORIES WITH ALTERNATE SURVIVORS OR IT'S ALL A SIMULATION! YOU CAN'T TAKE THIS CANON FROM ME, BASTARDS!

Okay. So Himiko.

Ah yes, the character I super relate to. She started off being a chunnibyou who claims magic is real and she is a master mage at that, despite her official talent being a magician instead, the stage kind with the tricks. She's also lazy as shit, so how she is the master of something that requires so much work is a mystery. She is an introvert who cannot be bothered to initiate any conversation, and if you do want to be her friend you have to always go to her first. Even if she doesn't like you she won't push you away because she is too lazy. She literally tells Shuichi she was too lazy to say no to him. This is how Tenko gets close to her. I also think she's pretty emotionally vulnerable and that's also why she never gets close to people because one can easily be hurt. The killing game affects her mentally quite a bit, and the only reason she keeps herself calm and collected is by resorting to Angie and becoming her friend, thus converting to the ways of Atua and escaping reality to deal with it all. Oh and she doesn't have energy in the first place to do much, which may explain her laziness, always excusing doing things with her lack of MP. She has trouble emoting and sleeps a lot. There are some headcanons out there that Himiko might be autistic and clinically depressed. I sort of agree with both, but unless they're outright confirmed it's only a mere headcanon, and we can't really intertwine such thoughts with her character completely. I will say Himiko seems far more okay with dying than most characters, with only Ryoma beating her for that...lovely title. It's less being suicidal and more giving up far more easily when it comes to Himiko. Again, I think she's very emotionally vulnerable which leads to that kind of mindset. She's also one of the more gullible characters what with falling for the cult and being pretty easily tricked or spooked in trials. Himiko is also terrible at not being suspicious. She either doesn't bother defending herself or flails around in a panic when suspected. It's great and entertaining. She also can't tell the difference between termites and rice. It is as Shuichi said, even if she didn't survive the killing game, how did she even survive life itself? Egads.

LUCKILY TENKO IS HERE, the ultra-supportive aikido master who to my utter disbelief, immediately sees Himiko and SOMEHOW this girl is the GIRL OF HER DREAMS. I don't understand Tenko's tastes whatosever. But whatever, she chose wisely. I mean yes, I like Himiko too, but because I relate to her and she's cute and such, also entertaining. Unlike Tenko though, when I first saw the cast Himiko was amongst the others as characters I was whelmed by. No real response. Tenko sees this witchy smol girl and immediately falls in love at first sight. UHM, OKAY? But really, how I describe this is like a dog who adopts you. They follow you home and love you forever. This is like a dog that adopts a cat, Himiko, who is very much cat-like being lazy, sleeping a lot, rather independent because she'd prefer to be alone and such, also black cats are associated with witches, so y'know. That's why Himiko does not like Tenko from the get-go... and also because Tenko is making some lewd comments and being somewhat inappropriate at times. Chapters one and two aren't particularly positive depictions of either characters. They are BOTH flawed, but one likes the other, and little do we know this infatuation will cause both characters to become so much better as people over time. Unfortunately Tenko's was cut short, but still. 

See, due to the trauma of the killing game, Himiko needs comfort, but she isn't one to reach out. However, Angie is very open and wants more converts to her religion, for those to see the truth and believe in the almighty Atua. Angie's Atua and thus friendship is the comfort Himiko needs to emotionally survive people killing and dying all around her. It may not have been a healthy friendship, but it was a friendship, and I believe Angie despite what her intentions led to, had good intentions. She truly wanted to save Himiko and she truly wanted to be friends with her, and give her the comfort she needs. Angie just wants to do it her way, the only way she knows how. She does come up with the idea of the magical show meant to give smiles to the rest of students, so that's something that would have been very positive for Himiko if someone didn't throw Ryoma's body into the damn piranha tank. >_> 

But unfortunately, relying on Angie long-term would not be healthy. It would be throwing away all your own decision-making and independence for the sake of Atua, and Tenko saw this. Himiko of course did not go to Tenko for comfort when the killing game was going on because Tenko did not offer friendship to Himiko, but rather her unwanted advances for some sort of romantic or sexual relationship with Himiko, which was the last thing she needed, or at least that is what Himiko was seeing from Tenko. Still, Tenko kept up her unwavering support which eventually went beyond lust or the need to protect Himiko as a vulnerable young lady, but Tenko revealed her true motives and wanted Himiko to have her own agency, and become a better person as well, to express her emotions and be herself, not cooped up locking herself away and relying on Atua for guidance for the rest of her life. Especially if Atua truly isn't some almighty god responsible for bringing salvation to people, and is just a big fat lie. (This is all interpretation of course, but Angie dying doesn't help)

When Angie died, Himiko lost this place of comfort, this friendship, and desperately wanted to connect with Angie one more time. When Tenko gives Himiko this advice, to live life facing forward, to survive, since Himiko was making comments of not wanting to go on after her only pillar of support that she assumed she had was gone, Himiko finally realized Tenko was the kind of support she did need, one that did not need to manipulate your thoughts into false ideas. She not only protected her, but Tenko was pushing Himiko in the right direction. For her to stand up for herself, to be her own biggest supporter and stop relying on outside things, to stop escaping from reality and gain the strength needed to face grim reality itself! Himiko was finally beginning to realize this, and how much Tenko was a positive influence on her.

But then Tenko died. 

Just when Himiko believed she had a healthy pillar of support, it was ripped away from her. All the advice she was about to take meant nothing. It was only after the revelations of what a sick bastard Kork was, and after being accused once again, this time of murdering her own friends does she finally take Tenko's advice. For whatever reason people only credit Kokichi for Himiko unleashing her emotions, but even before his harsh words Shuichi was the one who reminded Himiko during the trial of what Tenko said. Tenko may be gone, but Shuichi, Kaito and even people like Kokichi are trying to push her forward, and so Himiko's character development began. She was to be optimistic, to live life as it should, to no longer be the lazy girl she once was. Even Gonta was there albeit for a brief single chapter to keep her spirits up. She had friends! If it weren't for Tenko's words and inadvertent sacrifice, she would never have realized this.

But even after vowing to take that advice Himiko stumbles out of the gate and has a difficult time trying to figure out what this "living life facing forward" meant. She still seems to be low-energy, so her attempts to be bombastic and optimistic drain the MP out of her, but at least this time Himiko is trying. Beyond chapter four Himiko takes up the mantle of comic relief after Miu and Gonta dies and Kokichi is out of commission until "Kokichi" shows up at the fifth trial. When we get to chapter six Himiko is the only character left beyond Keebo (who is too busy progressing the plot at this point) who provides any sort of comedic relief. I guess Tsumugi has her references but meh, never liked referential humour. Plus by the time Tsumugi reveals herself as the mastermind Himiko is the only one there to lighten the mood at all, which is A TALL ORDER to fill when this girl was fine with dying a few chapters ago! (She's fine with dying twice more after that, and the end of the game they literally are like "WE SHALL KILL OURSELVES, so I mean...")

But ultimately, the will of the outside world or Keebo himself, idk this ending man, spares Himiko's life along with the others, and she survives... and regardless of what parts of the killing game and her life were lies, can still continue Tenko's words and live life facing forward, whatever the future yields....nyeh.

FUCK YEAH, HIMIKO.

Now as for OTP, while yes Tenko has super ultra canon gay feelings for Himiko, I cannot say with any certainty if Himiko reciprocates romantically. I WANT to say yes of course, and there is the anecdotal evidence that could back this up, but there's also not enough to be conclusive either way.  Someone claimed in the Japanese translation Himiko uses the word ai, or romantic love in Japanese to refer to Tenko in the final trial but I went  back to the moment and she never says ai at all? The fact that the translation is just word for word the localization which never mentions love doesn't help, but maybe she brings it up sometime else. Tenko is regarded as just as important to Himiko as Kaede and Kaito were to Shuichi and Maki, so I CHOOSE TO BELIEVE, just like Shuichi chooses to believe Tsumugi's words were a lie off a mere hunch, THAT HIMIKO DOES LOVE HER BACK. I MAY NOT HAVE THE HARD EVIDENCE, BUT I CHOOSE TO BELIEVE!!

But yes, Danganronpa gave me an OTP. That hasn't happened. I always thought these characters were too flawed and messed up, especially the SDR2 characters to be shipped believably, at  least for me. And even though Tenko and Himiko were flawed, their dynamic is such an integral part of both characters that is pleases me greatly that they were the token lesbians of this game. (It's always token lesbians because the protagonist is always male.... like in DR1 when it was Sakura and Aoi, but that one was less subtext and more friendship, and in SDR2 with Mahiru and Saionji, which is given more subtext like Ibuki's THE WORLD OF GIRL LOVE, IT'S SLIPPERY WHEN WET comment, but only DRV3 has the token lesbians not ONLY be canon at least one-sided, but was a greatly affected and started the character development of one half of the pair. YES. GOOD. ALMOST EVERYTHING I WANTED!!)

Anyway Tenmiko is a pure good ship that is objectively the best ship in Danganronpa. Anyone who says otherwise is wrong. 

spotto: (Stage One.)
BEYOND THIS POINT LIES DANGANRONPA V3 SPOILERS

YOU HAVE BEEN WARNED


-------------




I have found it.

Something I have been searching for since the beginning of my adolescence. 

I have found it.

It exists.

It's as canon as it can ever be!

It's the closest its ever been.

Many times I would rant about something like Pinkie and Fluttershy not being as close as I hoped. The idea that an extrovert and an introvert could not only be friends, but beyond was a dream I thought not possible until recently. An extrovert that drives the introvert to improve themselves and the introvert teaching the extrovert how to treat and act to those of the same... a pipe dream you might say. It's also probably the most self-indulgent kind of ship I could ever yearn for, being an introvert who one day wishes to find the kind of friend like that (at least at first being able to TOLERATE the kind of person like that, and then slowly growing closer over time as we improve ourselves and complete one another) and so anything I find with such potential to be something like that I cling to with all the power I can wield.

Oftentimes I compared my frustrations with PinkieShy with a far darker and also probably less healthy relationship between two Danganronpa characters, Ibuki and Mikan. Unfortunately for those two, there are lots of extenuating circumstances that affect such a potential ship greatly. Let me be frank, I do not like unhealthy relationships. Any ship with any underlying toxic kind of atmosphere puts me off immediately. This is why I have a hard time shipping anything at all in Danganronpa because most if not all characters are fucked up beyond belief in one way or another. Mikan is one of those characters, and an especially extreme kind of example as well. No matter how much I love Ibuki I truly in my heart cannot see her having the ability to be one-half of Mikan, to be strong enough to support Mikan as she fights her infinite demons. Ibuki is not free of demons herself of course, but what backstory is provided for Ibuki is a farcry from how much we know of Mikan. It's simply not on equal standing. There's too much on the scale that weighs one over the other, one who needs so much more than the other and the other who has to give so much more than they can possibly provide.

Don't get me wrong though, all the art and AUs and headcanons of them are cute! But in the end for something to truly be an OTP, that is the kind of obstacle it must overcome. It's why I love Monochrome from RWBY so much. Their backstories are intertwined and the both of them can improve the other just by being together. It's such a thematically good ship (not to mention aesthetically pleasing) and should any ship among the main four come true, in terms of narrative and story purposes it makes the most sense and is the most rewarding for the story, as well as enriching for both characters. That kind of balance, that kind of give-and-take that makes a relationship work is what's ideal in my kind of ship. It may seem vanilla and boring on the surface, but maybe I just like boring and vanilla. Maybe I want that.

So it is of course to my surprise that Danganronpa's third installment, third maingame series provides just that.

When I first went through V3, I was shocked like the masses at the aftermath of chapter one. It took a long time for me to pick myself up and continue, to pay attention to the story and realize "Oh yeah, there are still fourteen other characters to care about". That's the kind of thing you recover from slowly as you trudge through the rest of the game. Still, I managed to develop another favourite despite how foolish that is, as all my favourites to this point had died horribly in this series. I knew the moment I grew attached. the moment I liked a character that character was doomed. They were dead. They would cease to be in a pile of pepto bismol and misery. And I would continue to doom characters over and over again no matter what, despite its affect on my heart.

But Himiko Yumeno, the next character I latched onto had a guardian angel. A character who basically made sure that Himiko would not suffer the same fate as all the others I had grown to love. And just like Himiko, I too found this guardian angel a bit too... forward. Annoying, so to say. Creepy even. Stalkery. Tenko Chabashira. My first reaction, my liveblog (and I've liveblogged every game so far somehow o_o) I commented about Himiko's weird, unhealthy psychopath friends. I was mostly referring to Angie when I brought that up, but Tenko was part of that description for a long time too. I was so convinced Himiko would bite the dust that I never really paid attention to the small details, only vaguely the big picture with tunnel vision strictly stuck on Himiko. She was dead, I was convinced. This next victim would be her. A small redheaded child will be laying on the ground in a pool of blood soon, or she'd be the next murderer and be executed in spectacular and elaborate fashion. I was convinced.

But Tenko, Tenko made sure that was not to be.

It wasn't until Tenko died that I, like Himiko, finally realized how much she mattered, how great she was. It would not be a lie to say that I strongly relate to Himiko. Himiko hits all three bullet points of being an excellent character Spotto would no doubt love. She was adorable, quotable, and relatable. Thankfully she wasn't particularly useful during trials or especially plot relevant near the end or else she'd be a mary-sue. She was hitting all the marks. But yes, these types of characters like Himiko traditionally were most in danger by the time chapter three rolled around. I was dreading Himiko's death. She was getting more and more relevant to the current chapter, and no doubt she'd croak and I had doomed her once more.

But Tenko. Tenko was there.

The moment Tenko introduced herself she launched into a foray of how much girls were great and men were terrible, evil beings that all had to die. A tad extreme. Well, okay not just a 'tad', but that kind of excessive hatred was a bit jarring and irritating over time. Then she had her little fussy obsession with Himiko. The slow, young sleepy girl was somehow the girl of Tenko's dreams. I still find that endlessly amusing and maybe even realistic. Normally when someone mentions the person of their dreams, it's an image of someone absolutely perfect, a person so beautiful and charismatic it wasn't possible for such a person to exist, yet Tenko's ideal girl was... Himiko. Yes, Himiko, a character Kokichi called ugly more than once (though he's quite the liar so who knows) and someone Miu insulted more than once (but Miu insults everyone, so.... both these characters' opinions MUST be taken with a grain of salt) yet Tenko sees Himiko as... perfect.

At first this seemed like a very superficial shallow kind of crush that Tenko had. Similar to Souda's one-sided love for Sonia in SDR2, I assumed like Souda, Tenko only cared for Himiko's very adorable appearance and very little else. And yes while it was rather apparent that she was smitten with Himiko's cute looks, over time Tenko began caring about Himiko beyond her surface. She tried to give Himiko drive. She tried to improve Himiko as a person. She could read Himiko, and realize that Himiko was hiding her emotions, was keeping herself locked within, and was coping with the killing game rather poorly, using escapism as a measure to ignore reality. When Tenko was concerned about these aspects of Himiko, it was clear then that Tenko had fallen for Himiko beyond just as a girl who was pretty, but for Himiko's virtues AND faults. Unlike so many other crushes portrayed in the media, Tenko's crush had actual substance. She wasn't just pining for Himiko for selfish reasons, but also FOR Himiko as well! She cared about Himiko as a person, and even though she held her on a pedestal for a good chunk of the beginning of the game, she eventually came to become the most supportive person possible to Himiko, the kind of person, the exact kind of friend you would want in a killing game.

And then she died.

Because it's Danganronpa and we can't have nice things.

Now this might seem like an all give and all take kind of relationship. It does seem pretty clearly that Tenko was ALL give to Himiko, and Himiko provided very little back. But I think what I really love about this ship is how both characters start off clearly flawed, one too lazy and too uncaring to bother doing anything, and one too overexcited and energetic to stop bothering others. Tenko did slowly improve over time in terms of her overly forward attitude. When she infiltrated the cult for instance, instead of just impulsively running up trying to drag Himiko out by force like her martial art of choice seems to encourage, she instead lays low and keeps watch to make sure Himiko is doing alright. It is only when it seems nothing else can be done that Tenko outright tries to shake Himiko out of her stupor, to get her to stop being brainwashed. This seems like a stark contrast to the sputtering Tenko of chapter one who can't keep her mouth shut about her fantasies with Himiko or her assumptions of how Himiko is feeling, and in return Himiko is now willingly hanging out with Tenko!  And as much as Himiko is the character I love the most in this game, I can't help but be most intrigued with Tenko's backstory and how she came to be.

Tenko apparently used to be a very rowdy child, I think even angry. (I don't remember exactly, so this could be wrong) so she was tossed into a temple to calm this side of her personality down. Even though Tenko is still quite emotive, this is apparently the most stable she's ever been in her life, so that Aikido must be doing something. She then has one SINGLE line in the entire game, a throwaway line you might not even pay attention to in the trials (that was somewhat mistranslated from the original Japanese) about the ramblings of a drunk father. Of course not knowing Japanese I can't confirm this, but some people have said the localization for whatever reason changed Tenko's words of "my drunk father" to "a drunk father" leaving it ambiguous in the dub if she's just referring to drunken people in general or a personal experience. This line is so important because Tenko's FTEs don't really reveal much about her family life, and only reveal that her master is a troll and Tenko is a gullible idiot who does whatever master says even if he's clearly bullshitting. I mean it's an amusing explanation for her misandry but I find the stereotypical angsty version a little more sympathetic. If you combine them both it gives Tenko even more depth. 

In contrast while Himiko's FTEs revealed a great deal about her own master and her superiority inferiority complex, it didn't really give much information as to why Himiko was... Himiko. Maybe there's something I'm missing. Still the game itself does well to give Himiko development, and since I had to pick apart random lines and Tenko's FTEs to find anything due to Tenko's tragically shortened life, it makes sense how everything went down. 

If there's anything about this game and Danganronpa in general I do have a bit of a tiff with, it's how they deal with LGBT characters. Yes most characters DO die, but any time a character shows interest in the same gender they usually die, and the subject of their interest usually lives. And it's always up to interpretation whether or not the living character had interest in return, like an obviously gay character isn't allowed to live or something. While I am glad Tenmiko is like, at least half-canon I can't one hundred percent say it's ENTIRELY canon since Himiko's feelings in return, though are at least at friendship levels and SUPER REGRET levels I cannot with certainty say are at romantic levels. Sure Himiko has expressed interest in men, but she ALSO has the bisexual haircut! And she MIGHT reciprocate her feelings to Tenko! She always mentions Tenko, and if she does mention Angie Tenko's name is always first, and if Kaito or Kaede is brought up, Himiko brings up Tenko too when the other two are obvious lost loves of the other survivors. But I still can't find anything concrete to back it up. It's all just implied or interpretation. I would love nothing more than even a SIDE thing confirming how Himiko felt, but until that comes out or happens I just can't say for sure. ):

I was THIS close to a canon FxF pair too. LET MY TOKEN LESBIANS BE CANON! I say token because just like with SDR2 and Komaeda it seems like 75% of all artwork I find of V3 is Kokichixsomebody. Yes, I also like Kokichi but I don't like him enough to be 75% of my V3 content, especially when I'm so attached to these token lesbians. At least the official anthology that is approved by the creators has some nice Tenmiko content where even Himiko seems to like Tenko back, but it's not CANON TO THE SERIES so I still can't say with ABSOLUTE CERTAINTY!! Ah well, still the most official anything I've ever shipped has ever been, so that's something. And Danganronpa also provided me with IBUKI, the CANON BI/ACE/NOT!STRAIGHT AT LEAST character who also happens to be my favourite and that very fact makes me all the more overjoyed that Ibuki exists. There are more than a handful of confirmed LGBT characters in the Danganronpa franchise, so I'm happy they're fine with making them all canon and such.

BUT MAYBE STOP MAKING THEM ALL TRAGICALLY GAY. I mean there was Teruteru who was bi, but he expressed his sexual orientation very openly and inappropriately, and also died. Then Mahiru probably had that gay friend Sato but she also became a lesbian murderer... and then there was Mikan who loved Junko but because Junko is ultimate despair Mikan is clearly fucked in the head... and also became a murderer... and then there was Juzo with his one-sided crush on Munakata, but he did lots of shitty things and died a tragic and heroic third wheel whose feelings would never be returned not only because Munakata was officially with Chisa but because Munakata fucking stabbed him, and then we have Tenko... WHY. WHY DANGANRONPA. LET AT LEAST ONE LIVE!!!

This isn't even getting to like, Komaeda and Kokichi and their implied feelings. WHO KNOWS. THEY DIED ANYWAY, SO WHATEVER.

But if you CONFIRM IT on Himiko there will AT LEAST BE ONE, and I will be satisfied with ONE. That's how low my expectations are. I don't think Shuichi counts because all his non-straight interactions are in bonus side games and were never relevant to the plot, which kind of sucks. It's great it exists though and probably does mean he's bi, but it's not shown whatsoever in the main story that he has attraction to men at any point. Maybe Kaito? idk

It's still better than literally every other media I've consumed that's all about queerbaiting but not actually having a single queer character or maybe it's GUEST CHARACTER OF THE DAY WHO IS GAY, or IRRELEVANT MINOR CHARACTER IS GAY or whatever. Nooo, never an IMPORTANT character or anything... >_>

I dunno if the Ultra Despair Girls count because nothing is outright mentioned or whatever. It could still be interpreted as a beautiful friendship, and because of how hetero-normative society is, unless it's spelled OUTRIGHT for the audience and SMASHED into their faces, the majority will never adopt a common belief that so-and-so character is not straight. IMPOSSIBIRU they'd say. Straight is the DEFAULT, they'd think. Blah. BLAH TO THEM! 

Anyway I dunno why I needed so much text to spell out Tenko is the dog to Himiko's cat and I love dog/cat ships. At least I finally ship something in Danganronpa. I finally have an OTP. An OTP I can be proud of. YAY!

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I've talked to friends and read many posts about what is most important in their life. What matters to them the most; what truly resonates with their soul. A major one I see a lot from friends, internet, and society in  general since it's been a large issue for years and years is sexuality. The debate and fight to get gay marriage passed and the neverending plight to stop discrimination and hate that comes back the other way. There are other major social issues that I see over and over again as well since no matter how good it may seem on the surface compared to so many years ago, something like racial tension will always be around, lurking underneath an innocent exterior or blown right up and smashed into your face if someone massively influential happens to promote it. (We all know who I'm referring to here) Regardless, there are lot of these kinds of thing that people are very passionate about, and very passionate about making them right, making them better.

I have the fortune of not having much attachment to those kind of issues due to not running into much conflict. I guess the word a lot of people use is privilege. For instance, though I am Asian, specifically Chinese, not only do I not run into much racism at least as much as some of my other Asian peers is because I take up the majority of the Asian populace (that or Indian, I'm not entirely sure who has more population at the moment) and I happened to grow up in an incredibly multicultural neighbourhood. My area was so diverse, that there were more Asian people in my high school than white people. White people were the minority. I never really got flak for my race as I grew up. so I never was as passionate as many other less fortunate folk in terms of fighting it, and thus cannot understand to quite their degree their plights. 

I also have the fortune of living in a very liberal city, but not only that, growing up in a family where my brother came out as gay. Although the fallout of that with my family itself was not pleasant, I learned early on that there was no reason whatsoever to be bigoted to people who prefer one sex to another. I learned very early on thanks to my environment that people can like whoever they please and that's seriously not even the in the top ten of issues we should even be concerned about, but we have to because bigots will always exist and always discriminate. In a perfect world you would think most if not all people would be focused on issues affecting the entirety of the human race, such as global warming and its impact on humanity and their quality of life, or helping out those escaping from war-torn authoritarian countries. No, there's still this major debate that people need to care about who people love, and there's still this major debate about racism and sexism and all these other hot-topics that if we were all decent people would in a utopian society would not even be in a blip in our radar, yet here we are.

And it is an important fight that will likely be endless, but that isn't a reason to never fight, for if we never do, we will never improve. Many wonderful. outstanding individuals over many years have progressed us to where we are today, where slavery in its most traditional sense anyway, is no more in many countries, and everyone above a certain age can vote. Still, as important as these issues are, what really resonates with my soul and frankly in the large scheme of things isn't nearly as important as these issues is friendship.

Yet due to how I grew up, it has affected me very deeply. It's impacted who I am, what I like, who I befriend. It shapes my personality, my attitude, and my perspective. I don't think I've yet to run into anyone who is as moulded by this desire for friendship as much as I have, but again I don't know other people inside and out, so I can't be entirely one-hundred-percent sure. When I was very young. I was this small Asian girl about to start school. I remember how small I was because not only were there photos, but because for the entirety of elementary school and even middle school, I was the smallest person in class, bar none. It's possible I forgot a year where I wasn't and happened to be slightly taller than some other student who didn't stick around the school for long, but for most of it all I was the smallest. It's not hard to forget either. I remember one of my gym teachers referring to me and my other smol brethren as munchkins, and my best friend I made in primary school to this day had always nicknamed me shrimp. I am small, and people will not let me forget.

Before I continue let me repeat that I do have the memory of a goldfish, and for whatever sadistic reason it is in human nature for us to be more likely to remember the unpleasant memories over the good ones. Or it's possible I had a miserable childhood, but whatever the case, when I was in kindergarten I only remember making this one friend. We weren't that close since I don't even remember his name, and I don't consider him the first friend I made, since a kid and their family moved into the basement suite we rented out and she became my very very first friend. Still, due to that girl being two years my junior the first friend I made in school was this boy. My single memory of our friendship me as a young child crying uncontrollably hidden under the biggest, very much unsafe slide we had at the playground, and this boy who I assume was probably responsible felt bad and was trying to apologize or cheer me up in some way. I don't recall how. I only recall that it didn't work. He had to stay behind a year for whatever reason my smol child mind could not comprehend, and I moved onto the first grade.

The only thing I remember in all of first grade is that our school was so small some classes did not even have their own classroom. In first grade my classroom was in the gymnasium. That's it. That's all I remember. (In fourth grade my class was in a library until the portable classrooms were finished construction and then we moved there. There was another grade, probably second that was also in the portable classrooms, but I think we also had a legitimate classroom at one point too, so my memory is faint. Only reason I remember this is because I distinctly remember being super excited to have a Gameboy Colour of my very own with a copy of Pokemon Blue. I guess I made out my new fun toy to be too fun because someone stole it from my backpack not very long after. I never saw it again. D<)

Second grade though was when my friend who lived downstairs started school, and unlike me who made that one kid friend and her as a friend she found a clique right away. Unfortunately being different grades causes problems because she'd bond with these other kindergarteners, and I was two years older and then though I was her friend, she'd rather be with these other similarly aged peers. I remember this one time one of her friends had a birthday party, and I was upset because I wasn't invited. Of course I wasn't invited because I wasn't really close to her friend, but I thought since I was her friend and this clique was like, three people outside of me that we could get to all be friends or whatever and it wouldn't be bad if I joined them too. Or in other words I begged my friend's friend to invite me too, and it it worked, but I really wish I didn't do that, or at least it didn't work because that whole party ended up being very awkward. Still, that friend of mine who had this clique was still my friend probably due to our proximity of living spaces, so the year went by.

Third grade luckily I made a friend but the evils that were DIFFERENT GRADES continued because this friend was in the fourth grade. For whatever inane reason the school had this one BIG KID area reversed for ONLY the fourth grade kids. Keep in mind I was in a very small school, and it was called an Annex so it only went up to the fourth grade until you were shuffled over to a full-fledged big Elementary school that went from kindergarten to seventh grade. Some areas in the country, and well the world have a thing called middle school, which we didn't really have in my area, but that second elementary school was pretty much my middle school so when we get to that part I'm just gonna call it middle school anyway. Now obviously my fourth grade friend would of course want to be in this big kid area. All the other big kids were there. It was the cool thing to do, and hanging out with a friend a year younger than you may lead to kids making fun of you or looking down on you for not being in the cool reserved big kids area. I may never know my friend's reasoning, but she was my best friend this year. I never called the kid that had a clique my best friend, but I always referred to her as my first friend and someone I was close to. Third grade was the worst year of this school for me. My lack of any friends in my own grade was quite a disadvantage and this was the first year I experienced everyone's favourite past time in school, BULLYING! I also had the meanest teacher of all time in this year, and remember several times crying during the year of suffering.

Pull a seat and grab a cup of tea because I may be stuck in third grade for a while. During this tremulous year, I was one of two kids that caught head lice. Unlike the other kid who only had a little and thus, was probably caught from me, I had head lice all over my head. I had to have treatment and my hair cut quite short. This one girl bulled me relentlessly for this short hair. And I 100% know I am cis because despite being a super tomboy I seem to be very passionate about letting people know I was not a boy. I do not look like a boy. Fuck you for calling me a boy. Go the fuck to hell. This was not the first time this happened. For you see, I actually had a few friends outside of school that lived on my street. I had this older female friend likely already in middle school, and this boy a year younger than me who introduced me to THE NINTENDO 64 HOLY FUCK. We spent a lot of time bike-riding and playing video games. I am blessed to have spent time outdoors for my early childhood because let me tell ya the moment I got a computer and access to the internet the outside was a long gone memory. Anyway when that older female friend found out I had this friend who was a boy, all hell broke loose. She had this insane concept that boys and girls could not be friends. PLEASE KEEP THIS IN MIND. THIS IS AN ONGOING THEME. And told me if I did not de-friend this boy this instant, she would de-friend me. To make matters worse, she said the fact that I HAD a friend that was male meant I was TURNING INTO A BOY. I ran off crying. My dumb smol child brain believed that I was turning into a boy because of this, but also being one that is a dumb smol child, instead of defending my male friend or staying with that female friend I stopped hanging out with the both of them entirely. I lost two friends because of this stupid concept. That male friend of mine was probably super upset too, that poor child. However the best part of this terrible little incident is my very first friend came and comforted me while I was crying. 

And this whole choose one or the other kind of thing did not stop there. My best friend in school in the fourth grade and I also made this other friend as well. Now this may be relevant, but my best friend was white, and this new friend was native. So even though it seemed like we hung out with one another (we ate lunch together, I think?) my best friend would constantly bully my native friend. This was odd because I was not that close to the native friend. I'm quite sure it was my best friend that befriended her anyway. Or "befriended" I should say, but being the dumb smol child that I was, I did not defend my native friend. That's just as bad as doing the bullying yourself, but I guess at this point I wasn't willing to be assertive or helpful whatsoever because it's quite clear I have this desperation for friendship, and I'd do anything not to rock the boat and lose anymore friends. If given the choice to defend the poor kid being picked on or staying friends with the alpha female, my choice was to do nothing. Because I didn't want to invite more conflict. I feel pretty bad about those kids I did not defend though. I was not a strong person.

Finally, this friend I wanted to stay my best friend moved pretty much after the third grade. I was only friends with her for one year, and I did not help this other friend of ours, and it was all just sort of pointless now that I thought about it, how much I wanted to stay friends with her due to my inaction and thus enabling of her behaviour but perhaps if I did defend that third friend we would be friends instead. Even so that was not the worst part of this year. The teacher making me cry in front of my dad who berated me as I cried was not the worst part of this year. The losing of two friends due to an ultimatum was not the worst part of this year. Being horribly bullied by this girl with head lice was not the worst part of this year. I had a fallout with my very first friend. I felt like she was bossing me around and I was just letting her, and being submissive so I don't lose her as a friend and so did whatever she wanted, whatever she said. I don't recall what exactly caused us to fight, but I stood up for myself for the very first time and it blew up, and this first friend of mine stopped being my friend. We had this feud, this grudge. Every time I walked by she would turn her head and huff, and to have lost all my friends in the span of one year, including my first was a crippling blow. It only further fueled my desperation for friendship, but not only friendship. True friendship. It's not as if this first friend was terrible or toxic because I do remember the fond memory of her supporting me when I was crying, but well, the moment I tried to be independent, or how I felt like I was being bossed around was the moment I lost her.

Anyway I fucking hated third grade, but yay for fourth grade! I may have entered it friendless, but there was this new kid in class. And we became friends pretty much the moment I met her, and she was the one who always called me shrimp and stuff. Unlike all these other friends who were all different grades, weren't even in my school and of different ages, and not someone I clung to or put on a pedestal or whatever, this friend was my peer of my same grade, and she would pick on me a lot. But friendly picking. Like, the first friend where we can make jabs at each other and not step around egg shells. She has been my friend since fourth grade and is still my friend. Of course at this point I was sort of broken, like friendship is SUCH A HUGE ISSUE FOR ME NOW that it eclipsed everything else. Most people would say the point of school is not only for academics but also to become socially intelligent as the years go by. How to treat other people, how to make friends, all that stuff that is healthy for the human psyche. Yet I put all my buns in that second basket, and so my grades were always average except that one weird year I was top of the class for math somehow. I felt like the KING OF THE WORLD and was DESTINED TO BECOME A DOCTOR, but I digress. For anyone reading who knows of my planned trip to California next year, this friend, also known as Tofumold or some other food-related name will be coming with me. However she has never been an affectionate person and doesn't have this friendship complex like I do, so I started having these expectations like "I wish I had friends that would hug me! Because on TV friends hug!" and other such things. She doesn't do that. So while she is my very best friend since childhood, my years of struggle with friendship before this year gave me these humongous expectations to find these ideal friends cartoons like to feed me. Who are these perfect friends that are always on television!?

Also at the same time all this regular grade school stuff was happening, I was enrolled in a Chinese school that took place every Saturday since I was four before I even started regular school. I never made a single friend in this school. I was extremely bitter about this, and though I mentioned being bullied in third grade, the first time I was actually bullied was when I was four by other fellow four-to-five year olds. Like what the fuck? Kids still have souls at this age do they not!? Anyway my lack of friends gave me an incredible lack of motivation to do anything at this school let alone learn, and I was a pretty terrible student. Around tenth grade I outright refused to go back to the school, I was so fed up. In hindsight the idea of being in this school to retain my knowledge of my own native language was very important because of how many people that spoke the language and lived in the area, but I also understand why I never retained it and never managed to learn much of anything. My mindset was so stuck on this whole friendship thing, this thing I wanted so much but struggled so hard to obtain and when I did, to keep, and if I did keep was it even sincere in the first place? This insecurity struck with me my entire school life, and its remnants still remain with me to this day.

So anyway fifth grade came around, we were off to a new school to the wonderful experience that is middle school. Or the years of my school where douchebaggery was highly contagious and infected most if not everyone including myself. Bullies everywhere! IT'S TRUE! MIDDLE SCHOOLERS ARE SOULLESS HUSKS OF A HUMAN BEING! In an effort to not be at the bottom of the social ladder with my friend, there was this probably mentally handicapped kid with a speech impediment that everyone made fun of. We were not exceptions and it was not a proud moment of my life, but just like all the other times of inaction and trying to be with the majority to not stand out and all that kind of jazz it was a thing I did. School feels like this whole dominance kind of thing where followers will always look towards the strongest alpha student, follow their ways to not be seen as weak and thus be picked on by the populace. It's like survival of the fittest; savage animals trying to stay alive. That's why bullying is such a difficult issue to solve, and sometimes the only way to fix it isn't any sort of the safe, peaceful methods the faculty or parents always attempt, like ignoring the bully or telling a teacher or whatever. Those never work. The only time I've seen someone successfully fend off a bully was to stand up for themselves and punch them back, even if they are also suspended or even the only one suspended because of how backwards school rules are. My god, school is like prison. I've always heard to earn respect or to keep yourself from being a target is even if someone fights you, you must fight back. You can't run to a prison guard or try to hide or anything of the like. Even if you lose the fight horribly, as long as you stand up for yourself people will respect you. THAT'S SCHOOL. Can't tell a teacher, can't be a snitch! You're gonna get punished for being in the fight regardless of who initiated! AND YOU WILL BE BEAT UP ANYWAY. Survival of the fittest everyone.

Around this same time I made some friends! Yay! A few female friends and people I even invited to a birthday party. I even had this silly game I had with one of them where we'd grapple our hands and try to push each other like we were sumo wrestling or whatever. I remember fond memories of eating dried noodles from its package and people playing Pokemon cards, Yu-Gi-Oh, and soon even Beyblade. The trends were here! Of course during said birthday party all hell broke loose. I'm being melodramatic probably, but I'm pretty sure I cried at most of my birthday parties. Or at least was not particularly happy about them. Maybe I'm just a sensitive little bitch, who knows. But the one year I remember this being very warranted. One friend I made was like another one of these alpha females. I don't know why I keep calling them this, but it's like this one girl I befriend who is bossy and I always listen to and such. They command the room. They are the leader. Anyway I have this male cousin of mine, two years junior who I was very close to over the years. The markup of my family tree is sort of complicated but essentially we were the only people in our family of similar age, and everyone else was either just being born, or was not born, or was way older than us (including my brother who is over seven years my senior) so I became fast friends with him and he is a huge influence of my life. He introduced me to LF2 and Negima a few years down the line (attempted to introduce me to Re:Zero but after the debacle that was Negima I learned better >_>) He also had like every game console in existence. I remember playing games on his PS Classic like Worms and Gundam, on his PS2, his PS3, his PS4, his Nintendo 64, his Gamecube. He introduced me to Smash and is just as passionate about it as Souless is. (He once brought a CRT TV to a BOAT so he could play Melee properly with his friends. On a boat. Like don't even get on a boat to be on a boat, go on it to play Melee! To be  fair his father was a fisherman so he probably had been on boats most of his life, but still!) I also got him to play Soldat for a few years. It was nice.

So yeah, when this happened a fucking third time, there was no longer inaction or fear of losing a friend. Because my alpha female friend I had made this year was appalled that I had this male cousin who was my friend. She was like NO BOYS ALLOWED! She and the other (female) friends I had invited to the party locked themselves in MY OWN ROOM declaring it a BOY-FREE ZONE, and instead of joining them all I was outside the door with my cousin who was crying. FUCK. THESE. PEOPLE. This was MY birthday party. That was MY room. And this was MY cousin who I had been close to for YEARS! I didn't care that ALL OF MY FRIENDS were in there with her. I STAYED WITH MY COUSIN. I was so angry! I was so appalled. WHY IS THIS CONCEPT OF MALES AND FEMALES BEING FRIENDS SO TERRIBLE? We were EVEN related! I don't even! Holy fucking shit! 

And you know what? I defended my cousin and didn't lose any of my friends. Not even my alpha female friend.

Of course she moved away a year later. If it had gone down similarly to previous incidents, I may have lost friends and then the one I would have kept would have moved away anyway. I avoided this happening a second time by defending my cousin. We also made some male friends at school we'd play a form of tag with all the time, but we were always the ones chasing them so I assume no one wanted to pick that role and we were willing to be the sharks to try to eat them because we were not particularly high on the social ladder at school. I remember very little of sixth grade aside from not being fond of the teacher, but outside of school it was around this time my first friend moved away and another kid, a boy a few years my junior moved in. We became fast friends, played LF2 and NHL 97, and for a brief period of time this other kid in the neighbourhood played those games with us too. This was also around the time I got my first hamster, and I think I influenced HIS life quite a bit because we really enjoyed manhandling these hamsters (I know better now, lol. Imagine if my parents had any presence in my life during these times of turmoil how different this would all be) and when he finally moved like 90% of my friends do he got himself his own hamster. I got a boy to like hamsters. Cute. He also played Beyblades with me and it seems like though I struggle to keep female friends, I always find similar hobbies and interests with this guy friends and always actually DO stuff together. This never seemed to be the case with most of my female friends. Luckily my very best friend also enjoyed video games, so there was that to bond over. Alas I do not remember much else of this year, so moving on to the seventh grade which i do remember quite a bit.

During this year, we made friends with these two boys that sat at our same table. I actually knew one of the boys for a long time to the point that my family would be like "OH IT'S SPOTTO'S BOYFRIEND!1!" playfully or whatever, but only became friends this year. What's amusing to me is that the OTHER boy actually confessed to my best friend at the end of the year. She didn't recuperate, but that's sort of interesting. I only stayed friends with the boys, but one thing that truly touched me is on my birthday I was given this sketch of myself with a little doggy (because I loved dogs a lot!) and balloons everywhere out of the whim. I still have that drawing on my wall to this day and it is my favourite birthday present ever. I did not have to invite him to my birthday party to get a present. He just did it just because. I wonder if he too liked me beyond friends, but idk. I was still struggling with friendship and my brain was wired that boys and girls could be friends that I never really thought about romance whatsoever. I was a smol child with a smol child brain. Pretty sure I still have a smol child brain now too. 

Anyway it was a generally happy year except that one time I threw up in front of the class during quiet time and got relentlessly picked up by this asshole jock. I also remember this year (or was it the last?) where the popular girl made me do her homework. YAY MIDDLE SCHOOL! But still, I had close reliable friends who I didn't feel like were just friends just because, but people who really cared about me. This was the year I was king of math. Is there a particular reason for that? I don't know. But I think I do better in academics when I'm not flailing about drowning trying to make friends. For once in my life, I felt stable. I had a good friendship with the boy that lived downstairs, and spent lots of time with him and this other kid. I was friends with the kids at my table. My best friend was still here. This was not a year where I yearned for friendship. I had it.

Then everything changed when high school attacked. 

Luckily me and my best friend went to the same high school but due to where our school was located and where people lived, basically everyone at our grade split off to four different high schools. I never saw those boys again. In high school we did end up making some friends... all female. it was a very large clique with say 8-10 people, but due to my everlasting status of being near the bottom of the social ladder and my friendship complex, me and my best friend were not anywhere close to alpha female position, let's just say. I had this desire to make more friends, but CLOSE friends just like with my best friend. But in a clique there's usually even more inner cliques. Two girls will be best friends and do all the stuff together. Same with these other two girls. I came into this clique with my own best friend already, but we weren't all in the same classes ALL the time. And these friends of mine were closer to these other girls probably because they didn't put each other on pedestals or have clingy friendship complexes, so it was difficult to really grow close. I liked the girls that were nicer to me and such, but even then. It was also at this time my time on the internet went on a rise and I found friends online. Online friends who shared VERY close interests to mine since we could communicate over long distances and I didn't know anyone in my school with very similar interests. Due to such, I grew much more closer to these internet friends. I think the most significant of these were the BIFF. Today, only two of the BIFF remain but they have become ultra close friends with me especially Akira, and now I've learned that best friends are few and far between, but will always be there with you. It's not all about having sixty thousand friends and expecting them to all be as devoted as the few.

Akira is the other friend coming down to SFO with me! Let me talk about the internet friends too! We all bonded over Beyblade. Obviously no female friend of mine in high school gave two shits about Beyblade, so the internet was all I could turn to. Unfortunately my best friend who I do share interests with we always sort of miss that interest by a few steps. Like how she prefers RPGs and I prefer shooters, or how she likes Yu-Gi-Oh and I liked Beyblade. We were close! SIMILAR GENRES EVEN, but no cigar! Only the internet could solve this everlasting problem, and solve it did! I began writing stupid stories on crack about Beyblade characters and made friends in the fanfiction community. I had been writing as a hobby since I was like nine on my brother's ancient laptop, so it was not unfamiliar territory for me. Since making friends was SO rad to me I became very attached to these people like I knew them in real life, even if all we had was Beyblade. But once that interest faded, a majority of them faded as well because we didn't really do anything else nor have similar interests otherwise. It was more like a club that liked this one thing, and once people left the club because they weren't interested, it was no more.

No hard feelings or anything... well except this one incident where one of our club blocked us all of sudden, and I foolishly, like the foolish desperate clingy person I was, tried all I could to at least COMPREHEND why someone would do this. Since she really only blocked me, I reached out through another friend, and talked to her. She dodged all our questions and then proceeded to block everybody. I could never understand, but one of my friends told me to let it go. So I did. It was a difficult decision, but to be fair I did step on her toes by not respecting her decision to exit from our lives by trying to reach her beyond her powers that be. I still don't understand, to this day.

Back to high school though, and I don't really feel like splitting it by year so we're just gonna have one giant blurb about high school in its entirety. Since I was closer to my internet friends and couldn't truly reach over to these high school friends, I began having the same problem I did with my very first friend. Where they would do things and not invite us, or only invite us if no one else was able to go. One of my friends gave me ample advice when she realized my little friendship complex. Don't do things for other people before doing things for yourself. I don't remember the exact quote, but basically I was so eager to please i never really thought about my own self considering my very average grades and all, and just tried to do whatever I could to stay friends with people. It's a theme of my life, man. I also had one friend I made some year later (Grade nine? Egads I remember nothing) who I found rather obnoxious, but she was probably the type of person I should have stayed friends with over several others because no matter how much I expressed to her that she was annoying, she was still very accepting and friendly to me. I wish I stayed friends with her. She was one of those people I felt would be one of those once-in-a-lifetime friends if you gave them a chance, but I sadly did not.

There was also one year, later on maybe in junior or senior, where there was this friend who was basically Pinkie Pie in real life. She had ALL OF THE FRIENDS and was nice to ALL of the people, including me, so low on the social ladder! I really wish I could have been a closer friend to hers, but because she had so many other friends it was a nigh impossible achievement. There was also one year where I suffered some of the worst bullying. In sophomore these girls were transferred to our school and she would not stop at anything to call me names or throw pennies at me because I looked like a poor kid. (I wasn't actually that poor in terms of the school. I was just not one who found importance in appearance so I kind of looked like someone who didn't care and was more, let's say, homely than other kids. Or if you wanna bully me too, you could call me a hobo! Because I looked like a hobo. Gee I wonder if my parents had more of a presence in my life I wouldn't always dress up like a hobo to school) 

Back to the internet that I was increasingly spending more time on because I felt so much more accepted on there. Also they can't see me, so they can't tell me I look like a hobo! After discovering LF2 and playing so much of that game, I found another game that this website covered too called Soldat. Alas my friend I spent oodles of time playing games with who lived downstairs moved away, but I immersed myself in Soldat. I found many friends, a clique that in video games called a "clan" and got to see these same people in these same servers over and over again. We had fun, fun times shooting each other in a competitive environment. Though again like the Beyblade days many of these people faded away, there were some I stuck by for a very long time and still talk to today. We call ourselves Spectral Infantry, but I think I'm the only one that does that now because Discord exists and nobody cares about the clan name and my Teamspeak is dying. Regardless, it's not the name that is important, just like the name BIFF was never really important. (It stands for Best Internet Friends Forever. I hope that is the case with the two I am still friends with lolololol) but the people that still stick around. Also obviously a majority of these friends are guys. Because all the guy friends I've ever made friends with NEVER antagonized me for being friends with them despite being a girl, or never purposefully excluded me because if they want to spend time playing say, Path of Exile when I do not even play that game who am I to feel excluded? I don't play that game. It was a lot more transparent I guess. I felt more stable amongst them. My ability to friendship was finally levelling up, but those back at school were as stagnant as ever. The same feelings, the same kind of inevitable conclusions.

It's very important to not only share interests but share hobbies when it comes to friends. Video games were the thing that kept me going with these people. On the other hand, though I share less interests and hobbies with the few female but true friends I have left to this day, I still feel very close to them because we bonded on an emotional level. We understand each other, and we will be there for one another. Both of these have taught me that I do not need to be doing a thing with a person 24/7 to stay friends with them, or trying to be complacent to keep as many friends as possible because only the important friends are the ones that you really need to keep. The ones that will keep you going and motivated like they do me. At the end of high school, the one friend I became closest to outside of my best friend, who gave me a handmade birthday card out of nowhere, encouraged my graphic design and caused me to win the grade-wide competition, and actually gave me HUGS what the fuck, brutally chastised my appearance throughout high school with the harshest words possible over the internet. I blocked her immediately and we are no longer friends. It was one of the worst friendship breakups I have had, on par with my very first friend,. People who were there for me but obviously had some sort of pent up issue with me that the first sign where either I mentioned something or I was out of frame physically they unloaded their frustrations with me. Why couldn't they be honest from the get-go? I guess because I was a sensitive, eager, clingy person with a friendship complex, and the moment any conflict arises could be the end of it all, like it was. But it always blew up in the end because of it. It always ended friendships.

It always hurt.

And now the consequences.

I have had a pretty terrible year in terms of loss and family and pain, but in terms of PHYSICAL pain I went through several dental treatments to get my teeth fixed. Root canals, crowns, and surgery. Oddly enough despite all of those things I mentioned, the worst pain was the first cleaning I had after several several years. Because my teeth were so bad I was very sensitive to temperature so any cleaning felt like the absolute worst. Somehow cold air was worse than giant pointed steel needles being stabbed into my gums. I also buy separate shampoo and conditioner now, and pay for my own toothpaste, floss, mouthwash and toothbrush because my parents cheaped out and always bought the crappiest toothpaste possible, the cheapest 2-in-1 shampoo, and really all the other tools that though I do not blame for why I've had self-esteem issues certainly contributed a small part to it. Oh and I started buying some of my own clothes because throughout all of high school it was hand-me-downs all the way down, and since I was a tomboy I rejected 50% of it. So i kept wearing very old clothes that started getting tattered. My money at the time was going into things that were more important, like computers and video games. THUS THE HOBONESS! 

But the other consequence was where my interests ending up lying. I was so in need of friendship that every single thing I've ever watched, friendship was the most important issue to me. My very first OTP, ship as it were that I blame the whole Beyblade fanfiction community for getting me into, was KazumiSayo. See my icon? STILL KazuSayo. They are relatively minor characters in the grand scheme of Negima, but for what they had I enjoyed them immensely. Kazumi I saw as a role model because she wasn't a character that really developed per-say. She was kind of ideal from the get-go. She did not care about being in cliques or being friends with a cast herd. When the manga started she was in no cast herd, she was alone. And she was fine with it. She was still confident, still spunky, still had the best voice, still was extremely attractive despite such. (How do attractive people not attract friends?) and was very kind.

Then Sayo came along. Sayo was a ghost who had been alone for like some ridiculous amount of time, like sixty years. No one could see her until her teacher just happened be a wizard. Then when her existence was exposed, it was Kazumi who befriended her. Now at first I wondered why Kazumi of all people befriended her. I could see it in terms of practical reasons, like Sayo being a ghost would be ideal for Kazumi's need for intel, what with being an aspiring journalist and all. Meanwhile Sayo's need for a friend is extreme because she has been alone for sixty years and she hasn't become a batshit insane murderous ghost yet. Kazumi gives her this need. in terms of who is giving more and who is receiving more, it looks one-sided.

I guess what I'm trying to say here is that the most healthy and best relationships are when two people improve one another, and while Sayo who I essentially related to since she desperately needed a friend will become a better, more whole person thanks to Kazumi, what does she serve for Kazumi beyond the practicality? Does she make Kazumi a better person? At first I believed maybe Kazumi might be susceptible to becoming the stereotypical yellow journalist who would do anything to get a story. She did toy with the idea with exposing magic to the world, but it wasn't difficult to convince her to keep it under wraps despite such a story being an ample opportunity to launch her career straight into the moon. She also mentioned when she first became friends with Sayo that letting the world know of the existence of a real live ghost would also land her in prime territory to be one of the most renowned journalists out there, yet she is the one that convinces herself not to do so because that would be unfair and plain mean to Sayo, who does not need the attention of the world right now. She does not need to be a zoo exhibit or to be experimented on by scientists or studied, she needs a friend. That's exactly what Kazumi provided. I suppose Sayo fills out the role of keeping Kazumi in check. She was a wildcard for a moment when some members of the class opposed Negi's side of the battle, and Kazumi for a while was working for the supposedly "evil" side (it was more like a huge moral dilemma and no one was painted as an irredeemable bad guy, but still) but once context was given to Kazumi she switched sides pretty easily.

But still, their relationship served to fuel my need for a friend. One who for no reason would be your friend. Like a dog! I love dogs. I always wanted one but it was never right to ever get a dog due to their upkeep and price. Dogs are those kinds of unwavering companions that no matter what will always be loyal. No matter who you are or what you look like. That's why I loved Kazumi and Sayo so much. I saw this character who I looked up to, wanted to be like who gave unconditional support to this ghost character, who needed it above all else and overlooked her own ambitions to do so. It was a heartwarming friendship I wanted out of anyone at all. Still, it didn't serve the ideal kind of friendship I was looking for where the two characters could help one another to be better people.

Touhou came along to bring with it oodles of odd female friendships. I am very attached to female friendships as you can see. With guys, it's just play video games with them to bond because competition or whatever. I even watched Beyblade to figure that out too. But I could not figure out female friendship. I had such a hard time retaining female friends. I've run into so many problems and incidents involving all of that, so my interest was very high for how media portrayed female friendship. That's one of the many reasons I jumped between so many favourite characters and thus so many different OTPs in Touhou. So many different depictions of friendship and devotion! I loved it! One of my first favourites was Murasa and Nue. Unfortunately at the time they were in one of the less popular cast herds, so finding anything notable and meaningful that portrayed the two was a bit of a challenge. The depiction they usually got was that Nue was alone and sort of excluded from the main cast herd that being the Myouren Temple because she was a bit of a prankster/troublemaker. And she felt she needed to be alone (also she was sealed for like several hundred years) but secretly she wanted some form of companionship. Murasa was the usual person she'd  be paired with for that companionship. I remember reading this touching doujinshi where Nue is all self-conscious and stuff, gets attacked by some scumbag humans (not that humans ARE scumbags but these guys tried to kill Nue when she never provoked them, so... ) and they involved one of the legends associated with Nue in the conflict. The nue was shot down by some famous guy (I forget his name) by either his amazing enchanted bow, or he was so amazing he could shoot down mystical youkai like nues. So this guy that was trying to kill Nue had this bow and that guy's name too, so even though youkai usually very easily overpower humans this was not the case here.

Anyway Murasa pops out of nowhere and takes the arrow for her. It's treated as very melodramatic because Nue acts like Murasa is dying even though youkai can brush off such physical injuries plus Murasa is ALSO a ghost and ALREADY kinda of dead anyway, but yeah, this relationship was kind of like KazuSayo to me. My favourite character at the time was Murasa, who was portrayed as this badass ghost pirate captain who was very confident. She had a pretty depressing backstory too, but it wasn't given much detail thus that one story I wrote up about her history. This story serves to teach Nue that no she is not alone, and she doesn't have to feel like an outcast among the cast herd she is associated with. Murasa though I don't see what she learns or how she becomes better by being friends or more with Nue. It again, feels one-sided. Nue doesn't really touch upon any of Murasa's backstory or anything like that. They just happened to know one another. Also the game that came out right after introduced this buddy of Nue's from the outside with a similar ability where they have trickster pranks together and all, and sort of killed the illusion that Nue would ever be insecure to need friends that badly, or whatever. I dunno. I don't know what to think about it, lol.

Of course, moving beyond that I began to like MokoKene. Or KeneMoko. Again a similar OTP to KazuSayo. One person is SUPER LONELY. This person, Mokou, has done something to give herself immortality that causes her to be ostracized by society since she never seems to grow old, so she becomes increasingly withdrawn and a hermit to society. She does this for a thousand years or so. (This is getting absurd, isn't it? Lol. SPOTTO IS SO LONELY, SHE ONLY IDENTIFIES WITH PEOPLE WHO ARE ALONE FOR ABSURD AMOUNTS OF TIME) Of course unlike Sayo Mokou actually does go about killing a whole bunch of people, but moving on we come to Keine, a half-youkai whose character is the basis for the initial conflict between humans and youkai. The perspective of a half-youkai is most unique. (Though Keine is only really a youkai once a month since she is a WERE-hakutaku, so... ) anyway Keine has more of a human-leaning view than a youkai view despite her affliction. Mokou is someone though technically a human, her behaviour over the years and her own immortality makes her out to be more like a youkai if you think about it, but Mokou's first friend after many centuries ends up being Keine. I think there's something truly heartwarming when the protagonists need to go attack Mokou and despite Mokou being INVINCIBLE, Keine still goes out of her way to try to protect her and lead the protagonists away anyway. Keine gets beat up and they go for Mokou despite her efforts. She did this at first to protect the village earlier in the game, but near the end of the game the only reason she fights the protagonists again is solely for Mokou. It's sweet, isn't it?

This spawned a ridiculous amount of the most adorable fanworks I have ever seen. KeneMoko is a fairly popular pairing in Touhou, especially when you consider harem lead Marisa isn't part of it, nor does it involve any other protagonist that usually manages a harem of their own. The characters themselves haven't really been that relevant for several years either, until recently when Mokou showed up in a fighting game and some outsider they introduced Mokou ends up befriending and let's move on from that. Keine is especially irrelevant at this time though, haven't not appeared in anything with any significance since pretty much after her first appearance. Sigh. Well that's how it goes I suppose. It's the same with Murasa too. Not all too relevant now.

So I moved on to the last one I'm gonna mention from Touhou. It's relatively recent, so give me a moment. For the last few I kept sticking with this one lonely character who needed a friend. Or a dog, I guess if you really think about it, but for AyaSanae, this time the character, Aya, was not someone who was well, lonely. Her traditional characterization is usually this confident journalist who will do anything to get a good story, no matter how immoral it might be. At first this portrayal was more prevalent in fanworks, seeing as it was a funny exaggeration for the cast's only media representative, but the creator very quickly adopted a similar portrayal himself, so Aya sort of became a caricature of her initial characterization. I don't know either. Anyway, in-universe she was not the most popular person in the world. All of her mainline ships didn't really serve to improve Aya as a character, as Aya was usually the dominant member and would boss around the character paired to her. I hated that. It took me a long time to really look at Aya as a character I would bother liking. Like, who cares? She's not the role model Kazumi was and she has no qualms about how to achieve what she needs in her career, and she isn't lonely at all!

...or is she?

AyaSanae, a rarepair came along and it came with a very refreshing take on Aya. While yes, Aya isn't exactly human (but we keep applying human-like qualities on values on all the other youkai and non-human species of Touhou anyway, fanworks!) she's not really a well-rounded character with any depth to her motivations. Like why is she a journalist? Why because her crow tengu species are all avid reporters too! Well that doesn't make Aya particularly unique even if she is the most notable of the group. Still, as someone with a friendship complex I can't really swallow that Aya doesn't resent in some way that she may not be popular or have any friends. The character most associated to her in canon, Momiji, canonically hates her or at least has a very strong personal feud with Aya. Aya's other character most strongly associated to her is Hatate, who is just another crow tengu journalist meant to be a rival that makes Aya look like the best tengu around. It's not really all too reassuring. But in comes Sanae, an OUTSIDER with a unique perspective who believe or not, when this ship is portrayed, makes Aya a BETTER PERSON.

THAT'S ALL I EVER ASKED FOR!

So how this all works is that Aya seems to fancy Sanae for whatever reason. I dunno. Figure it out yourself. The point is, Aya feels she can't really approach Sanae properly in that kind of manner because most of her relationships to people are strictly business. Not only that but Sanae is a human and that may look badly on human-youkai relations due to Sanae being involved with the goddesses who sort of want to take over the mountain for their faith which is also where the tengu all live and take claim to. It's a bit of a mess, is it not? There's some agreement in place for both of them to co-exist on the mountain, but it's just not good for tensions if most notable tengu and priestess responsible for spreading faith get together, is all I'm saying.

Yet thanks to fanworks bending canon rules, Aya's acquaintances who are more like close friends in this universe encourage Aya to go after Sanae. Sanae's goddesses want her to be close to Aya too, so they can improve goddess-tengu relations, and if they're friends that'd be good or whatever. So Aya gives Sanae a tour but Sanae doesn't really like Aya because who actually likes Aya, I mean c'mon. Then over time we run into Sanae's own issues of adapting into Gensokyan society, since she came from the outside where she had a normal (sorta) life at school with friends and modern technology, and now has no real peers here and has a completely different life with completely different technology, like magic! Aya comforts her in her very own youkai-like way, in that she hasn't much to say because she can't possibly understand, so she just pops out her wings and envelops Sanae in it. Give her some physical comfort. It's all Sanae needed... and for once, this relationship doesn't start off one-sided or stay that way, anyway. The two help one another. Sanae to adapt, and Aya to be better.

Because unlike Aya's more popular pairs, she's not bossing Sanae around and Sanae is devoted to her anyway for no real reason. Sanae makes Aya second-guess herself, makes her flustered. Sanae's go-for-it attitude and eccentricity is unpredictable to Aya. Every time Aya thinks she has control of the situation, Sanae surprises her. I can't really go into much depth about these two because they are a rarepair and everything I mentioned came from one very talented doujinshi artist, but this person (man? idk) singlehandedly not only made me like this ship, but like Aya! But anyway, Sanae's existence humbles Aya and gives her this sort of humanity and empathy she was sort of lacking, that made her more relatable. But this still wasn't to the level of give and receive I was hoping for, but the farthest I've found so far. Though Aya provided Sanae opportunity to adapt and supported her, I don't see Sanae as a character improving, but she does get a friend and acclaimed to Gensokyo and maybe her own character doesn't really need improving because she isn't as obviously flawed as Aya. Who knows! Still, it's the closest yet.

Potential for such a thing came from this next series, one very not-subtle about what they're trying to achieve with the show since it's titled as Friendship is Magic. MLP.

It took me a while to find a character to like actually. I most related to Fluttershy at the time, but my values were a lot closer to Pinkie Pie's. So I was like "wait, why not just put them together!" which was something somewhat possible due to their interactions in the most innocent of times that was season one. In one of the earliest episodes, Pinkie Pie defended Fluttershy's sensitivity, and kept her and Rainbow Dash (who has known her for years mind you) from pranking her. When Pinkie saw Fluttershy being bullied, she came up with a plan to get the bully back. When Fluttershy needed courage to jump over the chasm in Dragonfly, Pinkie's song encouraged her enough to go over. Not her other friends who were clearly exasperated (especially RD) about her keeping them from progressing very far. Pinkie kept her positivity up and supported Fluttershy wholeheartedly, no hard feelings whatsoever. Then several episodes down the line, for some reason Fluttershy despite being the shiest, most timid of them all, was so happy Pinkie was okay when she went missing (and was most worried for her as well) she jump-tackled Pinkie to the ground the moment she saw her. This would seem out-of-character if we didn't note all these things Pinkie did for her earlier. I thought a lovely cute little friendship was happening. It was one-sided though, but it was blossoming.

Then the most innocent of times concluded. One flaw of Pinkie Pie the writers began to make more and more apparent was her...insensitivity? Which I thought was quite odd because it seemed like she grasped this concept pretty well in season one. I suppose that same episode Fluttershy glomped her in she did start a war with her insensitivity with her not-very-good (rather unusual for Pinkie) song to make sure the ponies and the buffalo could get along. Maybe it was a botched attempt at humour, I'm not sure. Anyway Pinkie seemed to lose this concept and probably unintentionally made the whole Luna situation in Luna Eclipsed worse, then her sense of reality or how other ponies felt dwindled quite rapidly, like in the Friend In Deed episode where she could not grasp Cranky's need for her to leave him alone, if only because Pinkie is SO desperate to make him a friend and doesn't care, or just doesn't understand. Then there's that one episode about the cake she was protecting that was all kinds of wtf in terms of friendship, so let's not go there.

Then of course Pinkie realized with such clairvoyance how her own clones were terrorizing the town in the season three episode. I'm inclined to believe Pinkie didn't realize how overbearing she was until she saw several dozen copies of her acting in the most one-dimensional way possible. Finally in season four despite being one of the strongest Pinkie Pie seasons to date (there is a lot of "I realize I am in the wrong and can see you are unhappy and understand your sensitivity" in Pinkie Apple Pie and Pinkie Pride respectively, maybe even Maud Pie!") we had... Filli Vanilli.

I have spoken so much about this episode, but it really slammed on the pedal and floored it when I was already in the wild wide and hoping to any higher power of existence who could hear me to let us slow down. She was NOTHING like this in season one, and here she is making Fluttershy cry with the most obvious, over-the-top cries, sobs, and wails I have seen and somehow Pinkie cannot see what she is doing that is wrong? I just do not understand how people defend Pinkie in this episode, I can't. It was finally here that I realized the old vision of PinkieShy where Pinkie is the one who can help Fluttershy become bolder and closer was wrong. Or at least, only part of it. If the canon is going to run off with this type of characterization, Fluttershy is the one who needs to make PINKIE the better person! If both parts of what I see does happen, then yes this would be the first time the relationship will be pretty evenly-sided, where they help one another.

I mean Pinkie has her insecurities! Her most infamous episode had her breakdown believing her friends no longer wanted to be with her, and she clearly is very clingy to the friends she has despite having more than anyone. I can relate to that! But despite my idea of the two helping one another, over the years and seasons Fluttershy never needed Pinkie to become more assertive or bold. She did that on her own, through many situations with many friends including her animals friends, and Pinkie wasn't there to support her with as much presence as I hoped. It's like Fluttershy became better and didn't need Pinkie at all. It became a one-sided affair once again. I was so frustrated with this pair that had so much potential in season one. I really thought if the two were close friends it'd be a really heartwarming kind of thing. Two people so very different, with different ideals, but both sharing this same kind of sensitivity, both understanding one another. It would be the closest thing to the ideal pair I have seen, but the engine barely started before the car broke down entirely. An introvert and an extrovert who can both understand what it is like to be an introvert and an extrovert. I really wish this concept was explored.

In what i call a bit too little too late, an episode finally popped up that actually featured the two together though they still shared their conflict with Rainbow Dash and Applejack. There was great pressure to do well in a sporting competition, and surprisingly both Fluttershy and Pinkie buckled under this pressure. At first Pinkie buckling is more surprising, but after Fluttershy's character development you sort of don't see it coming either. Regardless Fluttershy is the first to burst about this towards RD and AJ, and is the one to bring up the problem that paves the way to the well-rounded perfect solution MLP likes to do. Meanwhile Pinkie becomes withdrawn under this pressure, and is the one who is unable to let RD and AJ know what she feels. She actually seems like the more sensitive one of the two! For whatever reason this made the two of them feel like they have a lot more depth than before, but this aspect of the two characters hasn't been explored since, and I'm not really expecting a Pinkie and Fluttershy episode actually focused on only those two anytime soon. :\ 

So if a show literally titled Friendship is Magic wasn't the way, what was?

I found a show called RWBY. The title of the show is the first letter of each protagonist who are paired into a group. Their goal is to go to school to learn to fight monsters, and then fight monsters with that group for the rest of the foreseeable future. Or at least in school, but from the existence of teams that existed well beyond school I'm thinking that is not the case. Anyway we are given tidbits of some background information on these four characters, and they get thrown into the school to learn to work together to defeat the monsters and subsequently become better huntresses and people as a result! I watched a trailer called the White Trailer. It had this character who exemplified all these feelings I've had in my entire life, though the lyrics weren't particularly subtle about it. This beautiful girl, who could get hit in the face and get a RAD SCAR despite her beauty, was all sad and lonely. She is entirely by herself in the trailer and only fights this construct which isn't even technically alive. I felt sympathy for her and loved the music and animation of the trailer. I knew she'd be my favourite character immediately, but in the large scheme of things she was sort of fitting my stereotypical pattern of favourites.

Until she opened her mouth in the series itself.

THIS IS AN ALPHA FEMALE! AAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHH!!

But yet, I still loved her.

Why?

Weiss Schnee was this type of person I had conflict with so many times in my life, but I never really saw these people's own perspectives. I had such negative interactions with them, or at least my friendship with them always ended poorly that I never really saw it from their side or understood who these people were. Weiss was like, someone who guarded herself deeply and had a lot of issues inside, and she did it by being bossy and mean. It took her a while to accept those around her, but it also didn't take her long to change herself or see that she had to be supportive if she wanted to keep these people around, these friends. She learned pretty quick actually, so her first impression wasn't really all that significant in the large scheme of things. Seeing her White Trailer and then how she acted I knew right away Weiss wasn't actually like this at all, and unlike a lot of people became intrigued with who she was and what she'd become because of it. Because we already knew there was something about her that didn't match how she behaved.

At first I followed the crowd and shipped her with whoever was most commonly shipped with her, but this was a young show, so anything could change. And change it did because the core of the plot for much of the first three seasons was the conflict between the White Fang and well, everyone else, but mostly the Schnee Dust Corp since they're the ones that led the White Fang to their reputations and extreme beliefs to this day. The person on the side of the White Fang, or at least formerly and with a lot of faunus baggage left in? Blake. And it seemed like Weiss and Blake were very integral to the plot for a lot of these reasons. Well mostly Blake for plot and Weiss for character development, but you get the idea. Weiss needed to shake off her racist upbringing if she was to keep these comrades of hers by her side and for them to become an expert, efficient team of huntresses. This included even accepting the former terrorist group member with an endless amount of issues, Blake. Weiss really came to her own as a character over these episodes, and it even seemed Blake was turning a leaf as well, willing to let people into her life despite having been closed off for years in fear of discrimination and conviction! 

Then of course all the shit happened and it turned into Naruto. Where nobody graduates, the group breaks up, and the broodiest, angstiest person runs away. I guess since this show isn't blatantly titled FRIENDSHIP IS MAGIC I can't expect it to focus on friendship as the core theme of the show, but I had assumed so anyway because of the title of the show and the premise, that these four girls of vastly different background and history must come together and fight monsters. The fact that Weiss and Blake had all this conflict to get over, and all these scenes where they were helping one another, Weiss forgiving Blake for running off with her problems, Weiss trying to force Blake to talk about her problems to the group, Blake choosing Weiss over the White Fang when they were about to kill her, finally letting go of her criminal past and what really needed to be done, to the point that by season three they were amiably having a tea and coffee date with one another. They were willing to spend time with each other outside of training, outside of arguing about their vastly different upbringings and opinions and were friends THAT HELPED ONE ANOTHER BECOME BETTER PEOPLE.

But instead shit hit the fan.

Weiss let go of her racist ways and accepted how poorly faunus were treated. She became nicer, and more supportive as a result. Blake let people into her life more often, began to trust more, and these people who should be enemies at any other time are not. That's heartwarming. That's beautiful. That's friendship! Heck, even beyond! This is the greatest potential for the greatest ship I have ever seen, but of course, of course, this show has decided writing as a priority is like fifth fiddle to things like adding more characters than necessary in every season and not bothering to develop any existing ones, killing random characters off for shock value, and putting more stock into developing side characters and minor characters over the main characters while ignoring and writing out the interpersonal relationships and interactions I watched the show for AMONG THE FOUR GIRLS. They had it! They had in right in their palms and tossed it right over a cliff! THEY HAD IT!

A non-one sided relationship in which two people can help one ANOTHER improve, and not only that their BACKGROUNDS improve. Fix the White Fang, fix the Schnee Corporation to get rid of all the corrupt terrorist bullshit that infects both their backgrounds and them as people. The two being together could solve them as people and SOLVE THE PLOT but it was flung off the cliff, not knowing what they had. I do not expect them to make this ship canon, but their mere friendship is all that is needed for some of the most heartwarming, wonderful, uplifting, and hopeful kinds of solution possible. This is why I like some horribly dark, twisted series a lot despite their theme because the ending of these things (such as Dangan Ronpa) is always one of hope despite all the shitty hardship and death everyone faces. And yes, RWBY is not over yet, I suppose the show too can achieve that same kind of thing, but when we had so many misprioritized plot points and focus on random one-off characters in such a large ratio of the show, the characters of team RWBY no matter their potential is shuffled to the side and in the end I don't even believe they have a friendship at all. There is no training montage where they learned those team-up moves they had in that one season two episode. It was not as if they did not have time because they had a whole plot about Jaune that did not move the plot whatsoever about his own problems I don't give one flying shit about. The solution didn't even matter because Pyrrha dies anyway. Like what the fuck? Yang goes out of her way to reveal some of her backstory to try to help out Blake from imploding inside due to her worries on White Fang activity, but I can't even believe she'd do that because when Blake and Weiss were arguing in season one and Blake ran off, Yang did absolutely nothing. What changed there? Was there some moment of bonding they had that made them closer so Yang would do such a thing? No because they wasted time doing pointless shit that did not improve on the relationships of these characters at all.

Blake had to resort to random faunus monkey dude to support her in that episode, and now he's the only one doing it which is troubling. If they were to be friends then it would be Weiss, Ruby, and Yang that would help her get past what her issues now especially since what Blake is going through affects her team the most, especially Weiss, but most especially Yang because she lost an entire arm trying to help Blake and Blake instead of accepting this traumatic support or helping her friend instead just runs away and leaves them to be,. But this random faunus monkey dude can totally follow her around. That's okay! Is it because he is a faunus? IS THAT THE ONLY REASON!? Ruby is so preoccupied by defeating the enemy themselves she never considers say, staying home to support her most traumatized sister a little longer, or trying to find Weiss or Blake. It's investigate what happened to Beacon, fuck my friends. Yang understandably is too shaken up to do anything for some time, so she is forgiven, but Weiss cannot even leave her father's side. She is stuck there, so she is also forgiven for not reuniting with her friends. But why bother when no one comes after her, and her final conclusion after escaping her father is to find her sister? She clearly doesn't believe they are worthy to seek out and only her sister can support her, and who can blame her!? Fuck her friends! There is no female friendship in RWBY and that's a fucking disgrace. They have no idea how to develop it whatsoever and instead develop male-female friendships that aren't even friendships because EVERY SINGLE ONE OF THEM HAS ROMANTIC SUBTEXT. DOES FRIENDSHIP MEAN ANYTHING TO THIS SERIES AT ALL!? WHAT THE FUCK. Penny and Pyrrha were amazing supportive friends! EXCEPT THEY DIED. OKAY. AWESOME.

It was the most promising and it crashed hard, into a trainwreck that was so bad I finally looked away from it. Yeah the action, choreography was great, but that's not what keeps me watching a series. That's not draws me to a series. It's the female friendship I so long to watch. It's why of everything that has been recommended to me in the past few years Little Witch Academia is on the top of the list because I don't see any of these themes in all the other mystery, comedy, actiony things people recommend me. Maybe I'll give it a chance, but I just feel so cynical after RWBY, that I had to write a giant story to fix this severe problem. That I'd rather just play video games and give up watching stuff forever than to put in hope for what I like to see in stories. It's why I'm so apprehensive with starting anything and would stick to the same series and franchises I have trust in over and over again. And it's because of my friendship issues throughout my entire life that I'm stuck with such a specific kind of theme I really want to watch, and see done well. Maybe I just want validation? I don't know. 

Things like Touhou and Overwatch where everything does not hang on one cohesive story is a lot more approachable than some anime or cartoon people recommend. Since the story is not released all at once and speculation is rampant, plus we can always enjoy them both in other words like actually playing the game or listening  to music, it doesn't depend entirely on what canon says. I really like Mercymaker in Overwatch for the potential of Mercy being one of the few people that can help Widowmaker recover. Also it's hot, but that's irrelevant. It's extremely one-sided though because I do not see Mercy benefiting as a person helping Widowmaker, merely doing what she usually does that she has devoted her life to, but it follows the pattern of the kind of pairing I like. Anyway despite that there's not a lot of canon to back this up, it's just an idea and the fans power these ideas. Most likely due to the story being all over the place and with so many other characters this ship is free to be as large as the imagination desires. There's a chance something will come around to throw it off, but due to the nature of these series I can usually ignore it.

One final last thing I forgot to mention in quite possibly one of the largest rants i have written of everything ever, is that I also had a friend in between Beyblade and Negima, a fandom friend when I was into B-Daman briefly. We made up a lot of story and artwork through our roleplays and I spent a ridiculous amount of time with this girl. Sadly she drifted away eventually, so I couldn't think of anyway to put her in this rant since I mentioned so many of my other friends. Still, i do wonder how she is doing and if she is okay because when I met her she was going through some difficult times. I have no real way to contact her but I hope she's doing well.

Ultimately, friendship is hard. True friends are the few that stick by your side unconditionally, and most people have no idea how to depict the kind of friendship I'm looking for in media. At least of those I've seen, but RWBY has dampened my spirits to the point that I can't be bothered anyway. Just gotta stick with what I already have and cherish who are still around. Thank you my friends. Even if we drift away someday, I am glad you were around when you were. And it's definitely true that a lot of us will not know what we are missing when people are gone. I probably still have a bit of a friendship complex, but throughout all of this I went from this positive outgoing person who really wanted lots of friends to an introvert who would rather stay inside and sleep all day. I do still want to have friends, but I don't have the effort anymore. And I know a lot of people are like this too, but even if they don't talk to me everyday or even every week, when we finally do speak again we can pick off where we left off, like time does not affect our friendship at all, and that's the best feeling to have. We're all adults now anyway. Responsibilities take up our time, but still that doesn't mean drifting away is something that is guaranteed. 

This has been Spotto, and I have revealed quite a bit. Adios!
spotto: (hong kong *STAAAAAARE*)
Yep. It's a chapter.
I mean, I'm currently swimming in chapter 34, so I guess it's okay to release 16.
That's how it works, right?

Yep, stuff happens.

I wager this one's a pretty important one, but whatevs.
 
spotto: (Stage One.)
Blame Akira.

Also wtf why was 14 so short compared to this chapter. How am I dividing these? With no thought put into it at all it seems!


Yaaa. I almost feel like posting the whole story thus far. Who knows. I dunno why I'm posting these so far off. Ah well.
spotto: (Q_Q)
Since i'm about 99% sure no one reads this, I can write all these with ease. (Because spoilers, especially when it comes to something true and dear to me, I cannot reinstate enough, ARE EVIL. I will not partake in it. I WILL TRY NOT TO. But leaks happen, things air early, and some people don't watch things right away, and an outlet is as good as any when it's in a chamber of echoes but the only person here in this wide, wide vast space is myself.)

Anyway after the most recent episode of MLP I decided this was a good time as any to actually figure out what my top ten or five or seven or some arbitrary number episodes in the entire series are. I mean there's over a hundred and fifty of em to choose from, why not try choosing? I thought it'd be pretty difficult, aside from the top two and now top three which have been set in stone since this quality handful of episodes aired, but when I thought about it further it was a little harder to come up with anything beyond the three. Yeah I have this massive somewhat organized little tier list hanging 'round the blog that usually sits at the top for everyone to see, and probably shouldn't be there anymore due to the hiatus, but what do I care? It's a bit vague. Five tiers are a lot, but I don't necessarily enjoy an episode from say the Awesome tier in the exact same manner and level as any other episode on the same tier. They're probably close, but variances will always happen, with any episode, and some tier system simply isn't satisfying if we're about to demonstrate some cold hard rankings.

So without further ado, here are my top eleven episodes of MLP in backwards order! Because why not? And I haven't typed here in a while, have a surplus of caffeine wading through my system, and the latest episode really drives me to want to talk about it anyway. Spoilers! ;)

wow spoilers batman )


spotto: (koi)
It seems I haven't done a Tohosort in a little over a year-and-a-half. I thought "What the hey" and spent some time doing one last night. And by doing one I mean "redo it three times" after pausing partway through because I fucked up somewhere, even though the fuckup would likely be somewhere in the 20-30 range and wouldn't really matter in the long run. "Oh' I say, it's because I tied "X" with "Y" and I like X better than Z, but not Y better than Z! But because X = Y, Y is now > Z! This cannot be. I had this issue so often because sometimes I'd do something like X > A, B, and C and then I realized I put Y higher than X and thus all three of A, B, and C! I mean yes I do like Y better than X, but for Y to out class so many others (usually a cast herd) is absurd!
 
Like why am I perfectionist about this? It's a goddamn popularity list of a bunch of fictional youkai girls. Like what. WHO FUCKING CARES. It is 2017 and I was wasting such time like that, but that's just what I do ...
 
Anyway after I finally finished doing something like that I decided to compare it to old tohosorts. Just the sort of logical thing to do, right? Compare with EVERY OTHER TOHOSORT I'VE EVER DID. And the patterns always fascinate me. They fascinate me because Touhou is the single fandom where I have no loyalty to anyone at all. My favourite character a year ago is not my favourite today. My favourite character six years ago may be my fifteenth favourite character today. The flavour cycles. My tastes change. I find interest in someone else. Because this cast is so large and this lore is so vast, I always suddenly discover, "hey this previously unappreciated character is fascinating!!" I dive into their lore and fanon, and the rest is history.
 
So as you can see in the latest Tohosort, another earth-shattering change has occurred. That's right! Parsee is in my top ten!! GASP! No but really, Aya is number one at the moment. Who foresaw fucking that? I even went back and checked where she was in my other Tohosorts just to see how much I gave a damn about this bird some years back. She was always below 20 for the longest of times. Once she was below 40-something, outside the cut-off point of the chart I decided to save. I deemed her uninteresting enough she wasn't worth showing up in the popularity contest at all at one point. And now she is NUMBER FUCKING ONE.
 
Have some numbers:
 
Aya
25th/26th/35th/42nd+/29th/28th/21st/18th/3rd/1st
 
In contrast here's an old favourite:
 
Murasa
2nd/1st/1st/1st/3rd/5th/12th/8th/11th/20th
 
Madness.
 
Now this contrast is not some random name I pulled out of my hat. I could have compared her to Koishi or something, but that's rather pointless and boring. Because Koishi has never left my ton ten ever, so it's not like such consistent numbers really amount to anything when it comes to such drastic changes like these two characters. KOISHI IS AMAZING OKAY. I loved her before she was cool. B) . I could have also compared her to Keine who had a similar kind of ascension, but again not to the absolute ridiculous extent of Aya. She literally came out of nowhere. Like what the fuck?
 
I can't very well explain how this came to be, but what I can explain is the relevance of this comparison. You see, Murasa's drop is directly correlated with Aya's rise. You know why? Because they have a few similarities. Sure they're both fourth stage bosses at some point and have short black hair, but my point here is a point I've may many-a-time on this blog. Many-a-time I mean that annoying tiny nitpicky issue I have with something that is normally incredibly petty and nonessential, but I make such a big deal of it every time it's brought up anybody reading the post would probably want to drive to my house and shoot me in the face if I dared say another word kind of thing. You know, like my Filli Vanilli issue. I rant about that all the time. The rant is usually the same every time. I do nothing to contribute to fixing that problem at all. I JUST COMPLAIN. That's the same issue here.
 
See, once upon a time I learned that Murasa's shorts ... was a skirt. It may have looked like shorts and some artists may have interpreted it as shorts, but officially as ZUN had said in some random interview about UFO probably, it was a skirt.
 
Truly, such a small tiny thing angered my very soul. Design 101! I declared! Her design was boring enough as it was. It was white. It had a sailor's uniform. The skirt was long and impractical for what she did. It was really plain. Her outfit as a whole was plain as fuck. NOTHING ABOUT HER DESIGN STOOD OUT. I thought "Well gee willikers no wonder she's such an unpopular character!" It does not matter how gimmicky your danmaku is if your design is terrible! But the one redeeming factor in my eyes were the shorts. No one really wears shorts. I guess Wriggle wears pants, but that was like years ago. And Mokou too, but same game! If Murasa wore shorts, the entire bland design would be forgiven. She'd finally have a piece of apparel unique to the population of Gensokyo. "Finally!" I'd say, "There are no frills! There is no skirt! She may look like an ordinary sailor, but it stands out in the fantastical world of Touhou!" And I would bask in such originality, and people would depict her as a more tomboyish character because of her clothes! Because goddamnit how else are you going to draw a character from blank states like Touhou characters, especially those too unimportant to have plot relevance in any other game or manga again? I GRASPED AT THE STRAWS AND CLUNG ONTO THEM FOR AS LONG AS I POSSIBLY COULD!
 
But canonically, it's a skirt. APPARENTLY A GODDAMN SKIRT
 
Touhou has no ships. It has no romance. There are no ships to sink. THIS IS THE CLOSEST THING THEY COULD SINK, THIS SHIP RIGHT HERE. MURASAXSHORTS, SUNK FASTER THAN MURASA HERSELF CAN USE HER ABILITY! THE ONE SHIP THAT MUST NEVER BE SUNK, THE ONE MURASA RODE ON AS HER ONLY GODDAMN POTENTIAL. MOTHERFUCKING SUNK.
 
And so the ship sunk, nosediving to the bottom of the ocean just like my interest in Murasa. Did I truly like Murasa for Murasa? Or was I only in love with her imaginary, noncanon shorts? Shorts that never was. Never to be. Potential dashed.
 
Anyway, with that hope crushed into infinity, years later I found interest in one Aya Shameimaru. No she doesn't wear shorts. I liked Aya for Aya! Though her design is great too, I found solace in the fact that occasionally she isn't depicted as the soulless unsympathetic hack that manipulated people for her sensationalized bundle of ink and paper. I mean she's probably partially that, but y'know with a cast of only females comes with a fandom of horny males, so that depiction can be pushed further to near voyeurism. Where panties becomes the holy grail of a news story to a crow tengu. I don't know either. But I got sick and tired of that same old shallow characterization popping up over and over again, and thus never saw Aya for Aya, only the sensationalized bundle of ink and paper the fandom liked to depict her as.
 
Every character suffers from that, absolutely all of them. It can take some time to see the diamond in the rough, so to say.
 
Also her music is great, but that's usually the case for the entire cast, so... Anyway, to keep things short, or shorter rather, I lied earlier! Aya DOES wear shorts! No, not her usual outfit, but in Gensokyo whenever you want to pretend to be a human, you just gotta dress really fancily and trendy. SO like, not diapers on heads or gothic lolita fashion but actual sane fashion a human would actually wear. In Mamizou's case she wore an awesome scarf, grew out her hair, and basically looked infinitely better than her ragtag youkai look. In Aya's case, she dressed up like a stereotypical newsboy who would hand out papers shouting "EXTRA! EXTRA! READ ALL ABOUT IT!"
 
I being the very diligent person, went through real canon Touhou work (this being Forbidden Scrollery) to not only verify my sources, but to see if the rumoured SUSPENDERS showed up on this outfit as well. I found only one panel where Aya was not guarding her undershirt as if the very secrets of the tengu themselves were hidden under there, and there was a line. The line COULD be suspenders. IT may not be, though suspenders are the most likely article of clothing. All I can really determine from all this is that the fashion in the Human Village is much further along than the Outside World, and the people out here need to step-the-fuck-up, because hot damn.
 
if you don't wEAR SHORTS that isI am not saying at all the very idea Aya wore shorts that one time (and potentially suspenders!1) caused her to become first, not at all. It may have contributed slightly, but I found this contrast rather intriguing. That the one character I assumed would make sense as a sort of androgynous type of character due to her official outfit, never wore such a thing at all! And the other character who I never even considered for such a part would choose such a disguise one day. Why that disguise? It's sort of Western-looking is it not? Though I guess, what else would scream out "THIS PERSON IS OBVIOUSLY A JOURNALIST" than such an outfit? But then why did she choose newsboy? It's not as if Mamizou's, Kosuzu's, or Akyuu's clothing are similar. Well anyway I'm not here to decipher such things, only to sit in wonderment of how this fucking tengu stole my heart recently.
 
Like I don't actually know. I don't know what changed. Do I just like Keine and Miko less? I guess? Maybe? AyaSanae did help quite a bunch, what a wonderful rarepair. But you know maybe I do know. I played some Sims recently and made Madoka Magica Sims. I was playing through a planned scenario that involved a lot of death, murder, homelessness, and zombies. Aya became relevant in Act 3. In fact she became VERY relevant in Act 3, and the way I weaved that story about made her a very awesome character indeed. I thought to myself as I came up with the inspired plot, that Aya was quite the bro. Which is an odd thing to say because Aya's characterization is usually the opposite of a "bro". She would never be nice for no real reason. There are always ulterior motives. ALWAYS!
 
But coming up with the ulterior motive for her to be so nice made her so fascinating in my eyes. I thought, "Dang, this is the potential of Aya as a character" and never really thought about it until now. It reminded me of this old Touhou comic I read when I first got into the fandom, t'was a Youmu comic. I remember a fairly badass portrayal of Aya there. I thought "Wow, I really like this Aya person. They're such a bro!" And that was the last time I thought of Aya like that because fandom is a bitch. And that in itself reminded me of an old nostalgic favourite I had long, long ago, ten years in fact. She too was a journalist, and she too was far too nice for no real reason, but sometimes she had ulterior motives or at least personal motives, and was not simply doing a favour just because. At one point, that character was a wildcard in a very dangerous, climatic situation where she could have been on the bad guys' side, but then suddenly wasn't. Because well, what fulfilled her goals more? Neutral parties that do things because they benefit themselves and it's not in an overly ambitious cartoonishly evil way (because most neutral parties end up being BACKSTABBING TRAITORY PARTIES INSTEAD!) is something I don't often see in fiction enough. Or maybe I just need to experience more fiction since I like limiting myself to very few. (This is due to time-management and addiction reasons.)
 
If I ever get motivated enough to post that Sims scenario on my Sims blog, you may realize the full context of my explanation. 
 
Anyway I gave myself a 30 minute time limit to write this and spent an hour instead because ... I was supposed to go to sleep, so this is a good a place as any to end this. I hope this blog enjoys the slight amount of activity, and anyone floating around in the headlights and tumbleweeds may someday stumble upon this to read it. Until then, adios! This has been Spotto.
spotto: (Default)
 I LOVE playing Overwatch. I LOVE LOVE LOVE IT. It is something I greatly enjoy.

Yet I can’t  bring myself to play it. I haven’t played it in over week, even during this fun event to collect lootboxes. I haven’t talked to my gaming friends in over a week either. I’ve just been mulling around, doing nothing productive, watching anime I’ve already seen, trying to experience all over again the love I have for some nostalgic shows in the past. I just spammed one of my friends a giant essay about Madoka. I would rather write rants about an Anime than socialize and kill things on Overwatch. EVEN THOUGH I LOVE OVERWATCH.


 

I just don’t know what’s wrong with me. It took me three times as long to get home from work today because of the snow. I took two weeks off to mourn my father and now I’m suddenly back to five-day-work weeks. I was dreading the loss of my time by wasting time. I took two weeks off because I wanted to just do whatever I wanted to distract myself or whatever from the shit that is life. Yet the first week was frantic with funeral preparations because of how taboo it is to have one after Lunar New Year. It’s been over a week since the funeral and I have no clue where we’re burying my father’s ashes. I don’t even know if he even is ashes yet at this point. Is it taboo to burn a body after CNY? Did they rush to burn the body before CNY? But we haven’t even finalized the finances for an urn, so how could there be ashes yet? Is it in a temporary one? 

My mom is a depressed, anxious, paranoid mess. She is stressing out my uncle and aunt who had come for CNY for a holiday, so that is already ruined. My brother fractured his foot after slipping on the ice. I was summoned to accompany my mother grocery shopping in a blizzard, because my brother did not trust her alone. I can’t do anything. I keep trying to ignore things. I keep trying to drown them all out, but I can’t. And it’s destructive, and it’s unhelpful to the family. Yet I also can’t give into the idea that all of my time is to be used for the family because I can’t even bring myself to do the things I even enjoy. I can’t play Overwatch. I just do nothing.

I’ve been more anti-social than I usually am. I stopped speaking to my brother for a day for a minor inconvenience, but I can’t bring myself to come out of my shell. I can’t do fucking anything. I don’t know what I’m doing. I go to work tomorrow to do menial unrewarding tasks, spend a gargantuan amount of time trying to get back home so that I may also do nothing when I get home.

I just don’t know what to do anymore. Is discussing Kyouko and Sayaka’s motivation rewarding? Is suddenly discussing an Anime I always had controversial opinions about because of how hopelessly spoiled I was and how jealous I was of its overexposure really something I would be doing now if I had a healthy mindset? Is my mind healthy? Am I mentally here? People have reached out to me in text and words, and I always respond I am ok. I always respond I am okay. I never respond any differently. Even if the scenario were different, even if it were five months ago. I always say I am okay. It is never good. It is never bad. I give the same answer each and every time. I wonder why no one notices.

I tell myself to go to bed early so I that I may not be tired tomorrow for work. So that I may wake up in time to leave early so that I won’t be late because of the snow. I am never late. What’s the point of being on-time each and every day? Who cares about such a minor detail? I was summoned out of bed to shovel snow a few days ago. I did it wordlessly and bitter. As I slogged through the slush holding my mother’s bags I did it wordlessly and bitter. Everything I do is wordless and bitter. I finish every task and chore you give me, but it is always wordless and bitter. I do not engage in the act myself. I must be told, and it is wordless and bitter.

I don’t know. Maybe because I grew used to sitting Teamspeak waiting for someone to ask me to play Overwatch, and that hasn’t happened in a long time, to the point that I stopped regularly sitting idle in Teamspeak. I’m doing it now, but I always throw myself in the AFK channel, to signify I am not to be disturbed. Yet why join in the first place if I do not want to be disturbed? Why not stay off entirely? What am I trying to achieve doing something like this? Why leave programs like Skype, Discord, Teamspeak open when no one ever initiates? And in the rare time it does I do not want to talk to them, to socialize, and I feel annoyed. Even though by merely having a presence on these services, I am presenting myself as open to activities? 

What the fuck am I doing? And why am I posting it on Tumblr? Who even reads my Tumblr? Porn blogs? Random followers I’m not sure are bots? Mutuals I barely talk to and have no interests with? Barely anyone I regularly converse with even reads this. What is the purpose? Am I trying to reach out for help, yet put it on a platform where there’d be little of help?
 

I don’t fucking know what I’m doing anymore. I’m supposed to be feeling sad right? A Reddit post said the first year after a major death is hard. Why don’t I feel sad? Aren’t I sad? Why can’t I cry? Do I even care? I still cut this post because even in my whiny little angst rant that I will likely delete the next day because expressing myself in the public eye of the internet on my own blog is somehow embarrassing and will draw far too much attention I must adhere to people’s preferences. No one wants a giant wall of text on their dashboard. I don’t either. That’s why I unfollowed tons of people recently, mostly RWBY people. I thought maybe I could stop being so unhappy if I cut disastrous series that don’t bring joy anyway like RWBY out of my life. A friend of mine tried to link me an action scene from V4 to rekindle some sort of passion. My response was to delete every single RWBY-related recommendation I saw on Youtube. 

It feels like I failed that person. I tried so hard to get them into RWBY because I enjoyed it so much. They finally started watching it, and it felt like it was for me. Because we don’t watch the same shows anyway, and they watched it for me. And now I abandoned the show I tried so hard to get him to watch, and now I have failed him. And now we lost our one single similar interest. 

Everyone is so flawed. Everyone is so flawed. People are so flawed. I am so flawed. Why, for twenty years did I believe in some hopelessly idealistic friendship of a lost soul finding their way with a perfect, optimistic, angel of a friend? Someone so selfless, so devoted to this no-name schmuck. That person does not exist. Because perfection does not exist. Flaws are all that exists. 

It’s like I’m barely hanging on a thread.

...this didn’t end up on Tumblr did it? I was too shy to be so bold, to post so much of myself in such a public space. I probably put it on my personal blog that no one reads. That I will delete eventually. Or maybe I drafted it. Who fucking knows. I disappoint myself. I always do.

spotto: (Sooooolo)
There's an artist on Tumblr who I admire, and who has quite possibly the best sense of humour there is. Unfortunately our opinions don't always align, and she seems extra-sensitive to racial issues like Tumblr is sometimes infamous for. I can't comment on anything not involving my own race for chance of ignorance, but as someone who is Chinese I was a little miffed that despite a large post rebuking an incredibly stupid post written by someone who thought even speaking Chinese when one is not natively Chinese is somehow offensive, apparently Mercy wearing an outfit with Chinese patterns or Widowmaker in a Qipao on just her spray is something they are uncomfortable with.
 
They might have a small beef if they themselves were Chinese, but they're not.
 
White people who get offended for other people's cultures/race piss me off to no end. Especially those who hold the opinion that no matter what people think of or say they cannot possibly be racist against white people because of privilege or whatever, which also pisses me off. That's like holding other cultures/races on a pedestal and making it more "sacred/exotic" compared to white culture simply because they have a history of oppressing minorities. It's still treating us differently as if we're an alien species as opposed to different yet equal. In the end any issue that comes down to racism or cultural appropriation is most likely a case-by-case basis, and never something starkly black and white. To assume so would be almost like generalizing any minority into one melting pot of people compared to white people. Also anytime someone even mentions white people it's always Americans or something and never like, Eastern Europeans who also are pale-skinned and have had a history of being oppressed as well. What about Africans who are white, or are we to assume if they aren't dark skinned they aren't African? This always made the term "African-American" nonsensical to me, because if someone from say Northern Africa who may look tanned at most or someone with white skin from South Africa immigrated to America, what do they call themselves? No one would take them seriously because African-American is ingrained within their minds as black so much that they'd end up just calling the person using the term racist or ignorant. 
 
In other words these "white knights" who try to be allies express some internalized racism without even knowing, without ever acknowledging it. It just pisses me off. It reminds me of a layman trying to correct someone on some topic and talking over the expert who could explain and express everything much more sincerely and accurately. If there isn't someone or even a group of people of that specific race bringing up the issue, what is the issue? Unless there is literally a tiny population of the people, most cultures and races do not need a white ambassador to lecture all the other internet people what is politically correct and what isn't. 

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